Bands
Featured
Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h54373
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.7k283
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k353
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.1k553
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.9k504
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k410
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k382
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k178
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.4k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k127
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k222
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.9k678
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k208
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k241
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.3k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k255
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k277
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.2k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.3k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40842
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.1k524
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.6k737
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k391
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k204
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k233
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k222
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h61877
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33025
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1970
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] February 13, 2026
3:49:24
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 13, 2026
SHNID:
gd1970-02-13.176321.sbd.miller.flac1644
Source:
SBD > Master Reel (7 inch 1/2 Track at 15ips) > DAT (48k)
Lineage:
DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Professional v10.2 > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the tapes -- Late show between song tunings patched from shnid=18114 -- I had to adjust pitch on the second patch in Uncle John's Band -- Thanks to Jim Cooper for the second patch in Uncle John's Band
Transferrer: Charlie Miller
3:47:20
SBD
Rating:
9.71 / 22 ratings
Transferrer:
Charlie Miller
SHNID:
gd1970-02-13.sbd.miller.fix-97613.97639.sbeok.flac16
Source:
SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- Fixed diginoise in Little Sadie -- All late show disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- Late show between song tunings patched from shnid=18114 -- Uncle John's Band is patched from shnid=18114 and is also cut Early Show: d1t01 - Cold Rain And Snow d1t02 - Beat It On Down The Line d1t03 - Good Lovin' d1t04 - Mama Tried -> d1t05 - Black Peter d1t06 - Hard To Handle d1t07 - Saint Stephen -> d1t08 - Not Fade Away d1t09 - Casey Jones Late Show: Electric
Transferrer: Charlie Miller
3:47:20
SBD
Rating:
10.00 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1970-02-13.sbd.miller.97613.sbeok.flac16
Source:
SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- All late show disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- Late show between song tunings patched from shnid=18114 -- Uncle John's Band is patched from shnid=18114 and is also cut
Transferrer: Matrix by Nick Crump
2:53:21
SBD
Rating:
9.14 / 7 ratings
Transferrer:
Matrix by Nick Crump
SHNID:
gd1970-02-13.lateshow.mtx.131678.nicksmix.flac16
Source:
2-source matrix mix of shnid #97639(SBD) and shnid #123814(AUD)
Taper Notes:
View Noteshttp://www.archive.org/editxml.php?field_default_mediatype=etree&field_default_collection=GratefulDead&edit_item=gd1970-02-13.lateshow.mtx.131678.nicksmix.flac16&type=etree&field_default_description=Set 1%0D%0DChina%20Cat%20Sunflower-%3E%20I%20Know%20You%20Rider%2C%20Me%20%26%20My%20Uncle%2C%20Dire%20Wolf%2C%20Smokestack%20Lightning%0D%0DSet 2%0D%0DMonkey%20%26%20The%20Engineer%2C%20Little%20Sadie%2C%20Wake%20Up%20Little%20Susie-%3E%20Black%20Peter%2C%20Uncle%20John's%20Band%2C%20Katie%20Mae%0D%0DSet 3%0D%0DDark%20Star-%3E%20Cryptical%20Envelopement-%3E%20Drums-%3E%20The%20Other%20One-%3E%20Cryptical%20Envelopement-%3E%20Turn%20On%20Your%20Love%20Light%2C%20E%3A%20We%20Bid%20You%20Good%20Night%0D%0DLate%20show.%20Though%20actually%20all%20one%20set%2C%20it%20was%20played%20in%20electric%3E%20acoustic%3E%20electric%20segments.%20%20Other%20artist(s)%3A%20GD%3A%20The%20Allman%20Brothers%20Band%3A%20Love.%20This%20date%20is%20featured%20on%20%3Ca%20href%3D%20%22http%3A%2F%2Fmars.dead.net%22%3EDick's%20Picks%204%3C%2Fa%3E.&field_default_date=1970-02-13&field_default_subject=Matrix%3BSoundboard&field_default_venue=Fillmore%20East%20(Late%20Show)&field_default_coverage=New%20York%2C%20NY&field_default_source=2-source%20matrix%20mix%20of%20shnid%20%2397639(SBD)%20and%20shnid%20%23123814(AUD)&field_default_taper=&field_default_transferer=&field_default_md5s=d4f612236a9b82ac2975ccd2948a193e%20*gd70-02-13d1t01.flac%207d12cf53c49418c0221fa1ba795a08d9%20*gd70-02-13d1t02.flac%204ab24cec686108c9cde2441b8df20290%20*gd70-02-13d1t03.flac%20d3409ba00a37626efb0a579bd9aa81ff%20*gd70-02-13d1t04.flac%209aa37ee693edaf27fac586e256048943%20*gd70-02-13d1t05.flac%203011b9e0059780faa2ac07bd136f3d62%20*gd70-02-13d1t06.flac%202486e45bbe8351245d772ebf9b2079df%20*gd70-02-13d1t07.flac%20ca86b04285487495089d9041c8ed3d9e%20*gd70-02-13d1t08.flac%203f7e38f9290801db98f6fc8dc98caeec%20*gd70-02-13d1t09.flac%20549bc60200659a91e691393a469f0413%20*gd70-02-13d1t10.flac%2008f8bf9b533e95c8962ac0290e4dda77%20*gd70-02-13d1t11.flac%20c49b80e0c32936d5d21e880f7a7c0fb0%20*gd70-02-13d1t12.flac%2026c1e413166df527c4f4bedef54eaa06%20*gd70-02-13d1t13.flac%20e85d2dc9c87aca39392f5f96af00bcfe%20*gd70-02-13d2t01.flac%20381374d495103478d41b8486b6b9ea1a%20*gd70-02-13d2t02.flac%20c9761d06378466abd5ae2cc7ce863c80%20*gd70-02-13d2t03.flac%204522dee1bb10d4a77ea6a9435712e39d%20*gd70-02-13d3t01.flac%20ecfd395de796338985c53910c37f751f%20*gd70-02-13d3t02.flac&field_default_runtime=173%3A29.72
Transferrer: Jay Serafin and Patrick Murphy
56:18
SBD
Transferrer:
Jay Serafin and Patrick Murphy
SHNID:
gd1970-02-13.early.sbd.murphy.31636.sbeok.flac16
Source:
SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB
Lineage:
EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac
Taper Notes:
View NotesThanks to Jay Serafin for the disks! Audio Rating: AR-2 Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear"correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
Source 6 of 10
3:40:43
SBD
Rating:
9.03 / 32 ratings
SHNID:
gd70-02-13.early-late.sbd.cotsman.18114.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MR > DAT > CD > EAC > SHN
Taper Notes:
View Notesmostly from SBD>MR>D>CD>EAC>SHN with patches from: SBD>MR>PCM>D>CD>EAC>SHN SBD>MR>R>D>CD>EAC>SHN mastered on 7" reels @ 15ips
Transferrer: David Gans
56:44
SBD
Rating:
10.00 / 2 ratings
Transferrer:
David Gans
SHNID:
gd1970-02-13.early.sbd.gans.2208.sbeok.shnf
Source:
Sbd-->Mater reel-->DAT-->Sonic Solutions workstation-->CDR-->EAC-->shn
Taper: Unknown
2:19:29
Transferrer:
knees
SHNID:
gd1970-02-13.144856.early-late.aud.recorder2.Mk1.flac24
Lineage:
Playback 2018-xx-xx ::: 1st generation Maxell XLII-90 cassettes on Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tapes, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 -> 96kHz/24-bit WAV files -> computer -> Audacity [normalisation to remove DC offset & channel/phase alignment for a few cross-channel patches, fades, some popmute on clapping in placed to make overall levels work, volume adjustments, 1st 75mins -2.1% then the rest at -2.4% averaged pitch (speed) fixes with single pass per segment after frequency analysis & with pitchpipe verification (but it ain't perfect), NO equalisation or noise reduction] -> wavs -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. First uploaded 2019-02-xx.
Taper Notes:
View NotesDimeTravel 491 ::: Thanks to the original taper & traders! ::: Corrections welcome ::: Since I started collecting, this has been considered one of THE classic Dead shows, and it's hard to disagree even after the multitude we been blessed with since. Here's an expanded upgrade of this source. SBDs do exist, but this is cool, for example, you realise just how stunned the audience really was in places. And, perhaps someone has some other matrixing ideas... "Stereo" audience renderings are often very effective (This would need some more cleanup work for that purpose as it's fairly untampered-with). If nothing else, this should provide a patch for "Dark Star" near the end so someone can EQ match & use it with the Cooper source for a better SBD/AUD matrix, which will make it worth the price of admission for some, I'm sure, as it is one of THE outstanding "Dark Stars". Can't remember my source for this, but I believe the master tapes were borrowed by a friend & copied for me at the same time (not by the Florida Kid as I had believed at one time). Many thanks to whomever it was. Listen, enjoy, show appreciation, share, give, spread peace. Yrs truly, Knees
Taper: Jim Cooper
2:45:31
Rating:
9.50 / 4 ratings
Taper:
Jim Cooper
SHNID:
gd1970-02-13.123814.aud.cooper.flac16
Source:
Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c
Taper Notes:
View NotesVery Sweet Fillmore East Sound.
Taper: Thanks to Dwight Holmes for providing the cassette source
42:58
Rating:
4.00 / 2 ratings
Taper:
Thanks to Dwight Holmes for providing the cassette source
Transferrer:
Analog to digital transfer by John Oleynick
Lineage:
Denon DRW750 > Behringer UCA202 > Audacity