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June 8th
4 shows
4 tapes
Years
2026
59.4k
PlaybackListensHours
48h2.5k443
7d6.8k1.2k
30d59.4k10.6k
13 shows
13 tapes
2025
17.1k
PlaybackListensHours
48h1.1k195
7d3.1k556
30d17.1k3.1k
42 shows
42 tapes
2024
6.2k
PlaybackListensHours
48h49287
7d1.4k266
30d6.2k1.1k
39 shows
39 tapes
2023
4.4k
PlaybackListensHours
48h33958
7d914158
30d4.4k717
45 shows
45 tapes
2022
7.8k
PlaybackListensHours
48h23339
7d3.3k521
30d7.8k1.3k
47 shows
48 tapes
2021
3.8k
PlaybackListensHours
48h25352
7d800141
30d3.8k679
35 shows
35 tapes
2020
314
PlaybackListensHours
48h845m
7d456
30d31444
4 shows
4 tapes
2019
3.1k
PlaybackListensHours
48h27238
7d65995
30d3.1k441
39 shows
39 tapes
2018
4.3k
PlaybackListensHours
48h15223
7d49177
30d4.3k658
39 shows
39 tapes
2017
2.5k
PlaybackListensHours
48h19535
7d604103
30d2.5k429
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h15420
7d52974
30d2.2k292
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h14420
7d42665
30d1.8k293
31 shows
31 tapes
2014
1.7k
PlaybackListensHours
48h19528
7d36050
30d1.7k237
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h9415
7d24036
30d1.5k228
41 shows
41 tapes
2012
2.3k
PlaybackListensHours
48h75199
7d725100
30d2.3k311
37 shows
37 tapes
2011
8.4k
PlaybackListensHours
48h45867
7d3.2k462
30d8.4k1.2k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h19628
7d47064
30d2.5k335
50 shows
50 tapes
2009
4.5k
PlaybackListensHours
48h1.1k144
7d2.3k308
30d4.5k628
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h11821
7d23049
30d1.8k349
20 shows
20 tapes
2003
5.3k
PlaybackListensHours
48h34870
7d1k197
30d5.3k1k
45 shows
45 tapes
2002
301
PlaybackListensHours
48h254
7d345
30d30145
3 shows
3 tapes
2000
14.8k
PlaybackListensHours
48h631115
7d1.9k336
30d14.8k2.5k
56 shows
56 tapes
1999
17.6k
PlaybackListensHours
48h1.2k212
7d3.4k620
30d17.6k3.3k
64 shows
64 tapes
1998
20.8k
PlaybackListensHours
48h1.4k232
7d4k652
30d20.8k3.4k
70 shows
70 tapes
1997
21.5k
PlaybackListensHours
48h1.9k308
7d4.3k745
30d21.5k3.9k
81 shows
81 tapes
1996
9.3k
PlaybackListensHours
48h1.4k196
7d2k294
30d9.3k1.3k
71 shows
71 tapes
1995
11.6k
PlaybackListensHours
48h959135
7d2.3k333
30d11.6k1.7k
82 shows
82 tapes
1994
28.8k
PlaybackListensHours
48h1k127
7d2.9k366
30d28.8k3.6k
124 shows
124 tapes
1993
13.4k
PlaybackListensHours
48h854101
7d2.1k255
30d13.4k1.6k
109 shows
109 tapes
1992
8.8k
PlaybackListensHours
48h41049
7d967113
30d8.8k1k
109 shows
109 tapes
1991
6.9k
PlaybackListensHours
48h34436
7d1.1k110
30d6.9k737
117 shows
119 tapes
1990
5k
PlaybackListensHours
48h28031
7d1.1k122
30d5k568
100 shows
101 tapes
1989
1.9k
PlaybackListensHours
48h486
7d10214
30d1.9k252
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h11913
7d28535
30d2.7k343
44 shows
44 tapes
1987
777
PlaybackListensHours
48h101
7d719
30d77794
18 shows
18 tapes
1986
414
PlaybackListensHours
48h101
7d829
30d41444
7 shows
7 tapes
1985
262
PlaybackListensHours
48h203
7d517
30d26238
7 shows
7 tapes
1984
157
PlaybackListensHours
48h214m
7d122
30d15722
2 shows
2 tapes
1983
80
PlaybackListensHours
48h101
7d122
30d8012
1 show
1 tape
1990
9/21/90
Set 1
1:08:36
Banter
0:58
Reba
11:52
Paul and Silas
3:38
The Asse Festival
2:44
Dinner and a Movie
3:42
Foam
9:13
Esther
9:18
The Landlady
4:51
Mike's Song
6:01
I Am Hydrogen
2:31
Weekapaug Groove
7:17
Eliza
1:21
La Grange
5:10
Set 2
57:10
Golgi Apparatus
5:05
Magilla
6:31
Stash
10:16
Colonel Forbin's Ascent > Fly Famous Mockingbird
12:50
You Enjoy Myself
18:05
Highway to Hell
4:23
Encore
10:58
Whipping Post
10:58
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
2:16:44
SHNID:
728
Taper Notes:
View NotesPhish Somerville Theater Somerville, MA 9/21/90 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SNHv3 Mastering Notes: This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade. The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - [email protected] on 10/19/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03. DISC ONE Set I: 01. tuning / stage banter 02. Reba 03. Paul & Silas 04. Asse Festival 05. Dinner and a Movie 06. Foam 07. Esther 08. Landlady 09. Mikes//Song > 10. I Am Hydrogen > 11. Weekapaug Groove 12. Eliza 13. La Grange DISC TWO Set II: 01. Golgi Apparatus 02. Magilla 03. Stash 04. Col. Forbin > Fly Famous Mockingbird 05. You Enjoy // Myself 06. Highway to Hell encore: 07. Whipping Post Notes // indicates cassette flips The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used. WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org)