Bands
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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h59080
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k269
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k308
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k195
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k444
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h10.1k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k334
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k140
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k250
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h901101
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k197
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.9k693
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k157
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.3k154
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2k249
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k291
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k228
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h2k266
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17.1k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.7k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37640
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4k534
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.7k1.6k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.2k281
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k204
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k196
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k164
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h68687
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8914
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42827
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1993
Sources
Transferrer: Charlie Miller
2:39:29
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1993-03-11.sbd.miller.120726.flac16
Source:
SBD -> Master Dat (44.1k)
Lineage:
Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Flibberty Jib On The Bippity Bop and The Island with Ken Nordine
Source 2 of 7
2:36:25
SBD
Rating:
7.23 / 15 ratings
SHNID:
gd93-03-11.sbd.wharfrat.10383.sbeok.shnf
Source:
SBD>CAS>DAT>CD
Taper Notes:
View NotesSBD>CAS>DAT>CD; Seeded to etree by wharf_ratt
Transferrer: Hunter Seamons
2:40:46
Rating:
9.00 / 6 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1993-03-11.mtx.seamons.120865.flac16
Source:
Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View Notes*with Ken Nordine Jerry Garcia - Lead Guitar, Vocals Mickey Hart - Drums Bill Kreutzmann - Drums Phil Lesh - Electric Bass, Vocals Bob Weir - Rhythm Guitar, Vocals Vince Welnick - Keyboards, Vocals *Matrix* ----------------------------------------------------------------- SBD (shnid=120726): Recording Info: SBD -> Master Dat (44.1k) Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller [email protected] June 13, 2012 ----------------------------------------------------------------- AUD (shnid=119637): Master Audience Recorded By Mr. Darby AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8) Tracks Renamed/Dithered/Flacked with Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename Comments:Another Huge Thanks out to Mr. Darby For recording and sharing his source for this final show of the Rosemont Horizon 1993 run of shows! Another excellent share from the Darby collection of Grateful Dead Master Audiences! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!! [shnid=10538 patches the cut at the beginning of Masterpiece] [3/28/12] ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Mike Darby for recording the show on cassette, and to Keo for the AUD transfer. Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) June 23, 2012 This was the first show my older brother, Ben, went to, who was the same guy who helped me get on the bus around this time, when I was 11 or 12 years old. I recall being particularly inspired after listening to a bootleg from his tape collection. The show was 9/27/72 at the Stanley Theatre, with the "Morning Dew" opener. I played that song over and over on that tape, without really venturing into the rest of the show. "Morning Dew" had such an ancient and familiar emotional quality to it, and Jerry's voice seemed timeless. The song transcended its immediate subject in the lyrics, and spoke some deeper level of age-old wisdom through the melody itself - and Jerry's guitar. It blew my mind. Anyway, last summer I was walking down Wabash Avenue in Chicago under the 'L' tracks with Ben and asked him what his first show was (not sure why it took so long to ask that question). His words: "Rosemont '93, 'Help-Slip-Frank's' opener." That was it - nothing more to explain. So, this matrix was the first time I actually listened to this show - because how can you listen to a '93 soundboard without being immediately turned off by the sound of the Grateful Dead playing into a cardboard box on the floor that's in some dark room back stage? It just doesn't make sense to hear Jerry's guitar playing to "nothing" and not reverberating in the room and ears of thousands of happy, hungry people. And NO guitar can resound in a room like Jerry's, so why not provide a more accurate picture of what went down? This makes all the difference sonically, in my opinion, and what makes it a "show" on tape. And what a show it is! I perused a bunch of reviews online, and this show appears to be one of the top-rated shows of '93. Ken Nordine doing "Flibberty Jib On The Bippity Bop"? - gotta matrix THAT voice! And how about a "Days Between" for the ages, or that scorching "Other One"? "So Many Roads" is always a treat. So dig in and have fun! I recommend adding a little bass on your EQ to make up for the '93 soundboard sterility, which is why I haven't been too keen on working with '93 tapes in the first place. But there are, of course, worthy exceptions...as in Chicago '93, and my brother's first show. JHS ----------------------------- facebook.com/GratefulDeadTrix -----------------------------
Taper: Mike Darby
2:35:26
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1993-03-11.AKG451.Darby.119637.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked with Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Ken Nordine * Comments:Another Huge Thanks out to Mr. Darby For recording and sharing his source for this final show of the Rosemont Horizon 1993 run of shows! Another excellent share from the Darby collection of Grateful Dead Master Audiences! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:35:26
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1993-03-11.AKG451.Darby.119636.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View Notes* With Ken Nordine * Comments:Another Huge Thanks out to Mr. Darby For recording and sharing his source for this final show of the Rosemont Horizon 1993 run of shows! Another excellent share from the Darby collection of Grateful Dead Master Audiences! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Keith Litzenberger
2:41:25
Rating:
10.00 / 1 rating
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1993-03-11.sennME80.wklitz.96384.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC
Transferrer: Tony G
2:40:43
Rating:
10.00 / 3 ratings
Transferrer:
Tony G
SHNID:
gd93-03-11.aud.gardner.10538.sbeok.shnf
Source:
Audience: AKG 460's
Lineage:
AKG 460's > DAT > CDR > EAC (secure) > SHN
Taper Notes:
View NotesAUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G