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June 13th
Years
2026
47.6k
PlaybackListensHours
48h2.1k374
7d5.5k971
30d47.6k8.5k
13 shows
13 tapes
2025
17.3k
PlaybackListensHours
48h1.2k211
7d3k529
30d17.3k3.1k
42 shows
42 tapes
2024
6.3k
PlaybackListensHours
48h33164
7d1.1k193
30d6.3k1.2k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h25743
7d750119
30d4.2k695
45 shows
45 tapes
2022
8.1k
PlaybackListensHours
48h14524
7d656108
30d8.1k1.3k
47 shows
48 tapes
2021
4.1k
PlaybackListensHours
48h15728
7d805141
30d4.1k742
35 shows
35 tapes
2020
352
PlaybackListensHours
48h71
7d8812
30d35248
4 shows
4 tapes
2019
3.6k
PlaybackListensHours
48h837117
7d1k154
30d3.6k526
39 shows
39 tapes
2018
4.1k
PlaybackListensHours
48h11418
7d56785
30d4.1k619
39 shows
39 tapes
2017
2.8k
PlaybackListensHours
48h16333
7d47992
30d2.8k469
28 shows
28 tapes
2016
2.3k
PlaybackListensHours
48h9313
7d53769
30d2.3k308
45 shows
45 tapes
2015
2k
PlaybackListensHours
48h15923
7d38357
30d2k309
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h11617
7d33048
30d1.8k245
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h7111
7d30548
30d1.5k239
41 shows
41 tapes
2012
4.4k
PlaybackListensHours
48h32642
7d2.5k327
30d4.4k585
37 shows
37 tapes
2011
9.6k
PlaybackListensHours
48h879113
7d1.7k225
30d9.6k1.4k
41 shows
41 tapes
2010
2.7k
PlaybackListensHours
48h55980
7d70798
30d2.7k357
50 shows
50 tapes
2009
6k
PlaybackListensHours
48h46167
7d1.8k258
30d6k842
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h7213
7d26254
30d1.8k348
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h29857
7d766141
30d5.2k991
45 shows
45 tapes
2002
278
PlaybackListensHours
48h81
7d699
30d27841
3 shows
3 tapes
2000
16.3k
PlaybackListensHours
48h1k173
7d2.9k530
30d16.3k2.8k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h944179
7d2.6k488
30d17.3k3.2k
64 shows
64 tapes
1998
20.9k
PlaybackListensHours
48h1.3k209
7d3.4k572
30d20.9k3.5k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.7k298
7d3.9k705
30d22.1k4k
81 shows
81 tapes
1996
9.2k
PlaybackListensHours
48h54176
7d1.7k232
30d9.2k1.3k
71 shows
71 tapes
1995
13.8k
PlaybackListensHours
48h759122
7d4.1k580
30d13.8k2k
82 shows
82 tapes
1994
28.5k
PlaybackListensHours
48h3.1k420
7d5k651
30d28.5k3.6k
124 shows
124 tapes
1993
12.4k
PlaybackListensHours
48h819101
7d1.8k223
30d12.4k1.5k
109 shows
109 tapes
1992
7.7k
PlaybackListensHours
48h30333
7d1k119
30d7.7k880
109 shows
109 tapes
1991
5.7k
PlaybackListensHours
48h38940
7d73579
30d5.7k606
117 shows
119 tapes
1990
5k
PlaybackListensHours
48h19422
7d89198
30d5k567
100 shows
101 tapes
1989
2.1k
PlaybackListensHours
48h598
7d39650
30d2.1k271
66 shows
66 tapes
1988
2.6k
PlaybackListensHours
48h28337
7d36745
30d2.6k339
44 shows
44 tapes
1987
691
PlaybackListensHours
48h212
7d15118
30d69187
18 shows
18 tapes
1986
366
PlaybackListensHours
48h262
7d495
30d36639
7 shows
7 tapes
1985
247
PlaybackListensHours
48h759m
7d356
30d24737
7 shows
7 tapes
1984
126
PlaybackListensHours
48h213
7d438m
30d12618
2 shows
2 tapes
1983
66
PlaybackListensHours
48h433m
7d81
30d6610
1 show
1 tape
1992
7/19/92
Poor Heart
1:43
Maze
7:02
Runaway Jim
6:52
David Bowie
10:28
Sweet Adeline
1:38
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
27:43
SHNID:
1984
Taper Notes:
View NotesPhish Garden State Arts Center Holmdel, NJ 7/19/1992 Original master recording: Sony ECM-959 stereo mic (in hat) -> Sony Walkman WMD3 -> Maxell XLII-S Cassette Master (Dolby B) Cassette playback: Master Cassette -> Nakamichi Dragon (120us bias / Dolby B decode) -> Sound Devices 722 input (@24/96) Mastered: Soundforge Pro 10.0e - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, Sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, dithering to 16 bits using using iZotope MBIT+ with Ultra noise shaping, with high dither settings; scrubbed 2 spots of feedback in T2 (@1:03, 1:31). Tracked in CDWav. IDv3 Tags added using Tag & Rename 3.7 1. Poor Heart (cuts in) 2. Maze 3. Runaway Jim 4. David Bowie * 5. Sweet Adeline + Total time: 27:45 BARN152 ^ = cassette tape was slightly mangled at 1:24 into this song * = ? jam + Simpsons signal in intro + = a capella This was a set opening for Santana. Trey Anastasio sat in with Santana later this evening. Taper notes: Sneaking in a couple of new entries in the BARN series, BARN152 leads the charge of pre-1993 masters of mine. This is the first recording I've put out that predates my entry into the DAT world. So yes, this is the first of my cassette masters that I've released (and yes, there are hundreds of them). Specifically I now have the ability to release cassette masters from my collection "The right way" (or at least in the way I've been imagining releasing them for the past few years) -- playing them back with the best cassette deck ever made (the legendary Nakamichi Dragon, last made in 1985, and the only cassette deck ever made which automatically adjusts the azimuth of tape playback to match the recording deck's head azimuth -- which in layman's terms means "best possible playback of a tape"), and capturing the playback with my awesome Sound Devices 722 recorder that I use to record concerts with at 24 bit/96 khz. This was not an easy hurdle to get over as Nak Dragons have the double curse of still being quite highly desired (nay, "legendary"!) and very difficult (and expensive) to keep in a functional state. So, after paying an arm and a leg for it and spending a lot of time getting it properly repaired, I can finally dip into my cassette stash. While I've still got THOUSANDS of DAT masters, I am opening the floodgates a little bit on the cassettes to provide a few very highly requested shows at this time. This particular Phish set fits that bill. A year or so ago, in a random conversation with my freind and fellow taper Justin Marinoff, he pointed out to me that there are no circulating recordings of this show. How he knew that off the top of his head I cannot say, but now that I have the ability to do cassette transfers, I've done my best to get this out for you Phish completists out there. Is there anything special about this less-than-half-hour set opening for Santana? No! Is the set all that interesting? Not particularly. But the playing is strong and the band is playing well (if not remarkably). You'll hear some sort of song tease that I haven't identified yet (but I know someone out there will get...) and a Simpsons secret language signal before Bowie. The Maze and Jim are both strong as well. How did I wind up being the only taper at this show? Well, after having seen them for the first time ever at the same location and being BLOWN AWAY by their HORDE performance just 8 days before on 7/11, I made the spontaneous call that I really needed to see them again ASAP and bought a ticket to this show on the spot. This was a set opening for Santana (whose career was actually at one of its low points here in the early 90s) and great seats were still very easy to come by at that late date. So as I said, I had been blown away by Phish's GSAC HORDE set, but this set was quite underwhelming. I had collected a number of live shows (from old time taper buddy Brendan O'Neill) by this point so knew most of the repertoire, but this set, being just under 30 minutes (not even long enough for the band to get warmed up!) was nothing to write home about. Also, the venue was patently anti-taping (even hassling me to no end at the HORDE show) so I came prepared to stealth record -- at the time I had a pretty nice Sony ECM-959 stereo mic and a Sony D6 recorder (which, for some reason, was out for repair on this day, so I borrowed a friend's Sony D3 cassette recorder which was very similar, though not quite as good). I was in a very good seating location in the pavillion, and it sounds very good (if not amazing). There was apparently some small amount of damage to the tape (noted above) which prevented a completely clean playback. I will also put out the Santana set at some point. The Sanatana set was truly excellent and notably contained the first Phish sit-in (at this point just Trey, on guitar) of the tour. I hope you all enjoy, and appreciate all of the love and effort I've put into this! As far as I can tell, I was the only taper at this show, and this is the first time this set has ever seen the light of day. Enjoy!