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Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h50569
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.5k405
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.4k310
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k307
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h3k390
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k401
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k365
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.4k163
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.7k981
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h951108
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.1k372
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.8k568
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.3k161
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k191
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k232
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h8.3k968
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k198
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.8k240
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
419 tapes
1976
85.9k
PlaybackListensHours
48h11.2k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h48048
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.8k472
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.9k650
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h3k378
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.5k165
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.8k217
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k278
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h837103
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12418
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21316
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h352
7d1128
30d63237
2 shows
2 tapes
1993
3/27/93
Crowd/Tuning
2:00
Hell In A Bucket
6:19
Bertha
7:02
The Same Thing
7:48
Peggy-O
5:55
Queen Jane Approximately
6:10
Broken Arrow (Tape Flip After Song)
7:00
Loose Lucy ( First Few Notes Missing * )
7:09
Cassidy
7:08
Casey Jones, Set Break
6:23
Crowd/Tuning
0:58
Eyes Of The World
11:54
Estimated Prophet >
11:18
Comes A Time >
6:46
Corrina >
10:32
Drum..s > (Tape Flip Near End)
10:50
Space >
10:12
The Wheel >
4:20
All Along The Watchtower >
5:46
Days Between >
9:41
One More Saturday Night
4:45
Encore Break
0:52
I Fought The Law
2:43
FIN
View on archive.org
Sources
Transferrer: Charlie Miller and Joe Samaritano
2:34:44
SBD
Rating:
7.67 / 7 ratings
Transferrer:
Charlie Miller and Joe Samaritano
SHNID:
gd1993-03-27.sbd.samaritano-miller.92523.sbeok.flac16
Source:
Set 1: SBD -> Dat -> Cassette Master -> Dat ; Set 2: SBD -> Dat
Lineage:
Set 1: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> WAV ; Set 2: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude Professional v7.02 -> WAV
Taper Notes:
View Notes-- Set 2 is seamless -- Other circulating sources have a cassette gen, noise reduction and EQ applied -- This source is a clean transfer directly off of the Dats
Source 2 of 16
6:04:23
SBD
Rating:
8.09 / 23 ratings
SHNID:
gd93-03-27.sbd.nawrocki.31956.sbeok.shnf
Source:
SBD> DAT
Lineage:
D8> 7 pin/digi coax> Montego II
Taper Notes:
View NotesSBD> DAT; via D. DiProsa; Transfer: D8> 7 pin/digi coax> Montego II digi I/O> CDWAV by D. Nawrocki
Taper: Dante DiProsa
3:02:12
SBD
Taper:
Dante DiProsa
Transferrer:
Doug Nawrocki
SHNID:
gd1993-03-27.sbd.nawrocki.555.sbeok.shnf
Source:
SBD -> DAT
Lineage:
D8 -> 7 pin/digi coax -> Montego II digi I/O -> CDWAV
Source 4 of 16
2:34:30
SHNID:
gd1993-03-27.173619.me88.rogosa.flac1648
Source 5 of 16
2:34:30
SHNID:
gd1993-03-27.152952.mtx.seamons.ht133.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro for set 1 and Soundtrack Pro for set 2 (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 7, 2021
Taper Notes:
View NotesNotes: Final performance of Casey Jones. The first set SBD source ran from 0.5% to 0.3% fast and was pitch corrected. Lamarre's tape brings some very nice lower bass that is virtually absent from the SBD. You can feel the Knick rumbling, especially during the second set (see Estimated). No EQ required for either source. Some initial SBD mix fluctuations in Hell In A Bucket. The SBD levels were a couple decibels low for over half of the song and were adjusted to compensate for this. The AUD briefly started out very low too and was adjusted to compensate. Subtle changes to the AUD levels were made throughout the show to find the right mix, as usual. The overall levels were significantly different between the set 1 cassette and the set 2 Dat SBD sources and were adjusted to be more similar, opting for higher levels. There was already significant clipping of the drums during Estimated Prophet and Drums in the original source, particularly in the right channel. The drums are basically what get clipped in other songs from increased levels here, but only slightly and infrequently and it is not an audible issue. Clicks removed or reduced: 7 in Hell In A Bucket, 1 in Bertha, 4 in Peggy-O, 5 in Queen Jane Approximately, 2 in Broken Arrow, 7 in Loose Lucy, 1 in Cassidy, 1 in Casey Jones, numerous in Eyes Of The World, 2 in Estimated Prophet, 9 in Comes A Time, 3 in Corrina, 1 in All Along The Watchtower, 2 in Days Between. Some static was also removed or reduced in Hell In A Bucket and Bertha. Minor anomalies remain throughout the show. There are very faint "flicking" sounds during parts of the second set, particularly during Eyes Of The World, that are part of the SBD recording (also on the official release). I was able to clean up a bunch of this.
Taper: Dave Flaschner
2:34:46
Taper:
Dave Flaschner
Transferrer:
Jeff Mitchell
SHNID:
gd1993-03-27.144223.akg460b.ck63.flac1648
Source:
AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20
Lineage:
DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 Suite > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger)
Taper Notes:
View Notes- pre-emphasis was remvoed using iZotope Ozone 5 Equalizer - diginoise in Hell In A Bucket patched with #95957
Taper: Doug Lamarre
2:34:07
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1993-03-27.140009.aud.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
Taper: Jim Wise
2:34:35
Taper:
Jim Wise
Transferrer:
Jim Wise and Scott Clugston
SHNID:
gd1993-03-27.139670.fob.schoeps.wise.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
Taper: Fitzy
2:33:31
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1993-03-27.136688.Nak300CP4.Fitzy.Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Fitzy
2:33:31
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1993-03-27.136687.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper: Dave Boedicker
2:33:59
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1993-03-27.119209.Boedicker.flac16
Source:
Audience Recording Source:Sony D6 Cassette Master(Dolby "B" ON>Maxell MX-S Metal Cassettes)>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper. Taped By Dave Boedicker. Official Tapers Section
Taper Notes:
View Notes1)Quality Is About A(Subjective Of Course).Samples Included. 2)Tape FLip After"Broken Arrow"(First few Seconds Missing From Beginning Of "Loose Lucy"). 3)Tape Flip During "Drums" 4)Last Ever GD Version Of "Casey Jones" Enjoy!!!!
Taper: heaton
2:38:21
Rating:
10.00 / 1 rating
Taper:
heaton
Transferrer:
Keo
SHNID:
gd1993-03-27.Nak100CP4.110577.flac24
Source:
Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 24 Bit/96kHz No Dithering on these files
Taper: Heaton
2:38:20
Rating:
7.00 / 2 ratings
Taper:
Heaton
Transferrer:
Keo
SHNID:
gd1993-03-27.Nak100CP4.110576.flac16
Source:
Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz,Dithered with Korg Aqua to 16/44
Taper: Andrew F.
2:34:22
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-27.akg.andrewf.95958.flac16
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) TLH > FLAC
Taper Notes:
View NotesNotes: - Sub-second glitch in Peggy-O at 4:43. - Seamless disc break.
Taper: Andrew F.
2:34:22
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-27.akg.andrewf.95957.flac1648
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648
Taper Notes:
View NotesNote: - Sub-second glitch in Peggy-O at 4:43.456.
Taper: James Young
2:36:01
Rating:
9.33 / 3 ratings
Taper:
James Young
Transferrer:
Nick Georges
SHNID:
gd93-03-27.ams-young.georges.6701.sbeok.shnf
Source:
Audience: Soundfield ST-250's
Lineage:
Soundfield ST-250's (blumlein) > Modified Sony D10 Pro-II (48k) > DAT clone (1st gen) > Sony PCM-M1 > Oade Active 7-Pin > Edirol UA-5 via s/pdif (resample) > USB > Soundforge 5 > CD Wave > mkwACT > SHN
Taper Notes:
View NotesFOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by James Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable) DAT transfer/encoding by [email protected]