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Today In History
June 9th
9 shows
89 tapes
Years
1995
30.1k
PlaybackListensHours
48h54573
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.4k170
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.5k310
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.2k281
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h3.8k541
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h7.6k939
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.4k295
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k135
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k173
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h63671
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.4k165
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.6k198
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.3k173
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k156
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.6k200
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h6.7k726
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k202
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k232
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h20.2k2.8k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.9k544
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h64863
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.3k963
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h4.3k557
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.4k293
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k172
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h2.9k296
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2k329
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h837112
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12817
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21510
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h392
7d1156
30d59235
2 shows
2 tapes
1970
6/24/70
big railroad blues
1:43
Deep elem Blues
3:07
Friend Of The Devil
3:34
Candyman
5:51
Cumberland Blues
3:06
Cold Jordan
2:14
tuning
1:12
Six Days
4:20
Superman
3:44
I Don't Know You
4:19
Fair Chance To Know
4:27
Portland Woman
4:46
Cold Rain And Snow
6:16
Easy Wind
9:06
New Minglewood Blues
4:11
Alligator ->
4:01
Drums ->
1:47
The Other One Jam ->
1:34
The Other One ->
4:25
Attics Of My Life ->
6:50
The Other One ->
4:41
Cryptical Envelopment ->
1:58
Cosmic Charlie
7:18
Good Lovin' -> Drums ->
3:25
China Cat Sunflower ->
6:12
I Know You Rider ->
5:12
Good Lovin'
2:10
intro
0:56
Not Fade Away >
11:44
Easy Wind
8:16
chatter
1:58
Me and My Uncle
4:38
chatter
0:59
Dark Star >
9:37
Attics Of My Life >
6:44
Dark Star >
7:12
Sugar Magnolia >
2:30
Dark Star >
3:03
Saint Stephen >
6:17
China Cat Sunflower >
4:43
I Know You Rider
5:52
FIN
View on archive.org
Sources
Taper: Ken and Judy Lee
3:14:11
Rating:
10.00 / 3 ratings
Taper:
Ken and Judy Lee
Transferrer:
John Hance and Sirmick
SHNID:
gd1970-06-24.145261.late.SonyF95.lee.hance.sirmick.flac1644
Source:
Source: Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee,
Lineage:
Transfer: The cassettes were baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance. Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave . Flac 16
Taper Notes:
View NotesComments: - This is not a remaster of what has gone before, it's a redo using the original raw files. - "Silver Threads And Golden Needles " is now complete, John came across another tape with it on. You also get 4 or so extra minutes of tuning at the start of the electric set. Notes: Acoustic Dead: patches - "FOTD" - all - part of the banter before "Cumberland Blues" source used shnid 100223 - Thank you Bill Gadsden and Chuck Reynolds The patches have been eq'd so that they are a better fit. NRPS: - A few knocks, bumps, clicks, etc removed - There are probably 4 or 5 seconds missing from the start of "Cecilia" because of a tape flip. There are no sources available to patch this with. Electric Dead; - Azimuth and phase adjustments have been made - The lights came up after "UJB" but nobody was ready to go home. A Joan Baez record could be heard over the PA but the audience wanted more. So the boys came back on and gave them what they wanted. Joan has been edited out for copyright reasons. Thanks to Ken and Judy Lee for these wonderful recordings. Thanks to John Jay Hance for the transfers and passing the original files to me. Thanks to Joe B. Jones for his advice on pitch correction. edited and mastered SIRMick February 2019
Taper: Jim Cooper
2:38:33
Rating:
8.80 / 7 ratings
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1970-06-24.124175.cooper.berger.flac16
Source:
source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger
Taper Notes:
View Notesthe material on disc one is missing from the Lee/PCRP source. the material on disc two is new to digital circulation. Black Peter - end is patched with Jim's 2006 transfer - shnid:32710, part of Minglewood,most of China Cat and all of Rider and UJB are mono due to problems with left mic cable. parts of NFA & Easy Wind are garbled due to tape damage BUT when it really counts the sound quality is very good.
Transferrer: Bill Gadsen and Chuck Reynolds
1:19:13
Rating:
4.00 / 3 ratings
Transferrer:
Bill Gadsen and Chuck Reynolds
Lineage:
Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16
Transferrer: Rob Berger and Moose
26:23
Transferrer:
Rob Berger and Moose
SHNID:
gd1970-06-24.late-partial.aud.moore.berger.98880.flac16
Source:
aud reel lineage: aud>?>7" reel @ 3.75 ips, dolby b
Taper Notes:
View Notesa nice segment of my favorite grateful dead concert, all sources from these port chester '70 shows deserve a listen
Taper: J. Cooper
1:17:17
Rating:
9.00 / 4 ratings
Taper:
J. Cooper
Transferrer:
Copernicus
SHNID:
gd1970-06-24.aud.cooper.coopernicus.32710.flac16
Source:
recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape.
Lineage:
Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC
Taper: Ken & Judy Lee
4:01:10
Rating:
9.61 / 68 ratings
Taper:
Ken & Judy Lee
Transferrer:
John Jay Hance, Peter G
SHNID:
gd_nrps70-06-24.aud.pcrp5.23062.sbeok.flacf
Source:
Audience
Lineage:
Sony dynamic mics > Sony TC124; Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 > Mac G4 Titanium Powerbook > Peak 3.2.1 > xACT V 1.2 > FLAC16
Transferrer: EAC, Sound Forge, & SHN by harlan; CDR from Crazy Jimi
1:21:27
Rating:
9.33 / 6 ratings
Transferrer:
EAC, Sound Forge, & SHN by harlan; CDR from Crazy Jimi
SHNID:
gd1970-06-24.late.aud.harlan.9330.sbefail.shnf
Source:
center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN
Taper Notes:
View NotesUncle John's Band had to be spliced in because some idiot had used it as filler on a different disk. It occurs 10 seconds into UJB....
Transferrer: Wayne Gucwa and Mike Lai
3:05:58
Rating:
8.60 / 11 ratings
Transferrer:
Wayne Gucwa and Mike Lai
SHNID:
gd1970-06-24.aud.lai.7467.sbefail.shnf
Source:
(no source info given- listeners report AUD)
Transferrer: This is from the Usher Tree; for further source info, the notes from that tree are appended following the track list.
1:14:29
Rating:
9.18 / 18 ratings
Transferrer:
This is from the Usher Tree; for further source info, the notes from that tree are appended following the track list.
SHNID:
gd1970-06-24.aud.lee.5339.sbeok.shnf
Source:
Aud > cassette x 2 > CD, mics balcony center 15' spread
Taper Notes:
View Notes"Source Information for The Usher's Tapes Tree "the person who is responsible for the bulk of the capitol theatre audience recordings is a fellow by the name of ken lee (not sure of his last name spelling). this is the guy who was employed by howard stein (local ny area promoter of the time) my source is his brother in law, mark c (a long time dead head & quite a nice & unassuming person) i owe mark a huge debt of gratitude. ken's port chester masters were recorded on a sony cassette deck (don't have the 'model # or mic info) his positioning was generally center lodge with mic's mounted on the rail. 3/21/70 had the mic's spaced at over 15 feet, and the recording bears out that information. 6/24/70 set#2 was mastered on a 120-minute cassette. ken is reported to be very un-friendly and intimidating (6 foot 5 inches with a security guard attitude) he was at tompkins square park, nyc 6/67 and reported a ? hour dancin' in the street, fwiw. he recorded many local shows (queens college, all 4 stands at port chester, Manhattan center.etc. mark says he was doing this only for himself and never did much of anything at all with his recordings. at port chester he had howard steins permission to tape, with the footnote of never letting them out. so...marks older sister is married to this guy & he would occasionally let mark have tapes & mark was apparently pretty free with his copies over the years. most of what circulates from gd @ port chester originated mainly from mark's 1st gen copies, not ken's masters. as time went on their relationship deteriorated (now they are estranged) and ken literally & figuratively shut the door on mark. marks last score from ken's tapes was back in 1986. when ken was out, mark & an instigating friend went armed with sony tc d5m's and recorded as much from the masters as they could get away with. ken arrived in the middle of all this and was outraged and shut it all down & proceeded to take all the copies (not all it turned out) mark told me that at that point in time, all the tapes he witnessed were badly in need of restoration (and this was back in 1986) i am sad to relay that even though these master still exist, there are rotting in un-kind hands it took me close to 2 years & many phone calls to hook up with mark, and then only for one day. things were haphazard & i taped what i could given the time i had on hand. mark had 2 separate copies of 6/24/70 late show. the older copy he received with ken's blessing in the mid '70's, this was on a xl 2, no dolby, the fresher copy was from the incident in 1986. this was on a mx metal cassette and had a better frequency response, but there was a bad squeal & lisp on the right hand channel and proves the deterioration of the recording. i went with the older copy that was made when the master was in better condition set list has; nfa easy wind (very powerful), me & my uncle, dark star ikyr, then uncle johns band (which is not the encore, as they never leave the stage. the encore is an acoustic "swing low sweet chariot" it was mia, but I WILL get it 3/21/70 has never sounded this good. it's actually quite fantastic in spots. it's the best recording i've ever heard coming out of that room 11/5/70 is a powerful psychedelic feast. i could never sit through it before, because of the abysmal quality i want to, and enjoy bringing pleasure to fellow music lovers. please let it be known i have zero tolerance for any suspicion, or dishonesty. criticism, on the other hand i can handle fairly well. so give me a few days & i'll get seeds to someone who has already volunteered to handle the administration and decimation on deadlist. our 1970 caretaker, jim powell, will get cd's from me for his analysis that's the story" THANKS, Jim!