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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1970
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] February 13, 2026
3:49:24
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 13, 2026
SHNID:
gd1970-02-13.176321.sbd.miller.flac1644
Source:
SBD > Master Reel (7 inch 1/2 Track at 15ips) > DAT (48k)
Lineage:
DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Professional v10.2 > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the tapes -- Late show between song tunings patched from shnid=18114 -- I had to adjust pitch on the second patch in Uncle John's Band -- Thanks to Jim Cooper for the second patch in Uncle John's Band
Transferrer: Charlie Miller
3:47:20
SBD
Rating:
9.71 / 22 ratings
Transferrer:
Charlie Miller
SHNID:
gd1970-02-13.sbd.miller.fix-97613.97639.sbeok.flac16
Source:
SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- Fixed diginoise in Little Sadie -- All late show disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- Late show between song tunings patched from shnid=18114 -- Uncle John's Band is patched from shnid=18114 and is also cut Early Show: d1t01 - Cold Rain And Snow d1t02 - Beat It On Down The Line d1t03 - Good Lovin' d1t04 - Mama Tried -> d1t05 - Black Peter d1t06 - Hard To Handle d1t07 - Saint Stephen -> d1t08 - Not Fade Away d1t09 - Casey Jones Late Show: Electric
Transferrer: Charlie Miller
3:47:20
SBD
Rating:
10.00 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1970-02-13.sbd.miller.97613.sbeok.flac16
Source:
SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- All late show disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- Late show between song tunings patched from shnid=18114 -- Uncle John's Band is patched from shnid=18114 and is also cut
Transferrer: Matrix by Nick Crump
2:53:21
SBD
Rating:
9.14 / 7 ratings
Transferrer:
Matrix by Nick Crump
SHNID:
gd1970-02-13.lateshow.mtx.131678.nicksmix.flac16
Source:
2-source matrix mix of shnid #97639(SBD) and shnid #123814(AUD)
Taper Notes:
View Noteshttp://www.archive.org/editxml.php?field_default_mediatype=etree&field_default_collection=GratefulDead&edit_item=gd1970-02-13.lateshow.mtx.131678.nicksmix.flac16&type=etree&field_default_description=Set 1%0D%0DChina%20Cat%20Sunflower-%3E%20I%20Know%20You%20Rider%2C%20Me%20%26%20My%20Uncle%2C%20Dire%20Wolf%2C%20Smokestack%20Lightning%0D%0DSet 2%0D%0DMonkey%20%26%20The%20Engineer%2C%20Little%20Sadie%2C%20Wake%20Up%20Little%20Susie-%3E%20Black%20Peter%2C%20Uncle%20John's%20Band%2C%20Katie%20Mae%0D%0DSet 3%0D%0DDark%20Star-%3E%20Cryptical%20Envelopement-%3E%20Drums-%3E%20The%20Other%20One-%3E%20Cryptical%20Envelopement-%3E%20Turn%20On%20Your%20Love%20Light%2C%20E%3A%20We%20Bid%20You%20Good%20Night%0D%0DLate%20show.%20Though%20actually%20all%20one%20set%2C%20it%20was%20played%20in%20electric%3E%20acoustic%3E%20electric%20segments.%20%20Other%20artist(s)%3A%20GD%3A%20The%20Allman%20Brothers%20Band%3A%20Love.%20This%20date%20is%20featured%20on%20%3Ca%20href%3D%20%22http%3A%2F%2Fmars.dead.net%22%3EDick's%20Picks%204%3C%2Fa%3E.&field_default_date=1970-02-13&field_default_subject=Matrix%3BSoundboard&field_default_venue=Fillmore%20East%20(Late%20Show)&field_default_coverage=New%20York%2C%20NY&field_default_source=2-source%20matrix%20mix%20of%20shnid%20%2397639(SBD)%20and%20shnid%20%23123814(AUD)&field_default_taper=&field_default_transferer=&field_default_md5s=d4f612236a9b82ac2975ccd2948a193e%20*gd70-02-13d1t01.flac%207d12cf53c49418c0221fa1ba795a08d9%20*gd70-02-13d1t02.flac%204ab24cec686108c9cde2441b8df20290%20*gd70-02-13d1t03.flac%20d3409ba00a37626efb0a579bd9aa81ff%20*gd70-02-13d1t04.flac%209aa37ee693edaf27fac586e256048943%20*gd70-02-13d1t05.flac%203011b9e0059780faa2ac07bd136f3d62%20*gd70-02-13d1t06.flac%202486e45bbe8351245d772ebf9b2079df%20*gd70-02-13d1t07.flac%20ca86b04285487495089d9041c8ed3d9e%20*gd70-02-13d1t08.flac%203f7e38f9290801db98f6fc8dc98caeec%20*gd70-02-13d1t09.flac%20549bc60200659a91e691393a469f0413%20*gd70-02-13d1t10.flac%2008f8bf9b533e95c8962ac0290e4dda77%20*gd70-02-13d1t11.flac%20c49b80e0c32936d5d21e880f7a7c0fb0%20*gd70-02-13d1t12.flac%2026c1e413166df527c4f4bedef54eaa06%20*gd70-02-13d1t13.flac%20e85d2dc9c87aca39392f5f96af00bcfe%20*gd70-02-13d2t01.flac%20381374d495103478d41b8486b6b9ea1a%20*gd70-02-13d2t02.flac%20c9761d06378466abd5ae2cc7ce863c80%20*gd70-02-13d2t03.flac%204522dee1bb10d4a77ea6a9435712e39d%20*gd70-02-13d3t01.flac%20ecfd395de796338985c53910c37f751f%20*gd70-02-13d3t02.flac&field_default_runtime=173%3A29.72
Transferrer: Jay Serafin and Patrick Murphy
56:18
SBD
Transferrer:
Jay Serafin and Patrick Murphy
SHNID:
gd1970-02-13.early.sbd.murphy.31636.sbeok.flac16
Source:
SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB
Lineage:
EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac
Taper Notes:
View NotesThanks to Jay Serafin for the disks! Audio Rating: AR-2 Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear"correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
Source 6 of 10
3:40:43
SBD
Rating:
9.03 / 32 ratings
SHNID:
gd70-02-13.early-late.sbd.cotsman.18114.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MR > DAT > CD > EAC > SHN
Taper Notes:
View Notesmostly from SBD>MR>D>CD>EAC>SHN with patches from: SBD>MR>PCM>D>CD>EAC>SHN SBD>MR>R>D>CD>EAC>SHN mastered on 7" reels @ 15ips
Transferrer: David Gans
56:44
SBD
Rating:
10.00 / 2 ratings
Transferrer:
David Gans
SHNID:
gd1970-02-13.early.sbd.gans.2208.sbeok.shnf
Source:
Sbd-->Mater reel-->DAT-->Sonic Solutions workstation-->CDR-->EAC-->shn
Taper: Unknown
2:19:29
Transferrer:
knees
SHNID:
gd1970-02-13.144856.early-late.aud.recorder2.Mk1.flac24
Lineage:
Playback 2018-xx-xx ::: 1st generation Maxell XLII-90 cassettes on Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tapes, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 -> 96kHz/24-bit WAV files -> computer -> Audacity [normalisation to remove DC offset & channel/phase alignment for a few cross-channel patches, fades, some popmute on clapping in placed to make overall levels work, volume adjustments, 1st 75mins -2.1% then the rest at -2.4% averaged pitch (speed) fixes with single pass per segment after frequency analysis & with pitchpipe verification (but it ain't perfect), NO equalisation or noise reduction] -> wavs -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. First uploaded 2019-02-xx.
Taper Notes:
View NotesDimeTravel 491 ::: Thanks to the original taper & traders! ::: Corrections welcome ::: Since I started collecting, this has been considered one of THE classic Dead shows, and it's hard to disagree even after the multitude we been blessed with since. Here's an expanded upgrade of this source. SBDs do exist, but this is cool, for example, you realise just how stunned the audience really was in places. And, perhaps someone has some other matrixing ideas... "Stereo" audience renderings are often very effective (This would need some more cleanup work for that purpose as it's fairly untampered-with). If nothing else, this should provide a patch for "Dark Star" near the end so someone can EQ match & use it with the Cooper source for a better SBD/AUD matrix, which will make it worth the price of admission for some, I'm sure, as it is one of THE outstanding "Dark Stars". Can't remember my source for this, but I believe the master tapes were borrowed by a friend & copied for me at the same time (not by the Florida Kid as I had believed at one time). Many thanks to whomever it was. Listen, enjoy, show appreciation, share, give, spread peace. Yrs truly, Knees
Taper: Jim Cooper
2:45:31
Rating:
9.50 / 4 ratings
Taper:
Jim Cooper
SHNID:
gd1970-02-13.123814.aud.cooper.flac16
Source:
Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c
Taper Notes:
View NotesVery Sweet Fillmore East Sound.
Taper: Thanks to Dwight Holmes for providing the cassette source
42:58
Rating:
4.00 / 2 ratings
Taper:
Thanks to Dwight Holmes for providing the cassette source
Transferrer:
Analog to digital transfer by John Oleynick
Lineage:
Denon DRW750 > Behringer UCA202 > Audacity