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June 14th
Years
2026
45.8k
PlaybackListensHours
48h2.3k410
7d5.4k950
30d45.8k8.2k
13 shows
13 tapes
2025
17.2k
PlaybackListensHours
48h1.3k222
7d3.1k556
30d17.2k3.1k
42 shows
42 tapes
2024
6.4k
PlaybackListensHours
48h31859
7d1.1k194
30d6.4k1.2k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h28348
7d695107
30d4.2k691
45 shows
45 tapes
2022
8.1k
PlaybackListensHours
48h21035
7d636104
30d8.1k1.3k
47 shows
48 tapes
2021
4.1k
PlaybackListensHours
48h15426
7d767130
30d4.1k740
35 shows
35 tapes
2020
349
PlaybackListensHours
48h334
7d8712
30d34948
4 shows
4 tapes
2019
4k
PlaybackListensHours
48h70094
7d1.4k196
30d4k579
39 shows
39 tapes
2018
4k
PlaybackListensHours
48h14222
7d56587
30d4k604
39 shows
39 tapes
2017
2.8k
PlaybackListensHours
48h19236
7d513100
30d2.8k478
28 shows
28 tapes
2016
2.3k
PlaybackListensHours
48h11615
7d51567
30d2.3k302
45 shows
45 tapes
2015
2k
PlaybackListensHours
48h15523
7d40060
30d2k312
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h10616
7d30945
30d1.8k250
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h8014
7d26040
30d1.5k235
41 shows
41 tapes
2012
4.5k
PlaybackListensHours
48h25434
7d2.1k278
30d4.5k601
37 shows
37 tapes
2011
10.2k
PlaybackListensHours
48h74595
7d2k262
30d10.2k1.4k
41 shows
41 tapes
2010
2.8k
PlaybackListensHours
48h63991
7d893122
30d2.8k383
50 shows
50 tapes
2009
6.2k
PlaybackListensHours
48h46965
7d1.5k217
30d6.2k873
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h7313
7d24048
30d1.8k347
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h25048
7d701127
30d5.2k996
45 shows
45 tapes
2002
275
PlaybackListensHours
48h71
7d507
30d27540
3 shows
3 tapes
2000
16k
PlaybackListensHours
48h1.2k200
7d3k551
30d16k2.7k
56 shows
56 tapes
1999
17.1k
PlaybackListensHours
48h1.1k200
7d2.6k486
30d17.1k3.2k
64 shows
64 tapes
1998
20.7k
PlaybackListensHours
48h1.4k232
7d3.4k567
30d20.7k3.4k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.9k316
7d3.9k713
30d22.1k4k
81 shows
81 tapes
1996
9.1k
PlaybackListensHours
48h59483
7d1.4k198
30d9.1k1.3k
71 shows
71 tapes
1995
13.8k
PlaybackListensHours
48h892141
7d3.8k541
30d13.8k2k
82 shows
82 tapes
1994
29.3k
PlaybackListensHours
48h2.7k352
7d6.1k808
30d29.3k3.7k
124 shows
124 tapes
1993
12.3k
PlaybackListensHours
48h875106
7d1.9k235
30d12.3k1.5k
109 shows
109 tapes
1992
7.4k
PlaybackListensHours
48h33136
7d916107
30d7.4k846
109 shows
109 tapes
1991
5.7k
PlaybackListensHours
48h38539
7d78083
30d5.7k603
117 shows
119 tapes
1990
4.8k
PlaybackListensHours
48h27130
7d84593
30d4.8k540
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h577
7d40151
30d2k265
66 shows
66 tapes
1988
2.6k
PlaybackListensHours
48h21728
7d48461
30d2.6k329
44 shows
44 tapes
1987
625
PlaybackListensHours
48h405
7d16018
30d62576
18 shows
18 tapes
1986
351
PlaybackListensHours
48h232
7d475
30d35138
7 shows
7 tapes
1985
249
PlaybackListensHours
48h00m
7d244
30d24937
7 shows
7 tapes
1984
142
PlaybackListensHours
48h243
7d243
30d14219
2 shows
2 tapes
1983
66
PlaybackListensHours
48h325m
7d81
30d6610
1 show
1 tape
1990
Sources
Source 1 of 1
2:16:44
Dot Net:
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Taper Notes:
View NotesPhish Somerville Theater Somerville, MA 9/21/90 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SNHv3 Mastering Notes: This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade. The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - [email protected] on 10/19/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03. DISC ONE Set I: 01. tuning / stage banter 02. Reba 03. Paul & Silas 04. Asse Festival 05. Dinner and a Movie 06. Foam 07. Esther 08. Landlady 09. Mikes//Song > 10. I Am Hydrogen > 11. Weekapaug Groove 12. Eliza 13. La Grange DISC TWO Set II: 01. Golgi Apparatus 02. Magilla 03. Stash 04. Col. Forbin > Fly Famous Mockingbird 05. You Enjoy // Myself 06. Highway to Hell encore: 07. Whipping Post Notes // indicates cassette flips The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used. WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org)