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Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h62984
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.3k378
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.1k277
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k291
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.9k377
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.2k428
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.6k333
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.2k146
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h6.8k867
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h85597
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.6k426
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.1k493
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k148
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k186
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k226
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h6.9k798
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.3k184
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.6k220
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.5k1.3k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h11.5k1.6k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41742
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.3k418
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.5k594
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.7k342
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k150
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.6k196
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.7k269
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h813100
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11116
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25318
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h362
7d1128
30d63237
2 shows
2 tapes
1970
6/24/70
big railroad blues
1:43
Deep elem Blues
3:07
Friend Of The Devil
3:34
Candyman
5:51
Cumberland Blues
3:06
Cold Jordan
2:14
tuning
1:12
Six Days
4:20
Superman
3:44
I Don't Know You
4:19
Fair Chance To Know
4:27
Portland Woman
4:46
Cold Rain And Snow
6:16
Easy Wind
9:06
New Minglewood Blues
4:11
Alligator ->
4:01
Drums ->
1:47
The Other One Jam ->
1:34
The Other One ->
4:25
Attics Of My Life ->
6:50
The Other One ->
4:41
Cryptical Envelopment ->
1:58
Cosmic Charlie
7:18
Good Lovin' -> Drums ->
3:25
China Cat Sunflower ->
6:12
I Know You Rider ->
5:12
Good Lovin'
2:10
intro
0:56
Not Fade Away >
11:44
Easy Wind
8:16
chatter
1:58
Me and My Uncle
4:38
chatter
0:59
Dark Star >
9:37
Attics Of My Life >
6:44
Dark Star >
7:12
Sugar Magnolia >
2:30
Dark Star >
3:03
Saint Stephen >
6:17
China Cat Sunflower >
4:43
I Know You Rider
5:52
FIN
View on archive.org
Sources
Taper: Ken and Judy Lee
3:14:11
Rating:
10.00 / 4 ratings
Taper:
Ken and Judy Lee
Transferrer:
John Hance and Sirmick
SHNID:
gd1970-06-24.145261.late.SonyF95.lee.hance.sirmick.flac1644
Source:
Source: Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee,
Lineage:
Transfer: The cassettes were baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance. Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave . Flac 16
Taper Notes:
View NotesComments: - This is not a remaster of what has gone before, it's a redo using the original raw files. - "Silver Threads And Golden Needles " is now complete, John came across another tape with it on. You also get 4 or so extra minutes of tuning at the start of the electric set. Notes: Acoustic Dead: patches - "FOTD" - all - part of the banter before "Cumberland Blues" source used shnid 100223 - Thank you Bill Gadsden and Chuck Reynolds The patches have been eq'd so that they are a better fit. NRPS: - A few knocks, bumps, clicks, etc removed - There are probably 4 or 5 seconds missing from the start of "Cecilia" because of a tape flip. There are no sources available to patch this with. Electric Dead; - Azimuth and phase adjustments have been made - The lights came up after "UJB" but nobody was ready to go home. A Joan Baez record could be heard over the PA but the audience wanted more. So the boys came back on and gave them what they wanted. Joan has been edited out for copyright reasons. Thanks to Ken and Judy Lee for these wonderful recordings. Thanks to John Jay Hance for the transfers and passing the original files to me. Thanks to Joe B. Jones for his advice on pitch correction. edited and mastered SIRMick February 2019
Taper: Jim Cooper
2:38:33
Rating:
8.80 / 7 ratings
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1970-06-24.124175.cooper.berger.flac16
Source:
source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger
Taper Notes:
View Notesthe material on disc one is missing from the Lee/PCRP source. the material on disc two is new to digital circulation. Black Peter - end is patched with Jim's 2006 transfer - shnid:32710, part of Minglewood,most of China Cat and all of Rider and UJB are mono due to problems with left mic cable. parts of NFA & Easy Wind are garbled due to tape damage BUT when it really counts the sound quality is very good.
Transferrer: Bill Gadsen and Chuck Reynolds
1:19:13
Rating:
4.00 / 3 ratings
Transferrer:
Bill Gadsen and Chuck Reynolds
Lineage:
Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16
Transferrer: Rob Berger and Moose
26:23
Transferrer:
Rob Berger and Moose
SHNID:
gd1970-06-24.late-partial.aud.moore.berger.98880.flac16
Source:
aud reel lineage: aud>?>7" reel @ 3.75 ips, dolby b
Taper Notes:
View Notesa nice segment of my favorite grateful dead concert, all sources from these port chester '70 shows deserve a listen
Taper: J. Cooper
1:17:17
Rating:
9.00 / 4 ratings
Taper:
J. Cooper
Transferrer:
Copernicus
SHNID:
gd1970-06-24.aud.cooper.coopernicus.32710.flac16
Source:
recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape.
Lineage:
Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC
Taper: Ken & Judy Lee
4:01:10
Rating:
9.61 / 68 ratings
Taper:
Ken & Judy Lee
Transferrer:
John Jay Hance, Peter G
SHNID:
gd_nrps70-06-24.aud.pcrp5.23062.sbeok.flacf
Source:
Audience
Lineage:
Sony dynamic mics > Sony TC124; Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 > Mac G4 Titanium Powerbook > Peak 3.2.1 > xACT V 1.2 > FLAC16
Transferrer: EAC, Sound Forge, & SHN by harlan; CDR from Crazy Jimi
1:21:27
Rating:
9.33 / 6 ratings
Transferrer:
EAC, Sound Forge, & SHN by harlan; CDR from Crazy Jimi
SHNID:
gd1970-06-24.late.aud.harlan.9330.sbefail.shnf
Source:
center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN
Taper Notes:
View NotesUncle John's Band had to be spliced in because some idiot had used it as filler on a different disk. It occurs 10 seconds into UJB....
Transferrer: Wayne Gucwa and Mike Lai
3:05:58
Rating:
8.60 / 11 ratings
Transferrer:
Wayne Gucwa and Mike Lai
SHNID:
gd1970-06-24.aud.lai.7467.sbefail.shnf
Source:
(no source info given- listeners report AUD)
Transferrer: This is from the Usher Tree; for further source info, the notes from that tree are appended following the track list.
1:14:29
Rating:
9.18 / 18 ratings
Transferrer:
This is from the Usher Tree; for further source info, the notes from that tree are appended following the track list.
SHNID:
gd1970-06-24.aud.lee.5339.sbeok.shnf
Source:
Aud > cassette x 2 > CD, mics balcony center 15' spread
Taper Notes:
View Notes"Source Information for The Usher's Tapes Tree "the person who is responsible for the bulk of the capitol theatre audience recordings is a fellow by the name of ken lee (not sure of his last name spelling). this is the guy who was employed by howard stein (local ny area promoter of the time) my source is his brother in law, mark c (a long time dead head & quite a nice & unassuming person) i owe mark a huge debt of gratitude. ken's port chester masters were recorded on a sony cassette deck (don't have the 'model # or mic info) his positioning was generally center lodge with mic's mounted on the rail. 3/21/70 had the mic's spaced at over 15 feet, and the recording bears out that information. 6/24/70 set#2 was mastered on a 120-minute cassette. ken is reported to be very un-friendly and intimidating (6 foot 5 inches with a security guard attitude) he was at tompkins square park, nyc 6/67 and reported a ? hour dancin' in the street, fwiw. he recorded many local shows (queens college, all 4 stands at port chester, Manhattan center.etc. mark says he was doing this only for himself and never did much of anything at all with his recordings. at port chester he had howard steins permission to tape, with the footnote of never letting them out. so...marks older sister is married to this guy & he would occasionally let mark have tapes & mark was apparently pretty free with his copies over the years. most of what circulates from gd @ port chester originated mainly from mark's 1st gen copies, not ken's masters. as time went on their relationship deteriorated (now they are estranged) and ken literally & figuratively shut the door on mark. marks last score from ken's tapes was back in 1986. when ken was out, mark & an instigating friend went armed with sony tc d5m's and recorded as much from the masters as they could get away with. ken arrived in the middle of all this and was outraged and shut it all down & proceeded to take all the copies (not all it turned out) mark told me that at that point in time, all the tapes he witnessed were badly in need of restoration (and this was back in 1986) i am sad to relay that even though these master still exist, there are rotting in un-kind hands it took me close to 2 years & many phone calls to hook up with mark, and then only for one day. things were haphazard & i taped what i could given the time i had on hand. mark had 2 separate copies of 6/24/70 late show. the older copy he received with ken's blessing in the mid '70's, this was on a xl 2, no dolby, the fresher copy was from the incident in 1986. this was on a mx metal cassette and had a better frequency response, but there was a bad squeal & lisp on the right hand channel and proves the deterioration of the recording. i went with the older copy that was made when the master was in better condition set list has; nfa easy wind (very powerful), me & my uncle, dark star ikyr, then uncle johns band (which is not the encore, as they never leave the stage. the encore is an acoustic "swing low sweet chariot" it was mia, but I WILL get it 3/21/70 has never sounded this good. it's actually quite fantastic in spots. it's the best recording i've ever heard coming out of that room 11/5/70 is a powerful psychedelic feast. i could never sit through it before, because of the abysmal quality i want to, and enjoy bringing pleasure to fellow music lovers. please let it be known i have zero tolerance for any suspicion, or dishonesty. criticism, on the other hand i can handle fairly well. so give me a few days & i'll get seeds to someone who has already volunteered to handle the administration and decimation on deadlist. our 1970 caretaker, jim powell, will get cd's from me for his analysis that's the story" THANKS, Jim!