Playing In the Band -> | 1990-02-26 | Grateful Dead | Relisten

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Aquarium Rescue Unit

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Bela Fleck and the Flecktones

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Billy & the Kids

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Grateful Dead

Years Recent Top Venues Songs Tours

Today In History

Years

1990

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

McNichols Sports Arena

Denver, CO, USA

McNichols Sports Arena

Denver, CO, USA

McNichols Sports Arena

Denver, CO, USA

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

London, England

London, England

London, England

Hamburg, Germany

Frankfurt, Germany

Internationales Congress Centrum

Berlin, Germany

Internationales Congress Centrum

Berlin, Germany

Stockholm, Sweden

San Francisco, California

Madison Square Garden

New York, NY, USA

Madison Square Garden

New York, NY, USA

Madison Square Garden

New York, NY, USA

Madison Square Garden

New York, NY, USA

Madison Square Garden

New York, NY, USA

Madison Square Garden

New York, NY, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Richfield Coliseum

Richfield, OH, USA

Richfield Coliseum

Richfield, OH, USA

Unknown Location

World Music Theater

Tinley Park, IL, IL, USA

World Music Theater

Tinley Park, IL, IL, USA

World Music Theater

Tinley Park, IL, IL, USA

Deer Creek Music Center

Noblesville, IN, USA

Deer Creek Music Center

Noblesville, IN, USA

Buffalo, NY, USA

Foxboro Stadium

Foxboro, MA, USA

Washington, DC, USA

Carter-Finley Stadium

Raleigh, NC, USA

Three Rivers Stadium

Pittsburgh, PA, USA

Cardinal Stadium

Louisville, KY, USA

Sandstone Ampitheatre

Bonner Springs, KS, USA

Autzen Stadium, U. of Oregon

Eugene, OR, USA

Autzen Stadium, U. of Oregon

Eugene, OR, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Sacramento, CA, USA

Sacramento, CA, USA

Sacramento, CA, USA

Cal State Dominguez Hills

Carson, CA, USA

Cal State Dominguez Hills

Carson, CA, USA

Atlanta, GA, USA

Atlanta, GA, USA

Atlanta, GA, USA

Nassau Coliseum

Uniondale, NY, USA

Nassau Coliseum

Uniondale, NY, USA

Nassau Coliseum

Uniondale, NY, USA

Knickerbocker Arena

Albany, NY, USA

Knickerbocker Arena

Albany, NY, USA

Knickerbocker Arena

Albany, NY, USA

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Hartford Civic Center

Hartford, CT, USA

Hartford Civic Center

Hartford, CT, USA

Landover, MD, USA

Landover, MD, USA

Landover, MD, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Sources

Transferrer: Matrix by photoleon

9.33 / 3 ratings

Matrix by photoleon

gd1990-02-26.137905.mtx.photoleon.t-flac16

<b>flac16/48kHz</b>; 2 source matrix by PhotoLeon using Audacity 2.0.6; Source 1: [shnid: 451] SBD > DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; and Source 2: Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5); Audacity: Alligned -> Labeled -> DC offset removed & normalized -> flac 16/48; tags & checksums created in xACT

Source 2 of 7

9.60 / 6 ratings

Snbd > Dat> cdr >Dat

Dat > sblive > cd wave > mkw Audio tools > Shn

Source 3 of 7

8.80 / 30 ratings

gd90-02-26.sbd.shakedown.451.sbeok.shnf

SBD > DAT > CDR > WAV > SHN

SBD > DAT > CDR > WAV > SHN

View NotesSBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via [email protected]; note revision in txt file for d1t8

Taper: Ted Mattes

10.00 / 1 rating

Charlie Miller and Joe Noel

gd1990-02-26.141871.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648

<b>flac16/48kHz</b>; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes

View NotesNotes:
- major upgrade to shnid 131004
- Tom Thumb tracking starts with "We want Phil" chant, cause its all about star power.
- I was in my early twenties when I experienced this Scarlet > Fire first hand.  It was a religious experience then & it remains so to this day.
- Jerry wasn't ready to finish Stella.  Man, does he fight to keep her going too.

Taper: Gris

gd1990-02-26.137963.dbx.hale.flac16

Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH; this source contains two versions: a complete version and a slightly edited version that fits on two CDs (for that one person that still burns CDs)

View NotesNotes: This was recorded by my old friend and touring/taping partner Gris, with my gear while I was an honored guest (POW) of the state of Kanasas for a year(mostly 89 and early 90). After taping with my gear for a while Gris finally flipped for an incredible outfit including this Lunatek thing, a DAT deck, and a pair of balanced Neumann KM-140s. Gris recorded the Emmy Lou Harris at Lund Auditorium.  The tape flip during set II was near the end of Terrapin(100's didn't save us). I faded out and back into it. I tried for a few hours to patch it, but had neverending problems with the speed of the patch source. It could easilly be due to my lack of experience with this process. It seemed much slower and just leaving my fades was preferable. I didn't get the impression that my masters sounded too fast.  If I'm mistaken, please offer your opinion. I haven't noticed anything irregular in the speed of my source deck versus the speed of my play back deck which is my only workinig unit. I have read much about others having problems with this issue. I hope the recordings sound accurate.  No enhancement or equalization was used in the recording or transfer of these or any of my recordings. Everything set straight up and flat. I included two versions, one fits on three discs and another slightly edited 2 disc version (nothing missing but the tuning and some crowd noise).

Taper: Rick Katzeff and Ted Mattes

Rick Katzeff and Ted Mattes

gd1990-02-26.131004.cmc44.fob.mattes.katzeff.flac16

Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5)

Taper: Alabama Bob

6.00 / 1 rating

gd1990-02-26.fob.senn421.alabamabob.andrewf.93841.sbeok.flac16

FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center.

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC

View NotesNotes: 
- Disc break is seamless. 
- Tape flip in Terrapin at 6:34, aprx two minutes missing. 
- Drums not recorded on the MAC. 
- Tape flip in Space at 7:06.918, mended together.