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June 6th
3 shows
3 tapes
Years
2026
67.7k
PlaybackListensHours
48h2.4k428
7d7k1.3k
30d67.7k12k
13 shows
13 tapes
2025
17k
PlaybackListensHours
48h1.2k217
7d2.8k498
30d17k3.1k
42 shows
42 tapes
2024
6k
PlaybackListensHours
48h578107
7d1.3k234
30d6k1.1k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h35061
7d858145
30d4.2k690
45 shows
45 tapes
2022
6.8k
PlaybackListensHours
48h1.3k205
7d3.4k529
30d6.8k1.1k
47 shows
48 tapes
2021
3.7k
PlaybackListensHours
48h26548
7d760134
30d3.7k666
35 shows
35 tapes
2020
326
PlaybackListensHours
48h101
7d11215
30d32645
4 shows
4 tapes
2019
3.2k
PlaybackListensHours
48h18026
7d687103
30d3.2k453
39 shows
39 tapes
2018
4.3k
PlaybackListensHours
48h18730
7d43167
30d4.3k654
39 shows
39 tapes
2017
2.4k
PlaybackListensHours
48h20332
7d661113
30d2.4k413
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h25335
7d37453
30d2.2k289
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h13421
7d39361
30d1.8k291
31 shows
31 tapes
2014
1.6k
PlaybackListensHours
48h13418
7d32045
30d1.6k225
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h12820
7d21132
30d1.5k232
41 shows
41 tapes
2012
2k
PlaybackListensHours
48h29343
7d56575
30d2k273
37 shows
37 tapes
2011
7.3k
PlaybackListensHours
48h1.4k193
7d3.2k470
30d7.3k1.1k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h22530
7d36749
30d2.5k323
50 shows
50 tapes
2009
3.9k
PlaybackListensHours
48h67387
7d1.8k254
30d3.9k550
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h7319
7d27453
30d1.8k348
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h38374
7d1k184
30d5.2k992
45 shows
45 tapes
2002
326
PlaybackListensHours
48h215m
7d314
30d32648
3 shows
3 tapes
2000
14.6k
PlaybackListensHours
48h796140
7d1.7k300
30d14.6k2.4k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h1.2k209
7d3.2k601
30d17.3k3.2k
64 shows
64 tapes
1998
20k
PlaybackListensHours
48h1.5k254
7d3.9k634
30d20k3.3k
70 shows
70 tapes
1997
21.1k
PlaybackListensHours
48h1.5k267
7d4k724
30d21.1k3.8k
81 shows
81 tapes
1996
8.6k
PlaybackListensHours
48h931134
7d1.1k167
30d8.6k1.3k
71 shows
71 tapes
1995
11.5k
PlaybackListensHours
48h735110
7d2.7k386
30d11.5k1.7k
82 shows
82 tapes
1994
29.2k
PlaybackListensHours
48h1.1k142
7d3.1k396
30d29.2k3.6k
124 shows
124 tapes
1993
14.3k
PlaybackListensHours
48h66883
7d2.1k249
30d14.3k1.7k
109 shows
109 tapes
1992
9.7k
PlaybackListensHours
48h27436
7d1k112
30d9.7k1.1k
109 shows
109 tapes
1991
6.8k
PlaybackListensHours
48h47248
7d90596
30d6.8k725
117 shows
119 tapes
1990
4.7k
PlaybackListensHours
48h56055
7d1k125
30d4.7k543
100 shows
101 tapes
1989
2.1k
PlaybackListensHours
48h385
7d13718
30d2.1k266
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h10714
7d32939
30d2.7k346
44 shows
44 tapes
1987
773
PlaybackListensHours
48h162
7d9211
30d77394
18 shows
18 tapes
1986
398
PlaybackListensHours
48h303
7d587
30d39842
7 shows
7 tapes
1985
263
PlaybackListensHours
48h132
7d405
30d26338
7 shows
7 tapes
1984
184
PlaybackListensHours
48h749m
7d203
30d18426
2 shows
2 tapes
1983
78
PlaybackListensHours
48h326m
7d112
30d7811
1 show
1 tape
1990
9/21/90
Set 1
1:08:36
Banter
0:58
Reba
11:52
Paul and Silas
3:38
The Asse Festival
2:44
Dinner and a Movie
3:42
Foam
9:13
Esther
9:18
The Landlady
4:51
Mike's Song
6:01
I Am Hydrogen
2:31
Weekapaug Groove
7:17
Eliza
1:21
La Grange
5:10
Set 2
57:10
Golgi Apparatus
5:05
Magilla
6:31
Stash
10:16
Colonel Forbin's Ascent > Fly Famous Mockingbird
12:50
You Enjoy Myself
18:05
Highway to Hell
4:23
Encore
10:58
Whipping Post
10:58
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
2:16:44
SHNID:
728
Taper Notes:
View NotesPhish Somerville Theater Somerville, MA 9/21/90 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SNHv3 Mastering Notes: This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade. The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - [email protected] on 10/19/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03. DISC ONE Set I: 01. tuning / stage banter 02. Reba 03. Paul & Silas 04. Asse Festival 05. Dinner and a Movie 06. Foam 07. Esther 08. Landlady 09. Mikes//Song > 10. I Am Hydrogen > 11. Weekapaug Groove 12. Eliza 13. La Grange DISC TWO Set II: 01. Golgi Apparatus 02. Magilla 03. Stash 04. Col. Forbin > Fly Famous Mockingbird 05. You Enjoy // Myself 06. Highway to Hell encore: 07. Whipping Post Notes // indicates cassette flips The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used. WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org)