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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1992
2/22/92
Bertha
6:55
Promised Land
5:21
Stagger Lee
6:09
Wang Dang Doodle
9:40
So Many Roads
6:20
Queen Jane Approximately
5:54
Loose Lucy
7:48
Wave To The Wind
9:10
Don't Ease Me In
3:41
One More Saturday Night
5:02
Mississippi Half-Step
7:32
Estimated Prophet
10:38
He's Gone
9:34
Drums
18:43
Space
7:48
The Wheel
5:32
All Along The Watchtower
6:07
Black Peter
11:10
Sugar Magnolia
8:16
U.S. Blues
5:36
FIN
View on archive.org
Sources
Taper: Master Digital FOB Recording & Transfer by Marcus Buick
2:45:32
Taper:
Master Digital FOB Recording & Transfer by Marcus Buick
Transferrer:
Edited & Mastered using Adobe Audition by Joe Noel June 28, 2020
SHNID:
gd1992-02-22.150344.FOB.Schoeps.Buick.Noel.t-1648
Source:
Schoeps MK4 CMC3mod (ORTF, FOB)> MIT shotgun XLR > TAO/Oadie > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz) on-stand (6Õ2Ó)
Lineage:
Transfer: Master DAT > Panasonic SV3800 > S/PDIF(16bit48kHz) > Edirol-R4 > WAV 48/16
Taper Notes:
View NotesProduction Note from Marcus; The first show of the 1992 year was again at the Coliseum Arena; This was the 9th show in 5 months, at the same venue, in the Bay Area, with 2 more over the next 2 evenings. We must have been feeling brazen (or had a tall dude in our crew) because standing at 5Õ10Ó the mics would have been 4Ó above my head this evening, and while we push the boundaries, we arenÕt fools. Someone tall was blocking the mics from the view of the soundboard; John Ammons is tall and he may have been our blocker. The Master tapes indicate both sets were run at 6Õ2Ó which is about as high as we would ever run stands FOB. An interesting thing I noticed on the first night is an overly ambitious snare drum slap-back. This may be due to the microphone height, the timing delay to the rear PA, or a combination of the two. The mics were definitely picking up odd hall acoustics. I didnÕt notice this any other night or on any other tape. This show is significant in that two songs were played for the first time; So Many Roads & Wave to the Wind, a Jerry song and a Phil song, respectively. No technical issues. A fine capture of a significant event. Recording, Transfer, and Production Notes by Marcus Buick Additional Notes; - Thanks to Marcus Buick for sharing this recording - Thanks to John Ammons for coordinating this - Thanks to Pete Oshman for the use of the SV3800 - this is an upgrade to shnid 77722 (Set II) * 1st performance - The mics were removed from the stand during Sugar Mags as busts started going down around taper - Before encore, taper moved mics closer to the stage; continued hand-held operation due to ongoing FOB taper crackdowns
Taper: Jamie Young and Marcus
2:44:53
Taper:
Jamie Young and Marcus
Transferrer:
Michael Hughey
SHNID:
gd1992-02-22.fob.young-marcus.gems.77722.sbeok.flac16
Source:
Set 1: B&K 4011 (ORTF) Hand Held -> Canare Cable -> Neumann Supply -> Modified Sony D10 Pro, Set 2: Schoeps CMC34 -> Panasonic sv250
Lineage:
DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav > Adobe Audition (48K to 44.1K resample, 1-bit, w/dither) > CDwav (tracking only) > FLAC frontend
Taper Notes:
View Notes- Balanced levels of two mic sources. Set 1 (+1 dB), Set 2 (-1 dB) - d1t02- Bertha- 00:38-01:40 - smoothed level adjustments w/ 4dB reverse fade in minor transfer artifacts (clicks,pops) manually removed in SF8 pencil tool or Adobe Audition - Remediated numerous mic bumps from the Sugar Magnolia>US Blues segment when tapers were getting busted/breaking down - Several instances of clipping relieved during US Blues as tapers relocated - No compression, Noise Reduction or EQ - verbose edit details in separate file