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June 7th
Years
1995
29.8k
PlaybackListensHours
48h822115
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h59985
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.5k599
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k353
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.1k1.1k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k356
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k366
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k147
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k258
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87296
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k212
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k140
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k189
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k220
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k301
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.6k618
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k172
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.3k306
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h15.9k2.2k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.8k523
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79174
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k556
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.7k610
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k430
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k225
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.4k965
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k386
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41049
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10916
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23318
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h493
7d1066
30d56034
2 shows
2 tapes
1993
5/27/93
Shakedown Street
16:15
The Same Thing
9:01
Dire Wolf
4:29
Beat It On Down The Line
3:14
High Time
8:57
When I Paint My Masterpiece
7:21
Cumberland Blues
6:48
Promsied Land
5:03
tuning
3:27
Picasso Moon ->
7:55
Fire On The Mountain
12:05
Wave To The Wind ->
7:29
Cassidy ->
6:34
Uncle John's Band ->
9:51
Cassidy ->
3:49
Drums ->
13:35
Space ->
9:39
The Other One ->
8:41
Wharf Rat ->
10:06
Sugar Magnolia
12:11
Gloaria
5:54
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:47:50
SBD
Rating:
8.36 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd93-05-27.sbd.miller.27777.sbeok.flac
Source:
<b>flac16</b> SBD> Dat (48k);
Lineage:
Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
Taper Notes:
View Notes<b>flac16</b>; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
Source 2 of 6
2:38:30
SBD
Rating:
8.00 / 14 ratings
SHNID:
gd93-05-27.sbd.georges.1932.sbeok.shnf
Source:
M:C> D> transfer via dap1>zoltrix nightengale> SHN
Taper Notes:
View NotesM:C> D> transfer via dap1>zoltrix nightengale> SHN; no noise reduction; via Nick Georges; may or may not have extra cass gen- see Nick's listening notes in info file
Transferrer: Charlie Miller
2:53:54
Transferrer:
Charlie Miller
SHNID:
gd1993-05-27.137258.mk41.miller.flac1648
Source:
(FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k)
Lineage:
Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/
Taper: Unknown
2:52:17
Rating:
10.00 / 3 ratings
Transferrer:
Scott Bernstein
SHNID:
gd1993-05-27.109587.sankens.fob.bernstein.flac16
Source:
Sankens COS1 FOB -> ? -> DAT (16 bit/48 khz);
Lineage:
Sony R500->Sound Devices 722; Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, minor clap removal during some quiet parts of drums/space, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav; Recorded By ?; Transfer, mastering, and tracking August 2010 by Scott Bernstein
Taper Notes:
View NotesRecorded By ? Clone received on DAT circa 1993 from Brendan O'Neill Transfer, mastering, and tracking August 2010 by Scott Bernstein Repaired the following minor glitches using the pencil tool in Sound Forge: Set 1, Track 6 - small digi-glitch at 6:51 has been minimized Set 2, Track 6 - minor digi-glitch at 7:32 has been completely removed Set 2, track 13 - .375 sec drop out at 2:36 has been removed and is rendered inaudible (as it was during a tuning segment anyway) Taper notes: So the BARN series started out as a way to try to get more of my master recordings that have been heard by few people outside of my apartment into wider circulation as well as starting an attempt to preserve my deteriorating DATs to a better archival format on hard disc. Of course, every so often when you've got a formula worked out, you have to break that format. So this will be the first BARN series recording that I did not personally record. The mid 90's are not generally regarded as a great time for The Grateful Dead. From 1990-1991, Bruce Hornsby was in the band and added a huge new music voice and a ton of talent that energized them for a bit which also pushed (challenged?) Jerry Garcia in new ways not to get lazy at shows. So there were some truly amazing shows in that time period. But, Bruce didn't stick with the band that long and eventually they started writing some new material (of somewhat dubious quality) with Vince Welnick (the final keyboardist in the band). Truly excellent shows after 1991 were few and far between -- BUT there were a few actual gems from time to time, and this is one of them. I pulled this DAT out to listen to recently, remembering when I got it that there was just something really sweet sounding about the quality of this "up front" recording. I also remember at the time reading up on these Sankens mics which were comparable to the size of a dime and being very impressed. Of course I went in the complete opposite direction, buying the large diaphragm Neumanns which are among the largest mics anywhere! Back to this show -- let's start with the 1st set -- how could you ever go wrong with a Shakedown opener, followed by a set of mostly-lesser played tunes for this time period -- the great blues tune, The Same Thing (only in the rotation for a year and a half at this point after being introduced 12/28/91), Dire Wolf, Beat It On Down The Line, High Time (rare in any era!), and Cumberland Blues are all really nicely sequenced for a unique setlist. Someone else commented that Vince's solo on The Promised Land could be among his finest performances. I know that's not saying much, but worth a mention. But the 2nd set -- wow! When they start a set with Picasso Moon (I know this is not everyone's cup of tea) is a raging version, segueing into very rare Scarlet-less Fire On The Mountain, you know something is afoot. Then a semi-new (and often maligned) Phil song for the time -- Wave To The Wind is presented in a slightly rearranged/smoothed out fashion that I have not heard anywhere else. Personally I like this song a lot. And then the big bust-out -- a split up Cassidy (which had never been done before or since) with Uncle John's Band sandwiched in the middle! Great music abounds here. Apparently if I recall correctly someone (an interviewer?) had suggested this to them earlier in the day and they just went for it! The rest of the set is strong if not particularly notable, but the always excellent (and somewhat rare) Gloria encore just tops the show perfectly. I have no idea who recorded this originally or what gear was used beyond a DAT and the Sankens mics, so if anyone has any more info on who recorded it and what other gear was used, PLEASE get in touch! Enjoy! Scott
Transferrer: Todd Evans and Jamie Waddell
2:49:36
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1993-05-27.fob.schoeps.gems.100800.flac16
Source:
Schoeps Mk2 Omni Capsules in-hat human mic stands spaced 8' apart -> Schoeps Active Cables -> Schoeps CMC Mic Body -> Oade Mic Pre -> Panasonic sv255
Lineage:
16 bit 8kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0; Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8
Taper Notes:
View NotesEdit Notes: -The spaced omnis were out of phase, producing a good deal of cancellation; so the DAT "as-is" doesn't please as much as it could. I heard this upon first analysis yet was sure that some work would return it to it's FOB glory. Phase adjustment and correct mastering makes this one of the best tapes I've heard of 93 auds. You'll see. The space between the instruments is luscious and inviting and ThePhilZone is weLL represented. - Vince doubters eat yer words on Promised Land! - small patch in Fire from Keith Litzenberger's OTS Recording. Adjusted to suit. - Todd Evan's collection never fails to amaze. FOB Schoeps Crew!!!
Taper: Steve Fink & Keith Litzenberger
2:52:24
Rating:
8.67 / 3 ratings
Taper:
Steve Fink & Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1993-05-27.fob.neumann.fink-wkiltz.91374.flac16
Source:
Neumanns(model forgotten over the last 15 years, likely KM150's)>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC