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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1992
3/20/92
[crowd - tuning]
4:46
Hell In A Bucket
6:19
Althea
7:31
The Same Thing
8:19
[crowd - tuning]
2:21
Brown Eyed Women
7:00
Mexicali Blues ->
4:39
Maggie's Farm
9:26
Bird Song ->
12:21
Promised Land
4:52
[crowd - tuning]
2:26
Shakedown Street
12:50
Man Smart (Woman Smarter)
10:09
Dark Star ->
14:14
Drums ->
13:03
Space ->
6:42
The Other One ->
10:33
Standing On The Moon ->
9:53
Turn On Your Lovelight
7:10
[encore break]
2:46
U.S. Blues
5:33
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:32:47
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1992-03-20.141806.sbd.miller.flac1644
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Some vocal distortion in Brown Eyed Women -- This is a different mix than the official release -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:32:47
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-03-20.141785.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Some vocal distortion in Brown Eyed Women -- This is a different mix than the official release -- Two sets of masters were used to make this show complete
Transferrer: Hunter Seamons
2:41:12
SBD
Rating:
9.00 / 8 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1992-03-20.mtx.seamons.95208.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: SBD>DAT>CDR COMMENTS missing BE Women, Bucket is missing the opening notes, glitch at 2:04 of Mexicali, glitch at 1:09 of Promised Land, glitch in U.S. Blues at 4:40 EAC (secure mode with proper offsets), editing and shn conversion by Tony G ([email protected]) 05/30/2002 [It appears there is at least one (1) cassette generation in the lineage.] ---------------------------------------------------- AUD: FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255 Todd lent his gear to a friend for this evening. He did not tape this himself. based on tapertalk: set one was handheld,; set two he intended to run a stand DAT from collection of Todd Evans - [email protected] DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav a **GEMS** production www.shnflac.net May 2006 Edited Adobe Audition 1.5 Dithered 48/44.1 w/gaussian noise and a slight noise-shaping in r8brain v1.9 Tracked in CDWav Flac Level8 in TLH SBE FREE *Amplitude Attenuated to 96.25% *various pops, glitches and crowd noises required individual hand editing to save your speakers; some remain in ideal of least editing possible, especially in B.E.Women, where nothing i did seemed to better a few of the zips. *bird song patch with shnid 9757; thx to cwagenbach for the source a **GEMS** production www.shnflac.net Finished Sunday, August 13, 2006 **__** --------------------------------------------------- Thank you to Paul and Tony G. for the SBD transfer, and to Todd Evans and the **GEMS** production team for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) October 7, 2008 Notes: 1) Cuts in the SBD between some songs, a momentary cut during Space and at the beginning of Bucket. Approximately two-minute cut in the AUD during the earlier portion of Bird Song. 2) Occasional static, clicks, and/or pops. A loud click in Althea appears sound system related (the click is in both SBD and AUD). 3) SBD source was about 0.8% fast. 4) As there was some bass overload/distortion in the AUD, the low gain of the AUD was decreased a good amount, except in BE Women when only the AUD plays. This optimized the overall quality of the matrix, to my ears, and allowed certain aural dimensions of the sources to shine through better without tonal dissonance. 5) Seamless show
Source 4 of 10
2:23:23
SBD
Rating:
8.47 / 36 ratings
SHNID:
gd92-03-20.sbd.gardner.9757.sbeok.shnf
Source:
SBD>DAT>CDR
Taper Notes:
View NotesSBD>DAT>CDR; Missing Brown Eyed Women; via Paul; Seeded to etree by Tony G
Taper: Recording by Dave Brotman & Jeff Metchick
2:42:53
Taper:
Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 12, 2022
SHNID:
gd1992-03-20.155835.FOBSchoepsMasterDAT.BrotmanMetchickAnonNoel.t-flac1648
Source:
Recording: FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT
Lineage:
Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648
Taper Notes:
View NotesNotes: - Each tape was adjusted electronically & mechanically in the SV3800 to ensure proper play. - None of these Spring '92 tapes have emphasis. - To avoid detection the mics were hidden/muffled during Birdsong, hence the patch. Thanks to; - Dave Brotman & Jeff Metchick for recording the show. - Anon for the transfer, while hiding out away from the Bay Area. - Ted Mattes for organizing this project & seeing it though. - Pete Ebel for the patch source. - Auto Healer for helping me remove the clapper.
Taper: Taped By Clay Brennecke
1:35:55
Taper:
Taped By Clay Brennecke
Transferrer:
Transfers by Pete Ebel March 28, 2020
SHNID:
gd1992-03-20.149525.fob.set2.BK4011.brennecke.varnum.ebel.flac1648
Source:
***Set #2 Only*** Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT
Lineage:
Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
Taper Notes:
View Notes Notes: * All Tracks Are Seamless * Transfer From DAT -> Wav (48k)
Taper: Pete Ebel
2:35:37
Taper:
Pete Ebel
Transferrer:
Pete Ebel
SHNID:
gd1992-03-20.149301.nak300CP4.ebel.flac2496
Source:
TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's)
Lineage:
Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)
Taper Notes:
View Notes Notes: Set #2 Is Seamless
Taper: Alan Schmit
2:47:04
Taper:
Alan Schmit
Transferrer:
Dave Mallick
SHNID:
gd1992-03-20.sonicstudios.schmit.mallick.116465.flac16
Source:
Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 15th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick
Taper Notes:
View NotesNotes: - Occasional level fluctuations in set 2; sounds like partial obstruction at times.
Taper: Keith Litzenberger
2:41:46
Rating:
9.00 / 2 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1992-03-20.sennME80.wklitz.96171.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC
Transferrer: GEMS
2:41:11
Rating:
9.00 / 4 ratings
Transferrer:
GEMS
SHNID:
gd1992-03-20.fob.schoeps.gems.76478.sbeok.flac16
Source:
Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255
Lineage:
DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
Taper Notes:
View NotesOriginal QC Text included in folder for edit spots *Amplitude Attenuated to 96.25% *various pops, glitches and crowd noises required individual hand editing to save your speakers; some remain in ideal of least editing possible, especially in B.E.Women, where nothing i did seemed to better a few of the zips. *bird song patch with shnid 9757; thx to cwagenbach for the source *tracked 48Khz version available sans the editing a **GEMS** production www.shnflac.net Finished Sunday, August 13, 2006 **__**