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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h50767
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.2k188
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k382
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.5k605
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h4.9k635
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.7k362
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k363
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.4k164
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h6.7k788
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k128
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k205
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h4.9k564
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k187
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.4k178
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k224
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h8.5k1k
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k245
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k266
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h16.9k2.3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37239
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.8k493
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.4k716
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.8k360
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k208
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.6k186
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k189
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h45556
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14720
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h32123
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h161
7d1268
30d63237
2 shows
2 tapes
1992
2/22/92
Bertha
6:55
Promised Land
5:21
Stagger Lee
6:09
Wang Dang Doodle
9:40
So Many Roads
6:20
Queen Jane Approximately
5:54
Loose Lucy
7:48
Wave To The Wind
9:10
Don't Ease Me In
3:41
One More Saturday Night
5:02
Mississippi Half-Step
7:32
Estimated Prophet
10:38
He's Gone
9:34
Drums
18:43
Space
7:48
The Wheel
5:32
All Along The Watchtower
6:07
Black Peter
11:10
Sugar Magnolia
8:16
U.S. Blues
5:36
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:43:11
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 8, 2020
SHNID:
gd1992-02-22.150007.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC3/MK4 > DAT (shnid=77722) supplies: Space (1:12 - 2:46) Notes: -- Recorded by Don Pearson and Dan Healy -- The signal from the board was too loud and is oversaturated but still has it's moments -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:43:01
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 8, 2020
SHNID:
gd1992-02-22.149848.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC3/MK4 > DAT (shnid=77722) supplies: Space (1:12 - 2:46) All Transfers and Mastering By Charlie Miller [email protected] May 8, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- The signal from the board was too loud and is oversaturated but still has it's moments
Taper: Joani Walker and Paul Scotton
2:43:40
SBD
Rating:
8.00 / 5 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1992-02-22.sbd.walker-scotton.miller.96395.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) B K 4011 -> Dat (shnid=77722) supplies: Queen Jane Approximately (post song tuning) Loose Lucy (0:00 - 0:05) (FOB) Schoeps CMC3.MK4 -> Dat (shnid=77722) supplies: Space (1:10 - 2:46) Notes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the Cassettes
Source 4 of 8
2:28:43
SBD
Rating:
7.33 / 12 ratings
SHNID:
gd92-02-22.sbd.gardner.9981.sbeok.shnf
Source:
SBD>MC>C>DAT>CDR
Taper Notes:
View NotesSBD>MC>C>DAT>CDR; via Paul; Seeded to etree bt Tony G
Taper: Rick Gastwirk
2:45:26
Taper:
Rick Gastwirk
Transferrer:
SIRMick and Charlie Miller
SHNID:
gd1992-02-22.138245.schoeps-cmc4-mk21.gastwirt.miller.sirmick.sbeok.flac16
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt;
Lineage:
Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017
Taper Notes:
View Notesedited and mastered SIRMick May 2017
Taper: Master Digital FOB Recording & Transfer by Marcus Buick
2:45:32
Taper:
Master Digital FOB Recording & Transfer by Marcus Buick
Transferrer:
Edited & Mastered using Adobe Audition by Joe Noel June 28, 2020
SHNID:
gd1992-02-22.150344.FOB.Schoeps.Buick.Noel.t-1648
Source:
Schoeps MK4 CMC3mod (ORTF, FOB)> MIT shotgun XLR > TAO/Oadie > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz) on-stand (6Õ2Ó)
Lineage:
Transfer: Master DAT > Panasonic SV3800 > S/PDIF(16bit48kHz) > Edirol-R4 > WAV 48/16
Taper Notes:
View NotesProduction Note from Marcus; The first show of the 1992 year was again at the Coliseum Arena; This was the 9th show in 5 months, at the same venue, in the Bay Area, with 2 more over the next 2 evenings. We must have been feeling brazen (or had a tall dude in our crew) because standing at 5Õ10Ó the mics would have been 4Ó above my head this evening, and while we push the boundaries, we arenÕt fools. Someone tall was blocking the mics from the view of the soundboard; John Ammons is tall and he may have been our blocker. The Master tapes indicate both sets were run at 6Õ2Ó which is about as high as we would ever run stands FOB. An interesting thing I noticed on the first night is an overly ambitious snare drum slap-back. This may be due to the microphone height, the timing delay to the rear PA, or a combination of the two. The mics were definitely picking up odd hall acoustics. I didnÕt notice this any other night or on any other tape. This show is significant in that two songs were played for the first time; So Many Roads & Wave to the Wind, a Jerry song and a Phil song, respectively. No technical issues. A fine capture of a significant event. Recording, Transfer, and Production Notes by Marcus Buick Additional Notes; - Thanks to Marcus Buick for sharing this recording - Thanks to John Ammons for coordinating this - Thanks to Pete Oshman for the use of the SV3800 - this is an upgrade to shnid 77722 (Set II) * 1st performance - The mics were removed from the stand during Sugar Mags as busts started going down around taper - Before encore, taper moved mics closer to the stage; continued hand-held operation due to ongoing FOB taper crackdowns
Taper: D5scott
2:36:56
Rating:
10.00 / 1 rating
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1992-02-22.117851.BeyerM160.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Jamie Young and Marcus
2:44:53
Taper:
Jamie Young and Marcus
Transferrer:
Michael Hughey
SHNID:
gd1992-02-22.fob.young-marcus.gems.77722.sbeok.flac16
Source:
Set 1: B&K 4011 (ORTF) Hand Held -> Canare Cable -> Neumann Supply -> Modified Sony D10 Pro, Set 2: Schoeps CMC34 -> Panasonic sv250
Lineage:
DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav > Adobe Audition (48K to 44.1K resample, 1-bit, w/dither) > CDwav (tracking only) > FLAC frontend
Taper Notes:
View Notes- Balanced levels of two mic sources. Set 1 (+1 dB), Set 2 (-1 dB) - d1t02- Bertha- 00:38-01:40 - smoothed level adjustments w/ 4dB reverse fade in minor transfer artifacts (clicks,pops) manually removed in SF8 pencil tool or Adobe Audition - Remediated numerous mic bumps from the Sugar Magnolia>US Blues segment when tapers were getting busted/breaking down - Several instances of clipping relieved during US Blues as tapers relocated - No compression, Noise Reduction or EQ - verbose edit details in separate file