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Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.4k175
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.6k250
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k243
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.8k371
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k359
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k728
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k270
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k134
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.3k531
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h85198
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.6k752
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.3k290
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h962123
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k161
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h2k249
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k451
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1.1k155
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k213
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.7k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h43446
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.2k409
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k525
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k318
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k164
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k149
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h76694
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13318
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h43126
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1990
Sources
Transferrer: Matrix by photoleon
2:47:26
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matrix by photoleon
SHNID:
gd1990-02-26.137905.mtx.photoleon.t-flac16
Source:
<b>flac16/48kHz</b>; 2 source matrix by PhotoLeon using Audacity 2.0.6; Source 1: [shnid: 451] SBD > DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; and Source 2: Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5); Audacity: Alligned -> Labeled -> DC offset removed & normalized -> flac 16/48; tags & checksums created in xACT
Source 2 of 7
2:34:18
SBD
Rating:
9.60 / 6 ratings
Source:
Snbd > Dat> cdr >Dat
Lineage:
Dat > sblive > cd wave > mkw Audio tools > Shn
Source 3 of 7
2:32:31
SBD
Rating:
8.80 / 30 ratings
SHNID:
gd90-02-26.sbd.shakedown.451.sbeok.shnf
Source:
SBD > DAT > CDR > WAV > SHN
Lineage:
SBD > DAT > CDR > WAV > SHN
Taper Notes:
View NotesSBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via [email protected]; note revision in txt file for d1t8
Taper: Ted Mattes
2:47:01
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-02-26.141871.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
Taper Notes:
View NotesNotes: - major upgrade to shnid 131004 - Tom Thumb tracking starts with "We want Phil" chant, cause its all about star power. - I was in my early twenties when I experienced this Scarlet > Fire first hand. It was a religious experience then & it remains so to this day. - Jerry wasn't ready to finish Stella. Man, does he fight to keep her going too.
Taper: Gris
5:10:44
Taper:
Gris
Transferrer:
Hale
SHNID:
gd1990-02-26.137963.dbx.hale.flac16
Source:
Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH; this source contains two versions: a complete version and a slightly edited version that fits on two CDs (for that one person that still burns CDs)
Taper Notes:
View NotesNotes: This was recorded by my old friend and touring/taping partner Gris, with my gear while I was an honored guest (POW) of the state of Kanasas for a year(mostly 89 and early 90). After taping with my gear for a while Gris finally flipped for an incredible outfit including this Lunatek thing, a DAT deck, and a pair of balanced Neumann KM-140s. Gris recorded the Emmy Lou Harris at Lund Auditorium. The tape flip during set II was near the end of Terrapin(100's didn't save us). I faded out and back into it. I tried for a few hours to patch it, but had neverending problems with the speed of the patch source. It could easilly be due to my lack of experience with this process. It seemed much slower and just leaving my fades was preferable. I didn't get the impression that my masters sounded too fast. If I'm mistaken, please offer your opinion. I haven't noticed anything irregular in the speed of my source deck versus the speed of my play back deck which is my only workinig unit. I have read much about others having problems with this issue. I hope the recordings sound accurate. No enhancement or equalization was used in the recording or transfer of these or any of my recordings. Everything set straight up and flat. I included two versions, one fits on three discs and another slightly edited 2 disc version (nothing missing but the tuning and some crowd noise).
Taper: Rick Katzeff and Ted Mattes
2:47:22
Taper:
Rick Katzeff and Ted Mattes
Transferrer:
jwpetty
SHNID:
gd1990-02-26.131004.cmc44.fob.mattes.katzeff.flac16
Source:
Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5)
Taper: Alabama Bob
2:20:46
Rating:
6.00 / 1 rating
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1990-02-26.fob.senn421.alabamabob.andrewf.93841.sbeok.flac16
Source:
FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - Disc break is seamless. - Tape flip in Terrapin at 6:34, aprx two minutes missing. - Drums not recorded on the MAC. - Tape flip in Space at 7:06.918, mended together.