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Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h1.7k242
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.3k715
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.6k208
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.9k515
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k348
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k416
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h76686
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h1.9k228
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k189
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k238
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k681
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k176
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.7k604
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.8k1.8k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.1k843
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87173
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k544
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k558
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k405
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k241
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.4k837
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k582
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59873
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14021
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30022
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h423
7d1277
30d57234
2 shows
2 tapes
1993
8/21/93
China Cat Sunflower ->
7:09
I Know You Rider
7:07
Way To Go Home
6:54
Truckin' ->
6:41
Good Morning Little School Girl -> *
5:41
Smokestack Lightning -> *
5:31
Drums ->
14:19
Space ->
14:23
The Last Time -> *
6:22
Standing on the Moon
9:25
One More Saturday Night
5:01
encore break
2:45
I Fought The Law
3:22
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] December 10, 2020
2:24:30
SBD
Rating:
10.00 / 1 rating
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 10, 2020
SHNID:
gd1993-08-21.151100.sbd.miller.flac1648
Source:
SBD > DAT Master (48k)
Lineage:
DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k
Taper Notes:
View NotesNotes: -- Good Morning Little Schoolgirl and Smokestack Lightning with Huey Lewis on harmonica
Transferrer: Doug Nawrocki
2:19:05
SBD
Rating:
8.56 / 39 ratings
Transferrer:
Doug Nawrocki
SHNID:
gd93-08-21.sbd.nawrocki.15035.sbeok.shnf
Source:
SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT
Taper Notes:
View NotesSource: SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT First few minutes of Here Comes Sunshine patched by Pat Volkerding with FM > DAT source Various patching/crossfades by Doug Nawrocki with Jay Serafin liberated bootleg source EAC'd/SHN'd by Doug Nawrocki
Transferrer: Jay Serafin
2:15:55
SBD
Rating:
6.00 / 1 rating
Transferrer:
Jay Serafin
SHNID:
gd1993-08-21.sbd.serafin.11269.shnf
Source:
SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB
Taper Notes:
View NotesBAND: GRATEFUL DEAD SHOW DATE: 08/21/93 VENUE: AUTZEN STADIUM @ UNIVERSITY OF OREGON LOCATION: EUGENE, OR SET(S): I / II LINEAGE SBD > D > ILLEGAL BOOTLEG CD > SSSB LINEAGE ADDITIONAL INFO: REFERENCE AUDIO SECTIONS: MY MARIN COUNTY SOURCE SBD > SHOW MASTER D AUDIO RATING: AR1 MEDIA REQUIRED: DAT: 1x180 min. CD-R / MINI DISC: 2 SEEDED FOR THE GDLIVE RELEASE BY: "SUPERNOVA" (JERRY FORD), JAY SERAFIN, AND IN PART, JAY'S MARIN COUNTY SOURCE RELEASED ON: 10/25/01 JAY'S PERSONAL COMMENTS: First off, I want to thank "SuperNova" ( Jerry Ford... [email protected] ) for his sending me his copy of the ILLEGAL BOOTLEG DISCS to compare with the same ones I had given to me many years ago. His seed CD's gave both credence and complete verification to the audio I had. Also, my Marin County source sent me multipple "snippets" from this show from 6 different songs, which were used as a "reference" to how the mix and the audio actually sounded at the venue that night and was archived by the Dead. These were used to process the show's audio to match (with 98.4% accuracy) with that of the ILLEGAL BOOTLEG DISCS, which were the actual "seed audio" for this release. Jerry's CD's, which were the same as mine (slight variations in the jewel case inserts were noted, especially the "Copyright" year from the illegal bootleg company called KTS ("Kiss The Stone") which is based in Italy. Unfortunately, the acappella opening for Here Comes Sunshine, as well as the first 30 or so seconds of the opening music do not appear on the ILLEGAL BOOTLEG DISCS. This is a shame, as my source did NOT send me this material to include in this show release. It is my understanding that this show will, in the future, become a commercial release, and the full HCS opening will be used in that 3-disc release. This, supposedly, will occur in late 2002 or early 2003. Well, on with the review... EXCELLENT AUDIO QUALITY FROM OPENING NOTE TO THE CLOSING CHORDS' FADEOUT. Very crisp, clear, no hiss other than that of the recording equipment itself (this hiss is -60 dB or lower, so it doesn't interfere with the show's audio at all). You can listen closely when the between-song lulls occur, and hear the noise gates for the instruments and microphones opening and closing, that's how high the audio quality is for this show. This show is not missing any songs. The only "problem" is that the company that made these ILLEGAL BOOTLEG DISCS, "KTS", had to edit parts of Drums to make it fit onto the 2nd CD disc. Many of these edits were quite noticeable (there were 7 edits in all, and because of their "subtle abruptness", I chose to cross-fade the offending edits, matching up the segments beat for beat. You cannot tell now where the edits actually were. Because of the clarity of the audio of this show, only a very minor amount of processing was done. This was in the form of less than 1 dB of attenuation or boost in extremely narrow frequency bands (less than 50 Hz wide) at the lowest audio frequencies (below 100 Hz), as well as 3 narrow bands in the vocal areas between 6,200 and 7,400 Hz. This was done to perfectly match the "reference audio" of the Dead's master archive of this show as opposed to what KTS did to make the show sound the way it did on their ILLEGAL BOOTLEG DISCS. Bird Song was a very smooth and very energetic (in laid-back way) version, and was a good 14+ minutes in length. That segued right into a smoking The Promised Land. Huey Lewis didn't fail to help out in the instrumental portions of Good Morning Little School Girl through Smokestack Lightning. He also was in the background during Space, and his harmonica was very evident during the last bit of Space. So, make a note in your databases that he also played on that song (no database I've seen gives this information). Although this was the beginning show a long West Coast area run, Jerry seemed to run out of steam by Standing On The Moon in his vocals. His guitar playing was top shelf for the entire show, so there was no lack of energy on his part. Bobby filled the gap very nicely, and he was "just right" in the overall mix. The keyboards were not lacking in their contributions at all, and not overly present in the mix. Just right. Billy and Micky were ON this night, playing in sync as well as "off of each other" quite well. Space was cut by KTS by about 2 minutes, which is a shame. But, that's what you come to exepect from ILLEGAL BOOTLEG DISCS, no matter who makes them. A typical and "no frills" I Fought The Law closed out this very wonderful show. Even though the audience "ambience mikes" were not really in the mix much, what you can hear lets you know that this show was very much appreciated, and the gave the Boyz their "props" that night. And the band reciprocated. PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent) Audio Mix: 9.9 Audio Quality: 10 Energy Level: 9.6 Show "Completeness": 9.2 (the edits in Drums and Space account for this rating level) Song Selection: Nothing special Surprises: None
Transferrer: Doug Nawrocki
4:32:04
SBD
Rating:
8.50 / 5 ratings
Transferrer:
Doug Nawrocki
SHNID:
gd1993-08-21.sbd.nawrocki.561.shnf
Source:
SBD -> DAT -> CDR
Lineage:
EAC -> Cool Edit '96 (removed digipop prior to music in beginning of d1t1) -> CDWAV -> Shorten32
Taper Notes:
View Notes*w/Huey Lewis on harmonica Here Comes Sunshine fades in
Taper: Unknown
2:28:46
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1993-08-21.140172.fob.Schoeps-MK41.miller.sirmick.140172.flac.1648
Source:
<b>flac16/48kHz</b>; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > Cd Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017
Taper: Jeff Silberman
1:34:40
Rating:
10.00 / 1 rating
Taper:
Jeff Silberman
Transferrer:
Joe Noel and John Ammons
SHNID:
gd1993-08-21.141530.S2.FOB.AMS.ST-250.Silberman.Ammons.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; John Ammons & Jeff Silberman Digital FOB Recording; AMS ST-250 (ambisonic mode) > 4 track Nagra D open reel 24 bit digital deck > 2 channel stereo DAT using a Blumlein pattern > DAT (mics on 6' stand); John Ammons
Lineage:
Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
Taper Notes:
View NotesNotes: - There's unique Dead taping, and then there's ambisonic. - Indigo Girls opened - from John's clone of the master * w/ Huey Lewis on harmonica - Garcia's driving! - While there are many SotM's, for a moment in time, there was only this one.
Taper: De Weez
2:05:23
Rating:
10.00 / 1 rating
Taper:
De Weez
Transferrer:
D5Scott
SHNID:
gd1993-08-21.119060.neumannKMF4.daweez.d5scott.flac16
Source:
2 Neumann KMF4 microphones > Sony TC-D5M
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac file
Taper Notes:
View NotesTruckin', Good Morning Little School Girl, Smokestack Lightnin', and The Last Time with Huey Lewis on harmonica. R.I.P. Sandy - aka "Bigfoot"
Taper: Mike Albright
2:45:15
Rating:
9.60 / 5 ratings
Taper:
Mike Albright
SHNID:
gd1993-08-21.fm.albright.87555.flac16
Source:
FM Signal (KLCC 89.7) -> Harmon Kardon receiver -> HiFi Stereo VCR
Lineage:
HiFi Stereo VCR -> Teac P20 DAT -> Edirol UA-3FX -> Amadeus -> Flac
Taper Notes:
View NotesGood sound quality but there is some high pitch noise.
Taper: DAT Clone from Dat Master from collection of Todd Evans
2:28:15
Rating:
9.50 / 4 ratings
Taper:
DAT Clone from Dat Master from collection of Todd Evans
Transferrer:
Edited and Mastered By Jamie Waddell on the GEMS Edit Station
SHNID:
gd1993-08-21.fob-schoeps.evans-waddell.87291.flac16
Source:
Mk2 Omni Capsules (the two mic stands were �human� � capsules were in hat and the �stands� were 10� apart) -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255
Lineage:
DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav.
Taper Notes:
View Notes-First audience recording in digital circulation. And a mighty fine one at that. -Both GMLSG and Smokestack Lightnin' timed at 5:33. Just strange. -Emotional version of Standing on the Moon. -fits on two 80 minute CD-Rs **GEMS** www.shnflac.net *w/Huey Lewis on harmonica