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June 9th
5 shows
5 tapes
Years
2026
57.1k
PlaybackListensHours
48h2.2k382
7d6.7k1.2k
30d57.1k10.2k
13 shows
13 tapes
2025
17.2k
PlaybackListensHours
48h1.1k190
7d3.2k567
30d17.2k3.1k
42 shows
42 tapes
2024
6.3k
PlaybackListensHours
48h48788
7d1.4k249
30d6.3k1.2k
39 shows
39 tapes
2023
4.4k
PlaybackListensHours
48h29445
7d938163
30d4.4k721
45 shows
45 tapes
2022
7.8k
PlaybackListensHours
48h22736
7d3k484
30d7.8k1.3k
47 shows
48 tapes
2021
3.8k
PlaybackListensHours
48h27953
7d773141
30d3.8k689
35 shows
35 tapes
2020
308
PlaybackListensHours
48h283
7d405
30d30843
4 shows
4 tapes
2019
3.2k
PlaybackListensHours
48h26539
7d64593
30d3.2k451
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h24938
7d42968
30d4.2k646
39 shows
39 tapes
2017
2.5k
PlaybackListensHours
48h17533
7d53191
30d2.5k426
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h21228
7d49167
30d2.2k293
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h14120
7d39559
30d1.8k292
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h9715
7d38654
30d1.8k242
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h10516
7d27542
30d1.5k230
41 shows
41 tapes
2012
2.8k
PlaybackListensHours
48h1.5k202
7d1.2k159
30d2.8k381
37 shows
37 tapes
2011
8.6k
PlaybackListensHours
48h70392
7d3.2k461
30d8.6k1.2k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h18626
7d45563
30d2.5k336
50 shows
50 tapes
2009
5k
PlaybackListensHours
48h68399
7d2.1k283
30d5k701
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h15628
7d26855
30d1.8k355
20 shows
20 tapes
2003
5.4k
PlaybackListensHours
48h30456
7d1k192
30d5.4k1k
45 shows
45 tapes
2002
282
PlaybackListensHours
48h284
7d517
30d28242
3 shows
3 tapes
2000
14.9k
PlaybackListensHours
48h689122
7d1.9k333
30d14.9k2.5k
56 shows
56 tapes
1999
17.5k
PlaybackListensHours
48h1k188
7d3.2k584
30d17.5k3.3k
64 shows
64 tapes
1998
20.9k
PlaybackListensHours
48h1.3k215
7d3.7k614
30d20.9k3.4k
70 shows
70 tapes
1997
21.8k
PlaybackListensHours
48h1.5k267
7d4.3k734
30d21.8k3.9k
81 shows
81 tapes
1996
9.5k
PlaybackListensHours
48h777108
7d2.3k330
30d9.5k1.4k
71 shows
71 tapes
1995
11.9k
PlaybackListensHours
48h1.5k215
7d2.4k348
30d11.9k1.8k
82 shows
82 tapes
1994
28.5k
PlaybackListensHours
48h949116
7d2.8k350
30d28.5k3.5k
124 shows
124 tapes
1993
13.2k
PlaybackListensHours
48h60775
7d2.1k254
30d13.2k1.6k
109 shows
109 tapes
1992
8.6k
PlaybackListensHours
48h42649
7d1k119
30d8.6k983
109 shows
109 tapes
1991
6.8k
PlaybackListensHours
48h30233
7d1k105
30d6.8k722
117 shows
119 tapes
1990
5.1k
PlaybackListensHours
48h36441
7d968103
30d5.1k576
100 shows
101 tapes
1989
1.9k
PlaybackListensHours
48h8911
7d11915
30d1.9k251
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h20325
7d23328
30d2.7k345
44 shows
44 tapes
1987
711
PlaybackListensHours
48h81
7d588
30d71186
18 shows
18 tapes
1986
398
PlaybackListensHours
48h152
7d8710
30d39842
7 shows
7 tapes
1985
272
PlaybackListensHours
48h285
7d589
30d27240
7 shows
7 tapes
1984
157
PlaybackListensHours
48h110m
7d111
30d15722
2 shows
2 tapes
1983
80
PlaybackListensHours
48h71
7d152
30d8012
1 show
1 tape
1992
7/19/92
Poor Heart
1:43
Maze
7:02
Runaway Jim
6:52
David Bowie
10:28
Sweet Adeline
1:38
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
27:43
SHNID:
1984
Taper Notes:
View NotesPhish Garden State Arts Center Holmdel, NJ 7/19/1992 Original master recording: Sony ECM-959 stereo mic (in hat) -> Sony Walkman WMD3 -> Maxell XLII-S Cassette Master (Dolby B) Cassette playback: Master Cassette -> Nakamichi Dragon (120us bias / Dolby B decode) -> Sound Devices 722 input (@24/96) Mastered: Soundforge Pro 10.0e - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, Sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, dithering to 16 bits using using iZotope MBIT+ with Ultra noise shaping, with high dither settings; scrubbed 2 spots of feedback in T2 (@1:03, 1:31). Tracked in CDWav. IDv3 Tags added using Tag & Rename 3.7 1. Poor Heart (cuts in) 2. Maze 3. Runaway Jim 4. David Bowie * 5. Sweet Adeline + Total time: 27:45 BARN152 ^ = cassette tape was slightly mangled at 1:24 into this song * = ? jam + Simpsons signal in intro + = a capella This was a set opening for Santana. Trey Anastasio sat in with Santana later this evening. Taper notes: Sneaking in a couple of new entries in the BARN series, BARN152 leads the charge of pre-1993 masters of mine. This is the first recording I've put out that predates my entry into the DAT world. So yes, this is the first of my cassette masters that I've released (and yes, there are hundreds of them). Specifically I now have the ability to release cassette masters from my collection "The right way" (or at least in the way I've been imagining releasing them for the past few years) -- playing them back with the best cassette deck ever made (the legendary Nakamichi Dragon, last made in 1985, and the only cassette deck ever made which automatically adjusts the azimuth of tape playback to match the recording deck's head azimuth -- which in layman's terms means "best possible playback of a tape"), and capturing the playback with my awesome Sound Devices 722 recorder that I use to record concerts with at 24 bit/96 khz. This was not an easy hurdle to get over as Nak Dragons have the double curse of still being quite highly desired (nay, "legendary"!) and very difficult (and expensive) to keep in a functional state. So, after paying an arm and a leg for it and spending a lot of time getting it properly repaired, I can finally dip into my cassette stash. While I've still got THOUSANDS of DAT masters, I am opening the floodgates a little bit on the cassettes to provide a few very highly requested shows at this time. This particular Phish set fits that bill. A year or so ago, in a random conversation with my freind and fellow taper Justin Marinoff, he pointed out to me that there are no circulating recordings of this show. How he knew that off the top of his head I cannot say, but now that I have the ability to do cassette transfers, I've done my best to get this out for you Phish completists out there. Is there anything special about this less-than-half-hour set opening for Santana? No! Is the set all that interesting? Not particularly. But the playing is strong and the band is playing well (if not remarkably). You'll hear some sort of song tease that I haven't identified yet (but I know someone out there will get...) and a Simpsons secret language signal before Bowie. The Maze and Jim are both strong as well. How did I wind up being the only taper at this show? Well, after having seen them for the first time ever at the same location and being BLOWN AWAY by their HORDE performance just 8 days before on 7/11, I made the spontaneous call that I really needed to see them again ASAP and bought a ticket to this show on the spot. This was a set opening for Santana (whose career was actually at one of its low points here in the early 90s) and great seats were still very easy to come by at that late date. So as I said, I had been blown away by Phish's GSAC HORDE set, but this set was quite underwhelming. I had collected a number of live shows (from old time taper buddy Brendan O'Neill) by this point so knew most of the repertoire, but this set, being just under 30 minutes (not even long enough for the band to get warmed up!) was nothing to write home about. Also, the venue was patently anti-taping (even hassling me to no end at the HORDE show) so I came prepared to stealth record -- at the time I had a pretty nice Sony ECM-959 stereo mic and a Sony D6 recorder (which, for some reason, was out for repair on this day, so I borrowed a friend's Sony D3 cassette recorder which was very similar, though not quite as good). I was in a very good seating location in the pavillion, and it sounds very good (if not amazing). There was apparently some small amount of damage to the tape (noted above) which prevented a completely clean playback. I will also put out the Santana set at some point. The Sanatana set was truly excellent and notably contained the first Phish sit-in (at this point just Trey, on guitar) of the tour. I hope you all enjoy, and appreciate all of the love and effort I've put into this! As far as I can tell, I was the only taper at this show, and this is the first time this set has ever seen the light of day. Enjoy!