Bands
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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h54973
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.4k178
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k432
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.5k330
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5k631
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h6.9k863
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k348
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k134
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.8k314
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h982111
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k212
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4k474
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k174
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.3k289
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.5k284
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k210
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k264
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h9.9k1.3k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h19.7k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h20522
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k499
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h9.8k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.1k261
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k181
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k190
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k167
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56871
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9414
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h48431
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h322
7d1368
30d63237
2 shows
2 tapes
1993
Sources
Transferrer: Charlie Miller
2:39:29
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1993-03-11.sbd.miller.120726.flac16
Source:
SBD -> Master Dat (44.1k)
Lineage:
Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Flibberty Jib On The Bippity Bop and The Island with Ken Nordine
Source 2 of 7
2:36:25
SBD
Rating:
7.23 / 15 ratings
SHNID:
gd93-03-11.sbd.wharfrat.10383.sbeok.shnf
Source:
SBD>CAS>DAT>CD
Taper Notes:
View NotesSBD>CAS>DAT>CD; Seeded to etree by wharf_ratt
Transferrer: Hunter Seamons
2:40:46
Rating:
9.00 / 6 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1993-03-11.mtx.seamons.120865.flac16
Source:
Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View Notes*with Ken Nordine Jerry Garcia - Lead Guitar, Vocals Mickey Hart - Drums Bill Kreutzmann - Drums Phil Lesh - Electric Bass, Vocals Bob Weir - Rhythm Guitar, Vocals Vince Welnick - Keyboards, Vocals *Matrix* ----------------------------------------------------------------- SBD (shnid=120726): Recording Info: SBD -> Master Dat (44.1k) Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller [email protected] June 13, 2012 ----------------------------------------------------------------- AUD (shnid=119637): Master Audience Recorded By Mr. Darby AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8) Tracks Renamed/Dithered/Flacked with Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename Comments:Another Huge Thanks out to Mr. Darby For recording and sharing his source for this final show of the Rosemont Horizon 1993 run of shows! Another excellent share from the Darby collection of Grateful Dead Master Audiences! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!! [shnid=10538 patches the cut at the beginning of Masterpiece] [3/28/12] ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Mike Darby for recording the show on cassette, and to Keo for the AUD transfer. Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) June 23, 2012 This was the first show my older brother, Ben, went to, who was the same guy who helped me get on the bus around this time, when I was 11 or 12 years old. I recall being particularly inspired after listening to a bootleg from his tape collection. The show was 9/27/72 at the Stanley Theatre, with the "Morning Dew" opener. I played that song over and over on that tape, without really venturing into the rest of the show. "Morning Dew" had such an ancient and familiar emotional quality to it, and Jerry's voice seemed timeless. The song transcended its immediate subject in the lyrics, and spoke some deeper level of age-old wisdom through the melody itself - and Jerry's guitar. It blew my mind. Anyway, last summer I was walking down Wabash Avenue in Chicago under the 'L' tracks with Ben and asked him what his first show was (not sure why it took so long to ask that question). His words: "Rosemont '93, 'Help-Slip-Frank's' opener." That was it - nothing more to explain. So, this matrix was the first time I actually listened to this show - because how can you listen to a '93 soundboard without being immediately turned off by the sound of the Grateful Dead playing into a cardboard box on the floor that's in some dark room back stage? It just doesn't make sense to hear Jerry's guitar playing to "nothing" and not reverberating in the room and ears of thousands of happy, hungry people. And NO guitar can resound in a room like Jerry's, so why not provide a more accurate picture of what went down? This makes all the difference sonically, in my opinion, and what makes it a "show" on tape. And what a show it is! I perused a bunch of reviews online, and this show appears to be one of the top-rated shows of '93. Ken Nordine doing "Flibberty Jib On The Bippity Bop"? - gotta matrix THAT voice! And how about a "Days Between" for the ages, or that scorching "Other One"? "So Many Roads" is always a treat. So dig in and have fun! I recommend adding a little bass on your EQ to make up for the '93 soundboard sterility, which is why I haven't been too keen on working with '93 tapes in the first place. But there are, of course, worthy exceptions...as in Chicago '93, and my brother's first show. JHS ----------------------------- facebook.com/GratefulDeadTrix -----------------------------
Taper: Mike Darby
2:35:26
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1993-03-11.AKG451.Darby.119637.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked with Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Ken Nordine * Comments:Another Huge Thanks out to Mr. Darby For recording and sharing his source for this final show of the Rosemont Horizon 1993 run of shows! Another excellent share from the Darby collection of Grateful Dead Master Audiences! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:35:26
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1993-03-11.AKG451.Darby.119636.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View Notes* With Ken Nordine * Comments:Another Huge Thanks out to Mr. Darby For recording and sharing his source for this final show of the Rosemont Horizon 1993 run of shows! Another excellent share from the Darby collection of Grateful Dead Master Audiences! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Keith Litzenberger
2:41:25
Rating:
10.00 / 1 rating
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1993-03-11.sennME80.wklitz.96384.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC
Transferrer: Tony G
2:40:43
Rating:
10.00 / 3 ratings
Transferrer:
Tony G
SHNID:
gd93-03-11.aud.gardner.10538.sbeok.shnf
Source:
Audience: AKG 460's
Lineage:
AKG 460's > DAT > CDR > EAC (secure) > SHN
Taper Notes:
View NotesAUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G