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June 12th
4 shows
4 tapes
Years
2026
49.4k
PlaybackListensHours
48h2k361
7d5.8k1k
30d49.4k8.8k
13 shows
13 tapes
2025
17.1k
PlaybackListensHours
48h1.4k246
7d2.9k511
30d17.1k3.1k
42 shows
42 tapes
2024
6.4k
PlaybackListensHours
48h33965
7d1.2k220
30d6.4k1.2k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h25842
7d810130
30d4.2k696
45 shows
45 tapes
2022
8k
PlaybackListensHours
48h21134
7d739121
30d8k1.3k
47 shows
48 tapes
2021
4k
PlaybackListensHours
48h25143
7d772138
30d4k726
35 shows
35 tapes
2020
352
PlaybackListensHours
48h325m
7d9213
30d35248
4 shows
4 tapes
2019
3.3k
PlaybackListensHours
48h803116
7d730105
30d3.3k475
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h15926
7d54782
30d4.2k636
39 shows
39 tapes
2017
2.7k
PlaybackListensHours
48h15932
7d552102
30d2.7k464
28 shows
28 tapes
2016
2.4k
PlaybackListensHours
48h12817
7d58977
30d2.4k315
45 shows
45 tapes
2015
1.9k
PlaybackListensHours
48h16125
7d42262
30d1.9k307
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h11017
7d38354
30d1.8k242
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h13921
7d22936
30d1.5k231
41 shows
41 tapes
2012
4.2k
PlaybackListensHours
48h49061
7d2.3k308
30d4.2k556
37 shows
37 tapes
2011
9.3k
PlaybackListensHours
48h952122
7d1.5k207
30d9.3k1.3k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h57379
7d49568
30d2.5k331
50 shows
50 tapes
2009
5.9k
PlaybackListensHours
48h41060
7d2.1k297
30d5.9k822
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h6511
7d28458
30d1.8k349
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h28653
7d736138
30d5.2k999
45 shows
45 tapes
2002
262
PlaybackListensHours
48h426
7d335
30d26238
3 shows
3 tapes
2000
16.1k
PlaybackListensHours
48h1k172
7d2.6k483
30d16.1k2.7k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h1k193
7d2.8k503
30d17.3k3.2k
64 shows
64 tapes
1998
21.2k
PlaybackListensHours
48h1.1k182
7d3.7k611
30d21.2k3.5k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.5k263
7d4.3k743
30d22.1k4k
81 shows
81 tapes
1996
9.2k
PlaybackListensHours
48h51672
7d2.3k324
30d9.2k1.3k
71 shows
71 tapes
1995
13.7k
PlaybackListensHours
48h791121
7d3.8k546
30d13.7k2k
82 shows
82 tapes
1994
27.6k
PlaybackListensHours
48h3.7k501
7d3.5k423
30d27.6k3.4k
124 shows
124 tapes
1993
12.5k
PlaybackListensHours
48h843101
7d2k235
30d12.5k1.5k
109 shows
109 tapes
1992
8.3k
PlaybackListensHours
48h35241
7d950113
30d8.3k940
109 shows
109 tapes
1991
5.9k
PlaybackListensHours
48h39239
7d79285
30d5.9k625
117 shows
119 tapes
1990
5.1k
PlaybackListensHours
48h20824
7d938102
30d5.1k578
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h13517
7d30339
30d2k262
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h19424
7d39248
30d2.7k355
44 shows
44 tapes
1987
584
PlaybackListensHours
48h13816
7d324
30d58473
18 shows
18 tapes
1986
359
PlaybackListensHours
48h121
7d465
30d35938
7 shows
7 tapes
1985
249
PlaybackListensHours
48h759m
7d376
30d24937
7 shows
7 tapes
1984
130
PlaybackListensHours
48h142
7d81
30d13018
2 shows
2 tapes
1983
75
PlaybackListensHours
48h433m
7d132
30d7511
1 show
1 tape
1992
7/19/92
Poor Heart
1:43
Maze
7:02
Runaway Jim
6:52
David Bowie
10:28
Sweet Adeline
1:38
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
27:43
SHNID:
1984
Taper Notes:
View NotesPhish Garden State Arts Center Holmdel, NJ 7/19/1992 Original master recording: Sony ECM-959 stereo mic (in hat) -> Sony Walkman WMD3 -> Maxell XLII-S Cassette Master (Dolby B) Cassette playback: Master Cassette -> Nakamichi Dragon (120us bias / Dolby B decode) -> Sound Devices 722 input (@24/96) Mastered: Soundforge Pro 10.0e - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, Sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, dithering to 16 bits using using iZotope MBIT+ with Ultra noise shaping, with high dither settings; scrubbed 2 spots of feedback in T2 (@1:03, 1:31). Tracked in CDWav. IDv3 Tags added using Tag & Rename 3.7 1. Poor Heart (cuts in) 2. Maze 3. Runaway Jim 4. David Bowie * 5. Sweet Adeline + Total time: 27:45 BARN152 ^ = cassette tape was slightly mangled at 1:24 into this song * = ? jam + Simpsons signal in intro + = a capella This was a set opening for Santana. Trey Anastasio sat in with Santana later this evening. Taper notes: Sneaking in a couple of new entries in the BARN series, BARN152 leads the charge of pre-1993 masters of mine. This is the first recording I've put out that predates my entry into the DAT world. So yes, this is the first of my cassette masters that I've released (and yes, there are hundreds of them). Specifically I now have the ability to release cassette masters from my collection "The right way" (or at least in the way I've been imagining releasing them for the past few years) -- playing them back with the best cassette deck ever made (the legendary Nakamichi Dragon, last made in 1985, and the only cassette deck ever made which automatically adjusts the azimuth of tape playback to match the recording deck's head azimuth -- which in layman's terms means "best possible playback of a tape"), and capturing the playback with my awesome Sound Devices 722 recorder that I use to record concerts with at 24 bit/96 khz. This was not an easy hurdle to get over as Nak Dragons have the double curse of still being quite highly desired (nay, "legendary"!) and very difficult (and expensive) to keep in a functional state. So, after paying an arm and a leg for it and spending a lot of time getting it properly repaired, I can finally dip into my cassette stash. While I've still got THOUSANDS of DAT masters, I am opening the floodgates a little bit on the cassettes to provide a few very highly requested shows at this time. This particular Phish set fits that bill. A year or so ago, in a random conversation with my freind and fellow taper Justin Marinoff, he pointed out to me that there are no circulating recordings of this show. How he knew that off the top of his head I cannot say, but now that I have the ability to do cassette transfers, I've done my best to get this out for you Phish completists out there. Is there anything special about this less-than-half-hour set opening for Santana? No! Is the set all that interesting? Not particularly. But the playing is strong and the band is playing well (if not remarkably). You'll hear some sort of song tease that I haven't identified yet (but I know someone out there will get...) and a Simpsons secret language signal before Bowie. The Maze and Jim are both strong as well. How did I wind up being the only taper at this show? Well, after having seen them for the first time ever at the same location and being BLOWN AWAY by their HORDE performance just 8 days before on 7/11, I made the spontaneous call that I really needed to see them again ASAP and bought a ticket to this show on the spot. This was a set opening for Santana (whose career was actually at one of its low points here in the early 90s) and great seats were still very easy to come by at that late date. So as I said, I had been blown away by Phish's GSAC HORDE set, but this set was quite underwhelming. I had collected a number of live shows (from old time taper buddy Brendan O'Neill) by this point so knew most of the repertoire, but this set, being just under 30 minutes (not even long enough for the band to get warmed up!) was nothing to write home about. Also, the venue was patently anti-taping (even hassling me to no end at the HORDE show) so I came prepared to stealth record -- at the time I had a pretty nice Sony ECM-959 stereo mic and a Sony D6 recorder (which, for some reason, was out for repair on this day, so I borrowed a friend's Sony D3 cassette recorder which was very similar, though not quite as good). I was in a very good seating location in the pavillion, and it sounds very good (if not amazing). There was apparently some small amount of damage to the tape (noted above) which prevented a completely clean playback. I will also put out the Santana set at some point. The Sanatana set was truly excellent and notably contained the first Phish sit-in (at this point just Trey, on guitar) of the tour. I hope you all enjoy, and appreciate all of the love and effort I've put into this! As far as I can tell, I was the only taper at this show, and this is the first time this set has ever seen the light of day. Enjoy!