Bands
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Bands
Grateful Dead
Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1993
Sources
Transferrer: Charlie Miller
2:30:47
SBD
Rating:
8.40 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1993-03-28.sbd.gans.miller.96215.sbeok.flac16
Source:
SBD -> Master Dat -> soundBlade -> DVD (16bit/44.1k)
Lineage:
DVD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to David Gans for the Data DVD
Source 2 of 16
2:56:02
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd93-03-28.sbd.nawrocki.16747.sbeok.shnf
Source:
SBD>DAT>C>DAT>CDR encoded by Dan Carr
Taper Notes:
View NotesSBD>DAT>C>DAT>CDR encoded by Dan Carr
Taper: Dan Rogosa
2:38:00
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1993-03-28.173617.me88.rogosa.flac1648
Source:
2x Sennheiser ME 88's (stand) > Sony TCD-D7 taped by Dan Rogosa
Lineage:
Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 12 (tracking, fades) > FLAC 1648
Transferrer: Matrix by Hunter Seamons
2:36:33
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1993-03-28.154758.mtx.seamons.ht136.flac16
Source:
Matrix by Hunter Seamons using Soundtrack Pro
Lineage:
FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging
Taper Notes:
View NotesNotes: Numerous clicks and pops were cleaned up throughout the soundboard recording. Some minor anomalies remain. "Phasey" vocal sound effects on Attics Of My Life and Knockin' On Heaven's Door in the soundboard recording.
Taper: Dave Flaschner
2:39:03
Taper:
Dave Flaschner
Transferrer:
Jeff Mitchell
SHNID:
gd1993-03-28.144224.akg460b.ck63.flac1648
Source:
AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20
Lineage:
DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Adobe Audition CS6 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger)
Taper Notes:
View Notes- pre-emphasis was remvoed using iZotope Ozone 5 Equalizer
Taper: Doug Lamarre
2:37:48
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1993-03-28.140016.aud.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
Taper: Jim Wise
2:39:28
Taper:
Jim Wise
Transferrer:
Jim Wise and Scott Clugston
SHNID:
gd1993-03-28.139671.fob.schoeps.wise.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
Taper: Baker
2:34:53
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1993-03-28.136700.Nak300CP4.Baker.Keo.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Baker
2:34:53
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1993-03-28.136699.Nak300CP4.Baker.Keo.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper: Bob Crupi
2:26:50
Taper:
Bob Crupi
Transferrer:
Bob Crupi
SHNID:
gd1993-03-28.124514.crupi.flac24
Source:
Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On);
Lineage:
Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar v4LE >Sound Forge 9.0 (tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi
Taper: Bob Crupi
2:26:49
Taper:
Bob Crupi
Transferrer:
Bob Crupi
SHNID:
gd1993-03-28.124513.crupi.flac16
Source:
Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On);
Lineage:
Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar4 LE > Sound Forge 9.0 (convert 16/44.1, tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi
Taper: Dave Boedicker
2:38:50
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1993-03-28.119290.nak300.Boedicker.flac16
Source:
Source: Sony D6 Cassette Master(Maxell MX-S Metal Cassettes, Dolby "B" ON>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, Official Taper Section
Taper Notes:
View NotesNotes: 1)Quality IS About A(Subjective Of Course).Samples Included. 2)Tape Flip After"High Time"(No Music Missed On Next Song "Eternity") 3) Tape Flip During "Truckin"(Just A Few Seconds Missed On Continuation Of Song). Enjoy!!!!
Taper: Eliot Byron
2:38:38
Rating:
10.00 / 1 rating
Taper:
Eliot Byron
Transferrer:
Frank D'Auria
SHNID:
gd1993-03-28.fob.schoeps.byron.dauria.106368.flac16
Source:
Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro
Taper: Andrew F.
2:36:38
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-28.akg.andrewf.95962.flac16
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644
Taper Notes:
View NotesNotes: - Sub-second digi-zap at Half Step 0:59. - Patch from ShnID-5702, So Many Roads 4:30 > 5:24. - Disc break is seamless. - 23 seconds of crowd noise cut from end of the 48kHz version to make this burnable on two CDRs.
Taper: Andrew F.
2:37:01
Rating:
10.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-28.akg.andrewf.95961.flac1648
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648
Taper Notes:
View Notes** This is the 48 Khz version. Please use shnid 95962 for burning CDs. ** Notes: - Sub-second digi-zap at Half Step 0:59.107. - Patch from ShnID-5702, So Many Roads 4:30.898 > 5:24.822.
Taper: James Young
2:40:37
Rating:
8.67 / 3 ratings
Taper:
James Young
Transferrer:
Nick Georges
SHNID:
gd93-03-28.ST250.georges.5702.sbeok.shnf
Source:
Audience: Soundfield ST-250
Lineage:
Soundfield ST-250 (blumlein/FOB) > Modified Sony D10 Pro-II (48k) > DAT clone (1st gen) > Sony PCM-M1 > Oade Active 7-Pin > CO2 format converter > s/pdif > Zoltrix Nightengale > Cooledit 2000 (resample) > CD Wave > SHN (seekable)
Taper Notes:
View NotesFOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by Jamies Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) DAT transfer/encoding by [email protected]