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Today In History
June 9th
9 shows
89 tapes
Years
1995
30.1k
PlaybackListensHours
48h60078
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.3k156
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.3k283
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k278
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h5.3k753
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h6.7k839
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.7k342
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k142
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.8k197
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h76484
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k175
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k135
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.5k205
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.5k189
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.9k235
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h8.6k926
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.5k212
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.8k243
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h23.3k3.3k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3k417
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h81579
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.5k978
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.7k482
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.6k315
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k166
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h4.1k409
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.5k397
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h799109
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14819
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23914
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h372
7d1156
30d59235
2 shows
2 tapes
1993
3/27/93
Crowd/Tuning
2:00
Hell In A Bucket
6:19
Bertha
7:02
The Same Thing
7:48
Peggy-O
5:55
Queen Jane Approximately
6:10
Broken Arrow (Tape Flip After Song)
7:00
Loose Lucy ( First Few Notes Missing * )
7:09
Cassidy
7:08
Casey Jones, Set Break
6:23
Crowd/Tuning
0:58
Eyes Of The World
11:54
Estimated Prophet >
11:18
Comes A Time >
6:46
Corrina >
10:32
Drum..s > (Tape Flip Near End)
10:50
Space >
10:12
The Wheel >
4:20
All Along The Watchtower >
5:46
Days Between >
9:41
One More Saturday Night
4:45
Encore Break
0:52
I Fought The Law
2:43
FIN
View on archive.org
Sources
Transferrer: Charlie Miller and Joe Samaritano
2:34:44
SBD
Rating:
7.67 / 7 ratings
Transferrer:
Charlie Miller and Joe Samaritano
SHNID:
gd1993-03-27.sbd.samaritano-miller.92523.sbeok.flac16
Source:
Set 1: SBD -> Dat -> Cassette Master -> Dat ; Set 2: SBD -> Dat
Lineage:
Set 1: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> WAV ; Set 2: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude Professional v7.02 -> WAV
Taper Notes:
View Notes-- Set 2 is seamless -- Other circulating sources have a cassette gen, noise reduction and EQ applied -- This source is a clean transfer directly off of the Dats
Source 2 of 16
6:04:23
SBD
Rating:
8.09 / 23 ratings
SHNID:
gd93-03-27.sbd.nawrocki.31956.sbeok.shnf
Source:
SBD> DAT
Lineage:
D8> 7 pin/digi coax> Montego II
Taper Notes:
View NotesSBD> DAT; via D. DiProsa; Transfer: D8> 7 pin/digi coax> Montego II digi I/O> CDWAV by D. Nawrocki
Taper: Dante DiProsa
3:02:12
SBD
Taper:
Dante DiProsa
Transferrer:
Doug Nawrocki
SHNID:
gd1993-03-27.sbd.nawrocki.555.sbeok.shnf
Source:
SBD -> DAT
Lineage:
D8 -> 7 pin/digi coax -> Montego II digi I/O -> CDWAV
Source 4 of 16
2:34:30
SHNID:
gd1993-03-27.173619.me88.rogosa.flac1648
Source 5 of 16
2:34:30
SHNID:
gd1993-03-27.152952.mtx.seamons.ht133.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro for set 1 and Soundtrack Pro for set 2 (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 7, 2021
Taper Notes:
View NotesNotes: Final performance of Casey Jones. The first set SBD source ran from 0.5% to 0.3% fast and was pitch corrected. Lamarre's tape brings some very nice lower bass that is virtually absent from the SBD. You can feel the Knick rumbling, especially during the second set (see Estimated). No EQ required for either source. Some initial SBD mix fluctuations in Hell In A Bucket. The SBD levels were a couple decibels low for over half of the song and were adjusted to compensate for this. The AUD briefly started out very low too and was adjusted to compensate. Subtle changes to the AUD levels were made throughout the show to find the right mix, as usual. The overall levels were significantly different between the set 1 cassette and the set 2 Dat SBD sources and were adjusted to be more similar, opting for higher levels. There was already significant clipping of the drums during Estimated Prophet and Drums in the original source, particularly in the right channel. The drums are basically what get clipped in other songs from increased levels here, but only slightly and infrequently and it is not an audible issue. Clicks removed or reduced: 7 in Hell In A Bucket, 1 in Bertha, 4 in Peggy-O, 5 in Queen Jane Approximately, 2 in Broken Arrow, 7 in Loose Lucy, 1 in Cassidy, 1 in Casey Jones, numerous in Eyes Of The World, 2 in Estimated Prophet, 9 in Comes A Time, 3 in Corrina, 1 in All Along The Watchtower, 2 in Days Between. Some static was also removed or reduced in Hell In A Bucket and Bertha. Minor anomalies remain throughout the show. There are very faint "flicking" sounds during parts of the second set, particularly during Eyes Of The World, that are part of the SBD recording (also on the official release). I was able to clean up a bunch of this.
Taper: Dave Flaschner
2:34:46
Taper:
Dave Flaschner
Transferrer:
Jeff Mitchell
SHNID:
gd1993-03-27.144223.akg460b.ck63.flac1648
Source:
AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20
Lineage:
DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 Suite > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger)
Taper Notes:
View Notes- pre-emphasis was remvoed using iZotope Ozone 5 Equalizer - diginoise in Hell In A Bucket patched with #95957
Taper: Doug Lamarre
2:34:07
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1993-03-27.140009.aud.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
Taper: Jim Wise
2:34:35
Taper:
Jim Wise
Transferrer:
Jim Wise and Scott Clugston
SHNID:
gd1993-03-27.139670.fob.schoeps.wise.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
Taper: Fitzy
2:33:31
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1993-03-27.136688.Nak300CP4.Fitzy.Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Fitzy
2:33:31
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1993-03-27.136687.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper: Dave Boedicker
2:33:59
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1993-03-27.119209.Boedicker.flac16
Source:
Audience Recording Source:Sony D6 Cassette Master(Dolby "B" ON>Maxell MX-S Metal Cassettes)>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper. Taped By Dave Boedicker. Official Tapers Section
Taper Notes:
View Notes1)Quality Is About A(Subjective Of Course).Samples Included. 2)Tape FLip After"Broken Arrow"(First few Seconds Missing From Beginning Of "Loose Lucy"). 3)Tape Flip During "Drums" 4)Last Ever GD Version Of "Casey Jones" Enjoy!!!!
Taper: heaton
2:38:21
Rating:
10.00 / 1 rating
Taper:
heaton
Transferrer:
Keo
SHNID:
gd1993-03-27.Nak100CP4.110577.flac24
Source:
Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 24 Bit/96kHz No Dithering on these files
Taper: Heaton
2:38:20
Rating:
7.00 / 2 ratings
Taper:
Heaton
Transferrer:
Keo
SHNID:
gd1993-03-27.Nak100CP4.110576.flac16
Source:
Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz,Dithered with Korg Aqua to 16/44
Taper: Andrew F.
2:34:22
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-27.akg.andrewf.95958.flac16
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) TLH > FLAC
Taper Notes:
View NotesNotes: - Sub-second glitch in Peggy-O at 4:43. - Seamless disc break.
Taper: Andrew F.
2:34:22
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-27.akg.andrewf.95957.flac1648
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648
Taper Notes:
View NotesNote: - Sub-second glitch in Peggy-O at 4:43.456.
Taper: James Young
2:36:01
Rating:
9.33 / 3 ratings
Taper:
James Young
Transferrer:
Nick Georges
SHNID:
gd93-03-27.ams-young.georges.6701.sbeok.shnf
Source:
Audience: Soundfield ST-250's
Lineage:
Soundfield ST-250's (blumlein) > Modified Sony D10 Pro-II (48k) > DAT clone (1st gen) > Sony PCM-M1 > Oade Active 7-Pin > Edirol UA-5 via s/pdif (resample) > USB > Soundforge 5 > CD Wave > mkwACT > SHN
Taper Notes:
View NotesFOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by James Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable) DAT transfer/encoding by [email protected]