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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h764105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h66293
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k507
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k361
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k344
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k373
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k249
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h937104
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k211
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k147
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k204
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k224
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.4k306
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.2k664
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k187
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k284
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.6k499
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h76278
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k597
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.5k422
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k229
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.3k950
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k358
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h42953
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23118
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h493
7d1026
30d57334
2 shows
2 tapes
1970
6/4/70
/Saint Stephen
5:46
Not Fade Away
6:03
Midnight Hour
11:24
It's All Over Now Baby Blue
7:57
FIN
View on archive.org
Sources
Taper: Gerry Olsen
2:23:05
SBD
Rating:
9.33 / 7 ratings
Taper:
Gerry Olsen
Transferrer:
Dan McDonald and dusborne
SHNID:
gd1970-06-04.123799.mtx.olsen.droncit.dusborne.flac16
Source:
Matrix of Soundboard (shnid:119921) sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16; conversion by: miogi; Soundboard (shnid:12135) SBD->Rm->Cass->?>Dat>CD>EAC>SHN CD>EAC>SHN done by charlie miller; The entire acoustic set has been matrixed. The last three songs of the electric set have been matrixed with (shnid:123798) Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape.
Taper Notes:
View Notes---------------------------------------------------------------------------------- ***Audience source for both sets*** gd70-06-04.xxxxx.gdnrps.sonyTC124.olsen.droncit.flat.flac16 Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald ([email protected]): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise. Notes from Gerry: "No encore that night, as "Baby Blue" calmed things down nicely and the "in for $3 Thursday night" home audience was completely satisfied, plus the Dead still had three more nights to play that weekend...." also, in regards to the question as to whether that was potato chips that you hear occasionally: "My then 14 year old brother was on one side and a friend, ..., was on the other. Although my hands were otherwise occupied, I probably snacked some too, plus my brother had a cough to boot." Notes from Dan: This is a tape I can only call "charming." Just a totally enjoyable experience. Very nicely done, the band is in fine form, and the tapers are having a great time. There are some cuts where the tape broke and where Gerry was unable to get the whole song. There is also some distortion on certain songs - it's not in the tape or the wav file, it's from the stage. There are comments from the audience and the band occasionally. It's most noticeable during Attics of My Life, but also when Garcia hits certain notes with his vocals. I tried to minimize it but it was too difficult to work with, so I left it as it is. I lowered coughing and potato chip bag noises when it distracted from the music. Otherwise, I left it in. Sit back and relax, and spend an evening back in 1970. Many thanks to Gerry for trusting me with the tapes. They were a pleasure to work with. ---------------------------------------------------------------------------------- ---Thank you Gerry Olsen for recording the show. ---Thank you miogi for your work with the acoustic sbd. ---Thank you Charlie Miller for your work on the electric sbd. ---Thank you Dan McDonald for your transfer and master of the audience. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne using Adobe Audition CS6 and Audacity 2.0 Final Master by Dan McDonald 02-08-2013 ----------------------------------------------------------------------------------- ----------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 02-08-2013 ---------------------------------------------------------------------------------
Transferrer: Charlie Miller
24:04
SBD
Rating:
9.11 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd70-06-04.sbd.miller.12135.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > RM > Cass > ? > DAT > CD > EAC > SHN
Taper Notes:
View NotesThis is all that currently circulates from the sbd. I know this has been out since 1985, since I have had it that long.
Taper: Bear
31:10
SBD
Rating:
8.00 / 3 ratings
Taper:
Bear
Transferrer:
Dick Latvala and Jim Wise
SHNID:
gd1970-06-04.132790.sbd.bear-latvala-wise.reel.flac16
Source:
Partial SBD Recording; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby); Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise); DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise
Taper Notes:
View NotesThis is a 16 bit 44.1KHz file set some low frequency PA hum Band Line up: Pigpen Jerry Garcia Bob Weir Phil Lesh Mickey Hart Bill The Drummer
Taper: unknown
50:38
SBD
Rating:
8.00 / 4 ratings
Transferrer:
miogi
SHNID:
gd1970-06-04.119921.sbd.acou.unk.miogi.flac16
Source:
sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16
Taper Notes:
View Notes* with David Nelson & John "Marmaduke" Dawson # 1st time played. unk amount missing.possible reel or tape flip
Taper: Gerry Olsen
3:30:38
Rating:
8.67 / 9 ratings
Taper:
Gerry Olsen
Transferrer:
Dan McDonald and dusborne
SHNID:
gd1970-06-04.123798.gdnrps.sonyTC124.olsen.droncit.flat.flac16
Source:
Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald ([email protected]): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.
Taper Notes:
View NotesNotes from Gerry: "No encore that night, as "Baby Blue" calmed things down nicely and the "in for $3 Thursday night" home audience was completely satisfied, plus the Dead still had three more nights to play that weekend...." also, in regards to the question as to whether that was potato chips that you hear occasionally: "My then 14 year old brother was on one side and a friend, ..., was on the other. Although my hands were otherwise occupied, I probably snacked some too, plus my brother had a cough to boot." Notes from Dan: This is a tape I can only call "charming." Just a totally enjoyable experience. Very nicely done, the band is in fine form, and the tapers are having a great time. There are some cuts where the tape broke and where Gerry was unable to get the whole song. There is also some distortion on certain songs - it's not in the tape or the wav file, it's from the stage. There are comments from the audience and the band occasionally. It's most noticeable during Attics of My Life, but also when Garcia hits certain notes with his vocals. I tried to minimize it but it was too difficult to work with, so I left it as it is. I lowered coughing and potato chip bag noises when it distracted from the music. Otherwise, I left it in. Sit back and relax, and spend an evening back in 1970. Many thanks to Gerry for trusting me with the tapes. They were a pleasure to work with. ----------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 02-08-2013 ----------------------------------------------------------------------------