Bands
Featured
Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h55374
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.4k184
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k435
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.5k326
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5k627
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.1k890
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k352
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k134
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.7k309
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h984111
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k213
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.1k490
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k176
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k297
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.5k282
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k214
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k266
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.1k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h21223
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k505
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k260
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.7k186
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k191
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k169
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h57772
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9714
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h48931
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h443
7d1368
30d63237
2 shows
2 tapes
1970
Sources
Taper: Gerry Olsen
2:23:05
SBD
Rating:
9.33 / 7 ratings
Taper:
Gerry Olsen
Transferrer:
Dan McDonald and dusborne
SHNID:
gd1970-06-04.123799.mtx.olsen.droncit.dusborne.flac16
Source:
Matrix of Soundboard (shnid:119921) sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16; conversion by: miogi; Soundboard (shnid:12135) SBD->Rm->Cass->?>Dat>CD>EAC>SHN CD>EAC>SHN done by charlie miller; The entire acoustic set has been matrixed. The last three songs of the electric set have been matrixed with (shnid:123798) Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape.
Taper Notes:
View Notes---------------------------------------------------------------------------------- ***Audience source for both sets*** gd70-06-04.xxxxx.gdnrps.sonyTC124.olsen.droncit.flat.flac16 Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald ([email protected]): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise. Notes from Gerry: "No encore that night, as "Baby Blue" calmed things down nicely and the "in for $3 Thursday night" home audience was completely satisfied, plus the Dead still had three more nights to play that weekend...." also, in regards to the question as to whether that was potato chips that you hear occasionally: "My then 14 year old brother was on one side and a friend, ..., was on the other. Although my hands were otherwise occupied, I probably snacked some too, plus my brother had a cough to boot." Notes from Dan: This is a tape I can only call "charming." Just a totally enjoyable experience. Very nicely done, the band is in fine form, and the tapers are having a great time. There are some cuts where the tape broke and where Gerry was unable to get the whole song. There is also some distortion on certain songs - it's not in the tape or the wav file, it's from the stage. There are comments from the audience and the band occasionally. It's most noticeable during Attics of My Life, but also when Garcia hits certain notes with his vocals. I tried to minimize it but it was too difficult to work with, so I left it as it is. I lowered coughing and potato chip bag noises when it distracted from the music. Otherwise, I left it in. Sit back and relax, and spend an evening back in 1970. Many thanks to Gerry for trusting me with the tapes. They were a pleasure to work with. ---------------------------------------------------------------------------------- ---Thank you Gerry Olsen for recording the show. ---Thank you miogi for your work with the acoustic sbd. ---Thank you Charlie Miller for your work on the electric sbd. ---Thank you Dan McDonald for your transfer and master of the audience. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne using Adobe Audition CS6 and Audacity 2.0 Final Master by Dan McDonald 02-08-2013 ----------------------------------------------------------------------------------- ----------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 02-08-2013 ---------------------------------------------------------------------------------
Transferrer: Charlie Miller
24:04
SBD
Rating:
9.11 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd70-06-04.sbd.miller.12135.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > RM > Cass > ? > DAT > CD > EAC > SHN
Taper Notes:
View NotesThis is all that currently circulates from the sbd. I know this has been out since 1985, since I have had it that long.
Taper: Bear
31:10
SBD
Rating:
8.00 / 3 ratings
Taper:
Bear
Transferrer:
Dick Latvala and Jim Wise
SHNID:
gd1970-06-04.132790.sbd.bear-latvala-wise.reel.flac16
Source:
Partial SBD Recording; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby); Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise); DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise
Taper Notes:
View NotesThis is a 16 bit 44.1KHz file set some low frequency PA hum Band Line up: Pigpen Jerry Garcia Bob Weir Phil Lesh Mickey Hart Bill The Drummer
Taper: unknown
50:38
SBD
Rating:
8.00 / 4 ratings
Transferrer:
miogi
SHNID:
gd1970-06-04.119921.sbd.acou.unk.miogi.flac16
Source:
sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16
Taper Notes:
View Notes* with David Nelson & John "Marmaduke" Dawson # 1st time played. unk amount missing.possible reel or tape flip
Taper: Gerry Olsen
3:30:38
Rating:
8.67 / 9 ratings
Taper:
Gerry Olsen
Transferrer:
Dan McDonald and dusborne
SHNID:
gd1970-06-04.123798.gdnrps.sonyTC124.olsen.droncit.flat.flac16
Source:
Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald ([email protected]): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.
Taper Notes:
View NotesNotes from Gerry: "No encore that night, as "Baby Blue" calmed things down nicely and the "in for $3 Thursday night" home audience was completely satisfied, plus the Dead still had three more nights to play that weekend...." also, in regards to the question as to whether that was potato chips that you hear occasionally: "My then 14 year old brother was on one side and a friend, ..., was on the other. Although my hands were otherwise occupied, I probably snacked some too, plus my brother had a cough to boot." Notes from Dan: This is a tape I can only call "charming." Just a totally enjoyable experience. Very nicely done, the band is in fine form, and the tapers are having a great time. There are some cuts where the tape broke and where Gerry was unable to get the whole song. There is also some distortion on certain songs - it's not in the tape or the wav file, it's from the stage. There are comments from the audience and the band occasionally. It's most noticeable during Attics of My Life, but also when Garcia hits certain notes with his vocals. I tried to minimize it but it was too difficult to work with, so I left it as it is. I lowered coughing and potato chip bag noises when it distracted from the music. Otherwise, I left it in. Sit back and relax, and spend an evening back in 1970. Many thanks to Gerry for trusting me with the tapes. They were a pleasure to work with. ----------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 02-08-2013 ----------------------------------------------------------------------------