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Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h65188
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k226
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.3k401
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.3k303
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k468
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.5k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k306
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k142
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k204
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h75283
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k179
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3k362
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k163
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k146
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k178
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.7k536
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k237
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k257
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20.7k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k924
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h42945
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.1k942
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.4k813
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.4k306
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k192
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.9k213
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k278
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h946128
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13318
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29117
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h422
7d1076
30d59434
2 shows
2 tapes
1993
8/21/93
China Cat Sunflower ->
7:09
I Know You Rider
7:07
Way To Go Home
6:54
Truckin' ->
6:41
Good Morning Little School Girl -> *
5:41
Smokestack Lightning -> *
5:31
Drums ->
14:19
Space ->
14:23
The Last Time -> *
6:22
Standing on the Moon
9:25
One More Saturday Night
5:01
encore break
2:45
I Fought The Law
3:22
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] December 10, 2020
2:24:30
SBD
Rating:
10.00 / 1 rating
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 10, 2020
SHNID:
gd1993-08-21.151100.sbd.miller.flac1648
Source:
SBD > DAT Master (48k)
Lineage:
DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k
Taper Notes:
View NotesNotes: -- Good Morning Little Schoolgirl and Smokestack Lightning with Huey Lewis on harmonica
Transferrer: Doug Nawrocki
2:19:05
SBD
Rating:
8.56 / 39 ratings
Transferrer:
Doug Nawrocki
SHNID:
gd93-08-21.sbd.nawrocki.15035.sbeok.shnf
Source:
SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT
Taper Notes:
View NotesSource: SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT First few minutes of Here Comes Sunshine patched by Pat Volkerding with FM > DAT source Various patching/crossfades by Doug Nawrocki with Jay Serafin liberated bootleg source EAC'd/SHN'd by Doug Nawrocki
Transferrer: Jay Serafin
2:15:55
SBD
Rating:
6.00 / 1 rating
Transferrer:
Jay Serafin
SHNID:
gd1993-08-21.sbd.serafin.11269.shnf
Source:
SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB
Taper Notes:
View NotesBAND: GRATEFUL DEAD SHOW DATE: 08/21/93 VENUE: AUTZEN STADIUM @ UNIVERSITY OF OREGON LOCATION: EUGENE, OR SET(S): I / II LINEAGE SBD > D > ILLEGAL BOOTLEG CD > SSSB LINEAGE ADDITIONAL INFO: REFERENCE AUDIO SECTIONS: MY MARIN COUNTY SOURCE SBD > SHOW MASTER D AUDIO RATING: AR1 MEDIA REQUIRED: DAT: 1x180 min. CD-R / MINI DISC: 2 SEEDED FOR THE GDLIVE RELEASE BY: "SUPERNOVA" (JERRY FORD), JAY SERAFIN, AND IN PART, JAY'S MARIN COUNTY SOURCE RELEASED ON: 10/25/01 JAY'S PERSONAL COMMENTS: First off, I want to thank "SuperNova" ( Jerry Ford... [email protected] ) for his sending me his copy of the ILLEGAL BOOTLEG DISCS to compare with the same ones I had given to me many years ago. His seed CD's gave both credence and complete verification to the audio I had. Also, my Marin County source sent me multipple "snippets" from this show from 6 different songs, which were used as a "reference" to how the mix and the audio actually sounded at the venue that night and was archived by the Dead. These were used to process the show's audio to match (with 98.4% accuracy) with that of the ILLEGAL BOOTLEG DISCS, which were the actual "seed audio" for this release. Jerry's CD's, which were the same as mine (slight variations in the jewel case inserts were noted, especially the "Copyright" year from the illegal bootleg company called KTS ("Kiss The Stone") which is based in Italy. Unfortunately, the acappella opening for Here Comes Sunshine, as well as the first 30 or so seconds of the opening music do not appear on the ILLEGAL BOOTLEG DISCS. This is a shame, as my source did NOT send me this material to include in this show release. It is my understanding that this show will, in the future, become a commercial release, and the full HCS opening will be used in that 3-disc release. This, supposedly, will occur in late 2002 or early 2003. Well, on with the review... EXCELLENT AUDIO QUALITY FROM OPENING NOTE TO THE CLOSING CHORDS' FADEOUT. Very crisp, clear, no hiss other than that of the recording equipment itself (this hiss is -60 dB or lower, so it doesn't interfere with the show's audio at all). You can listen closely when the between-song lulls occur, and hear the noise gates for the instruments and microphones opening and closing, that's how high the audio quality is for this show. This show is not missing any songs. The only "problem" is that the company that made these ILLEGAL BOOTLEG DISCS, "KTS", had to edit parts of Drums to make it fit onto the 2nd CD disc. Many of these edits were quite noticeable (there were 7 edits in all, and because of their "subtle abruptness", I chose to cross-fade the offending edits, matching up the segments beat for beat. You cannot tell now where the edits actually were. Because of the clarity of the audio of this show, only a very minor amount of processing was done. This was in the form of less than 1 dB of attenuation or boost in extremely narrow frequency bands (less than 50 Hz wide) at the lowest audio frequencies (below 100 Hz), as well as 3 narrow bands in the vocal areas between 6,200 and 7,400 Hz. This was done to perfectly match the "reference audio" of the Dead's master archive of this show as opposed to what KTS did to make the show sound the way it did on their ILLEGAL BOOTLEG DISCS. Bird Song was a very smooth and very energetic (in laid-back way) version, and was a good 14+ minutes in length. That segued right into a smoking The Promised Land. Huey Lewis didn't fail to help out in the instrumental portions of Good Morning Little School Girl through Smokestack Lightning. He also was in the background during Space, and his harmonica was very evident during the last bit of Space. So, make a note in your databases that he also played on that song (no database I've seen gives this information). Although this was the beginning show a long West Coast area run, Jerry seemed to run out of steam by Standing On The Moon in his vocals. His guitar playing was top shelf for the entire show, so there was no lack of energy on his part. Bobby filled the gap very nicely, and he was "just right" in the overall mix. The keyboards were not lacking in their contributions at all, and not overly present in the mix. Just right. Billy and Micky were ON this night, playing in sync as well as "off of each other" quite well. Space was cut by KTS by about 2 minutes, which is a shame. But, that's what you come to exepect from ILLEGAL BOOTLEG DISCS, no matter who makes them. A typical and "no frills" I Fought The Law closed out this very wonderful show. Even though the audience "ambience mikes" were not really in the mix much, what you can hear lets you know that this show was very much appreciated, and the gave the Boyz their "props" that night. And the band reciprocated. PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent) Audio Mix: 9.9 Audio Quality: 10 Energy Level: 9.6 Show "Completeness": 9.2 (the edits in Drums and Space account for this rating level) Song Selection: Nothing special Surprises: None
Transferrer: Doug Nawrocki
4:32:04
SBD
Rating:
8.50 / 5 ratings
Transferrer:
Doug Nawrocki
SHNID:
gd1993-08-21.sbd.nawrocki.561.shnf
Source:
SBD -> DAT -> CDR
Lineage:
EAC -> Cool Edit '96 (removed digipop prior to music in beginning of d1t1) -> CDWAV -> Shorten32
Taper Notes:
View Notes*w/Huey Lewis on harmonica Here Comes Sunshine fades in
Taper: Unknown
2:28:46
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1993-08-21.140172.fob.Schoeps-MK41.miller.sirmick.140172.flac.1648
Source:
<b>flac16/48kHz</b>; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > Cd Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017
Taper: Jeff Silberman
1:34:40
Rating:
10.00 / 1 rating
Taper:
Jeff Silberman
Transferrer:
Joe Noel and John Ammons
SHNID:
gd1993-08-21.141530.S2.FOB.AMS.ST-250.Silberman.Ammons.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; John Ammons & Jeff Silberman Digital FOB Recording; AMS ST-250 (ambisonic mode) > 4 track Nagra D open reel 24 bit digital deck > 2 channel stereo DAT using a Blumlein pattern > DAT (mics on 6' stand); John Ammons
Lineage:
Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
Taper Notes:
View NotesNotes: - There's unique Dead taping, and then there's ambisonic. - Indigo Girls opened - from John's clone of the master * w/ Huey Lewis on harmonica - Garcia's driving! - While there are many SotM's, for a moment in time, there was only this one.
Taper: De Weez
2:05:23
Rating:
10.00 / 1 rating
Taper:
De Weez
Transferrer:
D5Scott
SHNID:
gd1993-08-21.119060.neumannKMF4.daweez.d5scott.flac16
Source:
2 Neumann KMF4 microphones > Sony TC-D5M
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac file
Taper Notes:
View NotesTruckin', Good Morning Little School Girl, Smokestack Lightnin', and The Last Time with Huey Lewis on harmonica. R.I.P. Sandy - aka "Bigfoot"
Taper: Mike Albright
2:45:15
Rating:
9.60 / 5 ratings
Taper:
Mike Albright
SHNID:
gd1993-08-21.fm.albright.87555.flac16
Source:
FM Signal (KLCC 89.7) -> Harmon Kardon receiver -> HiFi Stereo VCR
Lineage:
HiFi Stereo VCR -> Teac P20 DAT -> Edirol UA-3FX -> Amadeus -> Flac
Taper Notes:
View NotesGood sound quality but there is some high pitch noise.
Taper: DAT Clone from Dat Master from collection of Todd Evans
2:28:15
Rating:
9.50 / 4 ratings
Taper:
DAT Clone from Dat Master from collection of Todd Evans
Transferrer:
Edited and Mastered By Jamie Waddell on the GEMS Edit Station
SHNID:
gd1993-08-21.fob-schoeps.evans-waddell.87291.flac16
Source:
Mk2 Omni Capsules (the two mic stands were �human� � capsules were in hat and the �stands� were 10� apart) -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255
Lineage:
DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav.
Taper Notes:
View Notes-First audience recording in digital circulation. And a mighty fine one at that. -Both GMLSG and Smokestack Lightnin' timed at 5:33. Just strange. -Emotional version of Standing on the Moon. -fits on two 80 minute CD-Rs **GEMS** www.shnflac.net *w/Huey Lewis on harmonica