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Phish
Today In History
June 6th
Years
2026
61.6k
PlaybackListensHours
48h2.4k446
7d5.5k986
30d61.6k11k
13 shows
13 tapes
2025
16.5k
PlaybackListensHours
48h1.2k220
7d2.2k397
30d16.5k3k
42 shows
42 tapes
2024
5.8k
PlaybackListensHours
48h585108
7d1k192
30d5.8k1.1k
39 shows
39 tapes
2023
4k
PlaybackListensHours
48h33758
7d729124
30d4k660
45 shows
45 tapes
2022
6.8k
PlaybackListensHours
48h1.1k166
7d2.8k440
30d6.8k1.1k
47 shows
48 tapes
2021
3.6k
PlaybackListensHours
48h27249
7d617109
30d3.6k649
35 shows
35 tapes
2020
315
PlaybackListensHours
48h91
7d446
30d31544
4 shows
4 tapes
2019
3k
PlaybackListensHours
48h19327
7d56784
30d3k435
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h17928
7d36757
30d4.2k641
39 shows
39 tapes
2017
2.4k
PlaybackListensHours
48h21535
7d47183
30d2.4k399
28 shows
28 tapes
2016
2.1k
PlaybackListensHours
48h26536
7d33847
30d2.1k273
45 shows
45 tapes
2015
1.7k
PlaybackListensHours
48h16726
7d35153
30d1.7k274
31 shows
31 tapes
2014
1.6k
PlaybackListensHours
48h15320
7d26938
30d1.6k219
41 shows
41 tapes
2013
1.4k
PlaybackListensHours
48h10217
7d14922
30d1.4k222
41 shows
41 tapes
2012
2k
PlaybackListensHours
48h28241
7d51668
30d2k270
37 shows
37 tapes
2011
7.2k
PlaybackListensHours
48h1.1k161
7d2.8k399
30d7.2k1k
41 shows
41 tapes
2010
2.3k
PlaybackListensHours
48h21731
7d32844
30d2.3k307
50 shows
50 tapes
2009
3.7k
PlaybackListensHours
48h75097
7d1.5k210
30d3.7k534
51 shows
51 tapes
2004
1.7k
PlaybackListensHours
48h8020
7d21442
30d1.7k340
20 shows
20 tapes
2003
5k
PlaybackListensHours
48h32264
7d861156
30d5k958
45 shows
45 tapes
2002
318
PlaybackListensHours
48h331m
7d314
30d31847
3 shows
3 tapes
2000
14.3k
PlaybackListensHours
48h764138
7d1.4k250
30d14.3k2.4k
56 shows
56 tapes
1999
16.7k
PlaybackListensHours
48h1.2k221
7d2.7k491
30d16.7k3.1k
64 shows
64 tapes
1998
19.5k
PlaybackListensHours
48h1.6k254
7d3.2k520
30d19.5k3.2k
70 shows
70 tapes
1997
20.2k
PlaybackListensHours
48h1.7k288
7d3.1k550
30d20.2k3.7k
81 shows
81 tapes
1996
8.3k
PlaybackListensHours
48h1.1k157
7d968143
30d8.3k1.2k
71 shows
71 tapes
1995
11.1k
PlaybackListensHours
48h735108
7d2k292
30d11.1k1.6k
82 shows
82 tapes
1994
28.2k
PlaybackListensHours
48h1.1k134
7d2.4k306
30d28.2k3.5k
124 shows
124 tapes
1993
13.2k
PlaybackListensHours
48h78695
7d1.6k190
30d13.2k1.6k
109 shows
109 tapes
1992
9.2k
PlaybackListensHours
48h28536
7d79188
30d9.2k1.1k
109 shows
109 tapes
1991
6.6k
PlaybackListensHours
48h47149
7d72676
30d6.6k710
117 shows
119 tapes
1990
4.5k
PlaybackListensHours
48h56556
7d855104
30d4.5k526
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h385
7d11716
30d2k262
66 shows
66 tapes
1988
2.6k
PlaybackListensHours
48h11314
7d27633
30d2.6k334
44 shows
44 tapes
1987
767
PlaybackListensHours
48h172
7d8110
30d76794
18 shows
18 tapes
1986
395
PlaybackListensHours
48h283
7d566
30d39542
7 shows
7 tapes
1985
255
PlaybackListensHours
48h122
7d405
30d25536
7 shows
7 tapes
1984
161
PlaybackListensHours
48h749m
7d91
30d16122
2 shows
2 tapes
1983
77
PlaybackListensHours
48h326m
7d112
30d7711
1 show
1 tape
1990
Sources
Source 1 of 1
2:16:44
SHNID:
728
Taper Notes:
View NotesPhish Somerville Theater Somerville, MA 9/21/90 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SNHv3 Mastering Notes: This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade. The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - [email protected] on 10/19/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03. DISC ONE Set I: 01. tuning / stage banter 02. Reba 03. Paul & Silas 04. Asse Festival 05. Dinner and a Movie 06. Foam 07. Esther 08. Landlady 09. Mikes//Song > 10. I Am Hydrogen > 11. Weekapaug Groove 12. Eliza 13. La Grange DISC TWO Set II: 01. Golgi Apparatus 02. Magilla 03. Stash 04. Col. Forbin > Fly Famous Mockingbird 05. You Enjoy // Myself 06. Highway to Hell encore: 07. Whipping Post Notes // indicates cassette flips The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used. WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org)