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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1970
11/6/70
Good Lovin' (ending)(warbles at very end)
2:49
portion of jam/
2:14
jam > Not Fade Away >
7:57
Goin' Down The Road >
5:04
Not Fade Away (brief glitch) >
1:58
Caution (brief warble 10:35)
13:57
Turn On Your Lovelight// (glitch) only 49 sec's
0:49
FIN
View on archive.org
Sources
Taper: Jerry Moore and Marty Weinberg
34:48
Rating:
8.67 / 4 ratings
Taper:
Jerry Moore and Marty Weinberg
Transferrer:
Rob Berger
SHNID:
gd1970-11-06.aud.weinberg.moore-berger.119818.flac16
Source:
partial: aud reel master > reel, Jerry Moore's copy of Marty Weinberg's master;
Lineage:
aud > akg d190e > uher 4000L mar > 7" reel @ 3.75 ips, dolby b; technics rs-1506 > teac an-180/b > hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred/seeded by Rob Berger
Taper Notes:
View NotesThe only complete copy of this show is shn ID 17183, the composite assembled by Jack Warner which includes various lineage copies of Ken Lee's and Dave Tamarkin's cassette recordings. (For the record, the Lee recording was most likely made with two mics spread on the balcony ledge into a sony tc-124 cassette deck, and not a sony tc-110 using an internal mic as noted. I say this because a) the recording is very much in stereo, and b) this is what Lee himself said when John Hance was working on his tapes). Most of the material in disc three was upgraded with the addition of shn ID 19922 which is from Marty Weinberg's master audience reel. This source upgrades King Bee through the beginning of The Main Ten and then cuts. The material I've provided in this seed is the rest of what Marty taped that night which I've never seen in circulation before. While it has some glitches, the sound quality is superior to the circulating version. Just listen to Caution on this seed and then check out the version that you presently have in your collection. Before I try to patch this material into the 17183/19922 composite, I would like to hear from other listeners in regards to pitch. To me this new source sounds correct and the Lee recording of the electric portion seems to run fast. I welcome any input in this matter. The raw 24 bit files of this portion are available to any capable soul looking to work on this project. Without a sound board in the vault, every byte counts! Cheers, Rob Berger pibb at optonline dot net
Taper: Marty Weinberg
1:18:11
Rating:
7.20 / 5 ratings
Taper:
Marty Weinberg
Transferrer:
Uli Teute and Hanno Bunjes
SHNID:
gd70-11-06.d3new.hanno.19922.sbeok.shnf
Source:
Audience - Improved Disc 3 Only
Lineage:
AUD > MR > CD
Taper Notes:
View Notesdisc 3 of previous seed (17183) patched to include Marty Weinberg's audience recording (MAR > CD), via Hanno Bunjes
Taper: Ken Leigh and Dave Tamarkin
4:39:52
Rating:
8.64 / 26 ratings
Taper:
Ken Leigh and Dave Tamarkin
Transferrer:
Jack Warner
SHNID:
gd70-11-06.aud.warner.17183.sbeok.shnf
Source:
Audience
Lineage:
Sony TC-110 with built-in microphone > Cass > Reel > DAT > CD > EAC > SHN
Taper Notes:
View Notes-- Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone -- Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master -- From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone -- There are some small master glitches ~1:30 of Black Peter. -- The Tamarkin master is fairly brutal, but it's the only tape which supplies the end of El Paso and Brokedown Palace. There is some serious tape warble on these tunes, and there is some very bad tape crackle between songs, which I have removed where possible without touching the music. Listener beware! For completists only. -- There is a master tape flip at 6:14 of All I Ever Wanted. Very little music seems to be missing. I have smoothed the cut. -- There is a master glitch at 2:37 of Candyman. -- There are a few level fluctuations in Candyman. -- There is a master tape flip after Candyman. No music is missing. -- The Easy Wind which has circulated with this date has been determined to be from July 10, 1970, and, as such, has not been included here. Based on the tapes, it does not seem that Easy Wind was played this evening. -- There is a small master glitch at 4:03 of Drums following Good Lovin'. -- From Dave Tamarkin's recollection, there is a broken string which accounts for the break after Good Lovin'. The electric set was one long set, not two sets as it has sometimes circulated in the past. -- There is a master tape flip at 7:30 of Lovelight. Very little music seems to be missing. I have smoothed the cut.
Transferrer: Teddy Goodbear
3:30:43
Rating:
9.33 / 10 ratings
Transferrer:
Teddy Goodbear
SHNID:
gd1970-11-06.aud.evans.3338.sbefail.shnf
Source:
Audience
Taper Notes:
View NotesTHE CAPITOL THEATER SHOWS -- NOV 5-8 1970 For this run of shows at the Capitol Theater (Nov. 5-8) the Dead played a single concert each night from Thursday to Sunday. The Capitol Theater's Village Voice ad for October 1 lists shows ("featurning NRPS") at 8:00 PM on November 5th, 6th, 7th & 8th. In the ads for 10/29 and 11/5, ads for the shows at the 46th St. Rock Palace in Brooklyn are prominent in these same issues. BAND Grateful Dead VENUE Capitol Theater CITY Port Chester STATE NY DATE 11/06/70 SET1 Total [24:19+]; Candyman [1:06]; fixing the monitors [1:37]; Candyman tuning & Candyman [4:16]; Uncle John's Band [1:25]; Uncle John's Band [2:13]; tuning [1:50]; Attics Of My Life [5:23]; drums & Phil* [6:30#] SET2 Total [50:28+]; Don't Ease Me In [#3:09]; [0:09]; Deep Elem [5:51]; [1:27]; Dark Hollow [3:02]; [0:43]; Friend Of The Devil [3:36]; [1:31]; The Rub [2:57]; [0:42]; Black Peter [7:06]; [1:31]; El Paso [4:45**]; Brokedown Palace tuning** [1:11]; Brokedown Palace** [5:52]; Uncle John's Band** [#5:41] SET3 Total [:]; NRPS set SET4 Total [79:30***]; Casey Jones [4:36]; [0:18]; Me & My Uncle [3:32]; King Bee [6:45]; China Cat Sunflower [2:57] >; jam [3:05] >; I Know You Rider [4:08]; Easy Wind [8:38]; Truckin [7:31]; Candyman [7:20]; [0:12] Sugar Magnolia [7:20]; drums [0:31] >; Good Lovin [1:42] >; drums [4:17] >; Main Ten drums [0:35] >; Main Ten [3:43] >; drums [4:10] >; Good Lovin [8:40] SET5 Total [56:44]; Alligator [3:29] >; drums [0:10] >; jam [10:39] >; Not Fade Away [2:57] >; Goin Down The Road Feelin Bad [4:13] >; Mountain jam [0:30] >; Not Fade Away [2:40] >; Caution [14:13] >; Lovelight [17:30]; [0:30] Note - Most timings above are listed as per www.deadlists.com COMMENTS SET 1 is the acoustic soundcheck. *Phil toys with the opening lines to Cumberland Blues among various other songs. SET 2 is the opening acoustic Dead set. The end of El Paso, Brokedown Palace tuning, Brokedown Palace, Uncle John's Band & the NRPS set that followed (aka - SET 3), did not circulate as of (2/98)**. SET 4 is a electric Dead set. Eyewitness & AUD recorder David Tamarkin says this set definetly ends with Good Lovin'. ***Does not include Easy Wind, which is not on Teddy GoodBear's copies. SET 5 is another electric Dead set. The first 3:10 of the jam after Alligator is just Jerry & the drummers; this jam involves allusions to Not Fade Away, Goin Down The Road, The Other One and Caution, but never settles into any steady riff despite the drummers energetic efforts to herd it into Not Fade from 7:30 on -- when they finally do slip into it by the back door at 10:39 the effect is explosive. The dovetail into Goin Down The Road 3 minutes later is as deft; this song features the additional verse "Mama told me son don't go down there." There are Caution hints in the transition from Mountain jam back to Not Fade. Pigpen's harmonica is prominent early in Caution -- the jamming here is over the top, more than a match for any show ever -- the segue into Lovelight takes it from a roar to a whisper to a roar in 3 seconds. It's hard to believe they didn't play an encore, or two. There is no SBD master of this show in the vault. ======================================================================== From: Teddy GoodBear To: Dave Tamarkin Subject: Re: 11/6/70 & 8/17/70? Date: Monday, February 14, 2000 12:41 PM From: : cassette master > cassette copy > my reel copy : at 3-3/4 ips > your dat except for the small portion : during the acoustic set with the quality difference, : Brokedown and part of El Paso from my cassette master : > my reel copy at 3-3/4 ips > your dat. Who was the taper for both? Were you the taper for the small portion "cassette master"? And do you know what equipment you or he or they used? : I don't know if i go along with the 8/17/70 assumption. : I have that also, never realized it was the same. it could : be capitol, came off one of those tapes and : the guy didn't do any trading. The mystery continues... Is there more to what you have listed as 8/17/70? Can you compare the 2? Teddy :^) From: From: To: Subject: Re: 11/6/70 & 8/17/70? Date: Tuesday, February 15, 2000 7:07 PM I don't know the name of the guy who taped the bulk of that show, but he was the infamous usher who's been mentioned for years. He did almost everyone who played there but after a falling out with my friend, his brother in law, we never got to dub most of his stash. What was gotten includes several dead, nrps, janis, tuna, tull, allmans, delaney & bonnie, traffic & j.a. shows. He would set up off the balcony with a mike spread. I have no idea what he used. that small acoustic portion was mine on a panasonic portable, if memory serves. What you have as 8/17/70 is the same as what i have. As i mentioned, it was on one his tapes with no info. He didn't trade so we don't know where else it could have been from. hope this all helps. Dave ======================================================================== ----- Original Message ----- From: From: Dave Tamarkin Date: Wed, 3 Nov 1999 20:17:11 EST Subject: 11/6/70 Hi folks, my name is Dave Tamarkin. For many years now I've been trying to correct the base on the subject of 11/6/70 capitol, port chester. This was my 1st show. I was already quite familiar with existing released lp's of the dead. Anyway, I brought a recorder with me not knowing about things like fresh batteries and how long these guys really play, I only managed to get a small part of the show. Many years later, I found out that my friend's brother in law was the often mentioned mystery usher who may have recorded some shows. He had a deal with the promoter to tape off the balcony while tending to his job. His was the source for many good tapes from there, including jethro tull, hot tuna, janis joplin, traffic and more. My copy of this show has the acoustic brokedown palace, followed by ujb to close the set. Also, if you listen closely, after good lovin, you hear a mention of a break to change a string, if memory serves. After the break, alligator follows. One show that night! i walked in about 8:15 and left about 2. And yes, the nrps set does exist on tape, at least from that night. keep up the good work, DT RECORDING 18 AF 80 A? & 90 AF. **NRPS set & missing acoustic dead songs surfaced 2/00, originating from David Tamarkin to Teddy GoodBear. The found "missing" acoustic dead songs are in somewhat degraded sound quality. CONTRIBUTORS Jim Powell Dwight Holmes Joey Newlander Teddy GoodBear David Tamarkin ======================================================================== CD1 {Total Time using 80 min CDR - 74:47} DEAD acoustic soundcheck: Candyman 01:05 fixing the monitors 01:36 candyman tuning and Candyman 04:16 Uncle John's Band 01:25 Uncle John's Band 02:12 tuning 01:50 Attics Of My Life 05:22 drums & Phil 06:29# DEAD opening SET1 acoustic: SET1: Don't Ease Me In #03:19 Deep Elem 06:16 Dark Hollow 04:32 Friend Of The Devil 04:14 tuning 01:16 The Rub 03:16 Black Peter 07:42 tuning 01:16 El Paso 05:50 Brokedown Palace tuning 01:10 Brokedown Palace 05:51 Uncle John's Band #05:40 {NRPS Set goes here} CD2 {Total Time using 80 min CDR - 79:30} DEAD SET2 1st electric: Casey Jones 05:25 Me & My Uncle 04:04 I'm A King Bee 08:11 China Cat Sunflower > 06:05 I Know You Rider 05:36 MISSING? or was not played: Easy Wind [8:38] Truckin 08:43 Candyman 09:54 Sugar Magnolia 05:17 Good Lovin' > 08:45 Main Ten 08:34 Good Lovin' 08:50 CD3 {Total Time - 56:44} DEAD SET3 2nd electric: Alligator > 06:37 Not Fade Away > 10:25 Goin Down The Road Feelin Bad > 04:57 Mountain Jam > 00:31 Not Fade Away > 02:19 Caution > 13:47 Turn On Your Lovelight 08:04 ======================================================================== Teddy :^) www.goodbear.com Home of etrees: www.goodbear.com/tree.html PS - Thanks Dave Tamarkin for getting me started with Dead tape trading in 1975. I still have those very 1st cassettes from the Fillmore East you gave me back then!!! And it was good to see you again after more then 15 years in the year 2000! Encoded to MP3 by: Teddy "Good Bear" & posted the 1st time to "alt.binaries.gdead.highspeed" 5/00 with the help of Doug Johnson.