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June 9th
5 shows
5 tapes
Years
2026
57.1k
PlaybackListensHours
48h2k342
7d6.7k1.2k
30d57.1k10.2k
13 shows
13 tapes
2025
17.2k
PlaybackListensHours
48h1k179
7d3.2k567
30d17.2k3.1k
42 shows
42 tapes
2024
6.3k
PlaybackListensHours
48h51588
7d1.4k249
30d6.3k1.2k
39 shows
39 tapes
2023
4.4k
PlaybackListensHours
48h26339
7d938163
30d4.4k721
45 shows
45 tapes
2022
7.8k
PlaybackListensHours
48h23337
7d3k484
30d7.8k1.3k
47 shows
48 tapes
2021
3.8k
PlaybackListensHours
48h27549
7d773141
30d3.8k689
35 shows
35 tapes
2020
308
PlaybackListensHours
48h547
7d405
30d30843
4 shows
4 tapes
2019
3.2k
PlaybackListensHours
48h24738
7d64593
30d3.2k451
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h29844
7d42968
30d4.2k646
39 shows
39 tapes
2017
2.5k
PlaybackListensHours
48h20438
7d53191
30d2.5k426
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h24733
7d49167
30d2.2k293
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h13621
7d39559
30d1.8k292
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h7312
7d38654
30d1.8k242
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h7410
7d27542
30d1.5k230
41 shows
41 tapes
2012
2.8k
PlaybackListensHours
48h1.1k156
7d1.2k159
30d2.8k381
37 shows
37 tapes
2011
8.6k
PlaybackListensHours
48h58775
7d3.2k461
30d8.6k1.2k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h17725
7d45563
30d2.5k336
50 shows
50 tapes
2009
5k
PlaybackListensHours
48h61989
7d2.1k283
30d5k701
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h11221
7d26855
30d1.8k355
20 shows
20 tapes
2003
5.4k
PlaybackListensHours
48h24043
7d1k192
30d5.4k1k
45 shows
45 tapes
2002
282
PlaybackListensHours
48h429m
7d517
30d28242
3 shows
3 tapes
2000
14.9k
PlaybackListensHours
48h972179
7d1.9k333
30d14.9k2.5k
56 shows
56 tapes
1999
17.5k
PlaybackListensHours
48h984182
7d3.2k584
30d17.5k3.3k
64 shows
64 tapes
1998
20.9k
PlaybackListensHours
48h1.4k232
7d3.7k614
30d20.9k3.4k
70 shows
70 tapes
1997
21.8k
PlaybackListensHours
48h1.3k233
7d4.3k734
30d21.8k3.9k
81 shows
81 tapes
1996
9.5k
PlaybackListensHours
48h57982
7d2.3k330
30d9.5k1.4k
71 shows
71 tapes
1995
11.9k
PlaybackListensHours
48h1.5k211
7d2.4k348
30d11.9k1.8k
82 shows
82 tapes
1994
28.5k
PlaybackListensHours
48h1.1k137
7d2.8k350
30d28.5k3.5k
124 shows
124 tapes
1993
13.2k
PlaybackListensHours
48h52866
7d2.1k254
30d13.2k1.6k
109 shows
109 tapes
1992
8.6k
PlaybackListensHours
48h33538
7d1k119
30d8.6k983
109 shows
109 tapes
1991
6.8k
PlaybackListensHours
48h22425
7d1k105
30d6.8k722
117 shows
119 tapes
1990
5.1k
PlaybackListensHours
48h43348
7d968103
30d5.1k576
100 shows
101 tapes
1989
1.9k
PlaybackListensHours
48h12816
7d11915
30d1.9k251
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h19925
7d23328
30d2.7k345
44 shows
44 tapes
1987
711
PlaybackListensHours
48h635m
7d588
30d71186
18 shows
18 tapes
1986
398
PlaybackListensHours
48h243
7d8710
30d39842
7 shows
7 tapes
1985
272
PlaybackListensHours
48h143
7d589
30d27240
7 shows
7 tapes
1984
157
PlaybackListensHours
48h329m
7d111
30d15722
2 shows
2 tapes
1983
80
PlaybackListensHours
48h436m
7d152
30d8012
1 show
1 tape
1990
Sources
Source 1 of 1
2:16:44
Dot Net:
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Taper Notes:
View NotesPhish Somerville Theater Somerville, MA 9/21/90 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SNHv3 Mastering Notes: This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade. The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - [email protected] on 10/19/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03. DISC ONE Set I: 01. tuning / stage banter 02. Reba 03. Paul & Silas 04. Asse Festival 05. Dinner and a Movie 06. Foam 07. Esther 08. Landlady 09. Mikes//Song > 10. I Am Hydrogen > 11. Weekapaug Groove 12. Eliza 13. La Grange DISC TWO Set II: 01. Golgi Apparatus 02. Magilla 03. Stash 04. Col. Forbin > Fly Famous Mockingbird 05. You Enjoy // Myself 06. Highway to Hell encore: 07. Whipping Post Notes // indicates cassette flips The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used. WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org)