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June 8th
Years
1995
30k
PlaybackListensHours
48h53371
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h841110
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h2.8k371
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.3k289
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h7.4k1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h3.4k432
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.1k128
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h1.9k217
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h80088
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.5k177
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h979129
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k188
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.6k197
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.1k268
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.9k730
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k177
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.6k226
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.4k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.1k427
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h81879
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.9k630
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.1k527
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h2.9k352
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k188
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h7k715
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k344
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h39050
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9213
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21616
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h422
7d1026
30d57334
2 shows
2 tapes
1993
5/27/93
Shakedown Street
16:15
The Same Thing
9:01
Dire Wolf
4:29
Beat It On Down The Line
3:14
High Time
8:57
When I Paint My Masterpiece
7:21
Cumberland Blues
6:48
Promsied Land
5:03
tuning
3:27
Picasso Moon ->
7:55
Fire On The Mountain
12:05
Wave To The Wind ->
7:29
Cassidy ->
6:34
Uncle John's Band ->
9:51
Cassidy ->
3:49
Drums ->
13:35
Space ->
9:39
The Other One ->
8:41
Wharf Rat ->
10:06
Sugar Magnolia
12:11
Gloaria
5:54
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:47:50
SBD
Rating:
8.36 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd93-05-27.sbd.miller.27777.sbeok.flac
Source:
<b>flac16</b> SBD> Dat (48k);
Lineage:
Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
Taper Notes:
View Notes<b>flac16</b>; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
Source 2 of 6
2:38:30
SBD
Rating:
8.00 / 14 ratings
SHNID:
gd93-05-27.sbd.georges.1932.sbeok.shnf
Source:
M:C> D> transfer via dap1>zoltrix nightengale> SHN
Taper Notes:
View NotesM:C> D> transfer via dap1>zoltrix nightengale> SHN; no noise reduction; via Nick Georges; may or may not have extra cass gen- see Nick's listening notes in info file
Transferrer: Charlie Miller
2:53:54
Transferrer:
Charlie Miller
SHNID:
gd1993-05-27.137258.mk41.miller.flac1648
Source:
(FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k)
Lineage:
Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/
Taper: Unknown
2:52:17
Rating:
10.00 / 3 ratings
Transferrer:
Scott Bernstein
SHNID:
gd1993-05-27.109587.sankens.fob.bernstein.flac16
Source:
Sankens COS1 FOB -> ? -> DAT (16 bit/48 khz);
Lineage:
Sony R500->Sound Devices 722; Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, minor clap removal during some quiet parts of drums/space, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav; Recorded By ?; Transfer, mastering, and tracking August 2010 by Scott Bernstein
Taper Notes:
View NotesRecorded By ? Clone received on DAT circa 1993 from Brendan O'Neill Transfer, mastering, and tracking August 2010 by Scott Bernstein Repaired the following minor glitches using the pencil tool in Sound Forge: Set 1, Track 6 - small digi-glitch at 6:51 has been minimized Set 2, Track 6 - minor digi-glitch at 7:32 has been completely removed Set 2, track 13 - .375 sec drop out at 2:36 has been removed and is rendered inaudible (as it was during a tuning segment anyway) Taper notes: So the BARN series started out as a way to try to get more of my master recordings that have been heard by few people outside of my apartment into wider circulation as well as starting an attempt to preserve my deteriorating DATs to a better archival format on hard disc. Of course, every so often when you've got a formula worked out, you have to break that format. So this will be the first BARN series recording that I did not personally record. The mid 90's are not generally regarded as a great time for The Grateful Dead. From 1990-1991, Bruce Hornsby was in the band and added a huge new music voice and a ton of talent that energized them for a bit which also pushed (challenged?) Jerry Garcia in new ways not to get lazy at shows. So there were some truly amazing shows in that time period. But, Bruce didn't stick with the band that long and eventually they started writing some new material (of somewhat dubious quality) with Vince Welnick (the final keyboardist in the band). Truly excellent shows after 1991 were few and far between -- BUT there were a few actual gems from time to time, and this is one of them. I pulled this DAT out to listen to recently, remembering when I got it that there was just something really sweet sounding about the quality of this "up front" recording. I also remember at the time reading up on these Sankens mics which were comparable to the size of a dime and being very impressed. Of course I went in the complete opposite direction, buying the large diaphragm Neumanns which are among the largest mics anywhere! Back to this show -- let's start with the 1st set -- how could you ever go wrong with a Shakedown opener, followed by a set of mostly-lesser played tunes for this time period -- the great blues tune, The Same Thing (only in the rotation for a year and a half at this point after being introduced 12/28/91), Dire Wolf, Beat It On Down The Line, High Time (rare in any era!), and Cumberland Blues are all really nicely sequenced for a unique setlist. Someone else commented that Vince's solo on The Promised Land could be among his finest performances. I know that's not saying much, but worth a mention. But the 2nd set -- wow! When they start a set with Picasso Moon (I know this is not everyone's cup of tea) is a raging version, segueing into very rare Scarlet-less Fire On The Mountain, you know something is afoot. Then a semi-new (and often maligned) Phil song for the time -- Wave To The Wind is presented in a slightly rearranged/smoothed out fashion that I have not heard anywhere else. Personally I like this song a lot. And then the big bust-out -- a split up Cassidy (which had never been done before or since) with Uncle John's Band sandwiched in the middle! Great music abounds here. Apparently if I recall correctly someone (an interviewer?) had suggested this to them earlier in the day and they just went for it! The rest of the set is strong if not particularly notable, but the always excellent (and somewhat rare) Gloria encore just tops the show perfectly. I have no idea who recorded this originally or what gear was used beyond a DAT and the Sankens mics, so if anyone has any more info on who recorded it and what other gear was used, PLEASE get in touch! Enjoy! Scott
Transferrer: Todd Evans and Jamie Waddell
2:49:36
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1993-05-27.fob.schoeps.gems.100800.flac16
Source:
Schoeps Mk2 Omni Capsules in-hat human mic stands spaced 8' apart -> Schoeps Active Cables -> Schoeps CMC Mic Body -> Oade Mic Pre -> Panasonic sv255
Lineage:
16 bit 8kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0; Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8
Taper Notes:
View NotesEdit Notes: -The spaced omnis were out of phase, producing a good deal of cancellation; so the DAT "as-is" doesn't please as much as it could. I heard this upon first analysis yet was sure that some work would return it to it's FOB glory. Phase adjustment and correct mastering makes this one of the best tapes I've heard of 93 auds. You'll see. The space between the instruments is luscious and inviting and ThePhilZone is weLL represented. - Vince doubters eat yer words on Promised Land! - small patch in Fire from Keith Litzenberger's OTS Recording. Adjusted to suit. - Todd Evan's collection never fails to amaze. FOB Schoeps Crew!!!
Taper: Steve Fink & Keith Litzenberger
2:52:24
Rating:
8.67 / 3 ratings
Taper:
Steve Fink & Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1993-05-27.fob.neumann.fink-wkiltz.91374.flac16
Source:
Neumanns(model forgotten over the last 15 years, likely KM150's)>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC