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Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.6k355
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h728103
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.4k596
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k134
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.2k287
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k365
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4k508
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.4k160
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k299
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h915101
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k235
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k200
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k202
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k234
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.3k295
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k685
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k191
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h7.9k1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h15.9k2.1k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h8.7k1.2k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h91878
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k550
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k576
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.1k388
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k245
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.4k725
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k580
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59575
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h15823
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h49736
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h443
7d1277
30d57234
2 shows
2 tapes
1990
Sources
Transferrer: Matrix by photoleon
2:47:26
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matrix by photoleon
SHNID:
gd1990-02-26.137905.mtx.photoleon.t-flac16
Source:
<b>flac16/48kHz</b>; 2 source matrix by PhotoLeon using Audacity 2.0.6; Source 1: [shnid: 451] SBD > DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; and Source 2: Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5); Audacity: Alligned -> Labeled -> DC offset removed & normalized -> flac 16/48; tags & checksums created in xACT
Source 2 of 7
2:34:18
SBD
Rating:
9.60 / 6 ratings
Source:
Snbd > Dat> cdr >Dat
Lineage:
Dat > sblive > cd wave > mkw Audio tools > Shn
Source 3 of 7
2:32:31
SBD
Rating:
8.80 / 30 ratings
SHNID:
gd90-02-26.sbd.shakedown.451.sbeok.shnf
Source:
SBD > DAT > CDR > WAV > SHN
Lineage:
SBD > DAT > CDR > WAV > SHN
Taper Notes:
View NotesSBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via [email protected]; note revision in txt file for d1t8
Taper: Ted Mattes
2:47:01
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-02-26.141871.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
Taper Notes:
View NotesNotes: - major upgrade to shnid 131004 - Tom Thumb tracking starts with "We want Phil" chant, cause its all about star power. - I was in my early twenties when I experienced this Scarlet > Fire first hand. It was a religious experience then & it remains so to this day. - Jerry wasn't ready to finish Stella. Man, does he fight to keep her going too.
Taper: Gris
5:10:44
Taper:
Gris
Transferrer:
Hale
SHNID:
gd1990-02-26.137963.dbx.hale.flac16
Source:
Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH; this source contains two versions: a complete version and a slightly edited version that fits on two CDs (for that one person that still burns CDs)
Taper Notes:
View NotesNotes: This was recorded by my old friend and touring/taping partner Gris, with my gear while I was an honored guest (POW) of the state of Kanasas for a year(mostly 89 and early 90). After taping with my gear for a while Gris finally flipped for an incredible outfit including this Lunatek thing, a DAT deck, and a pair of balanced Neumann KM-140s. Gris recorded the Emmy Lou Harris at Lund Auditorium. The tape flip during set II was near the end of Terrapin(100's didn't save us). I faded out and back into it. I tried for a few hours to patch it, but had neverending problems with the speed of the patch source. It could easilly be due to my lack of experience with this process. It seemed much slower and just leaving my fades was preferable. I didn't get the impression that my masters sounded too fast. If I'm mistaken, please offer your opinion. I haven't noticed anything irregular in the speed of my source deck versus the speed of my play back deck which is my only workinig unit. I have read much about others having problems with this issue. I hope the recordings sound accurate. No enhancement or equalization was used in the recording or transfer of these or any of my recordings. Everything set straight up and flat. I included two versions, one fits on three discs and another slightly edited 2 disc version (nothing missing but the tuning and some crowd noise).
Taper: Rick Katzeff and Ted Mattes
2:47:22
Taper:
Rick Katzeff and Ted Mattes
Transferrer:
jwpetty
SHNID:
gd1990-02-26.131004.cmc44.fob.mattes.katzeff.flac16
Source:
Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5)
Taper: Alabama Bob
2:20:46
Rating:
6.00 / 1 rating
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1990-02-26.fob.senn421.alabamabob.andrewf.93841.sbeok.flac16
Source:
FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - Disc break is seamless. - Tape flip in Terrapin at 6:34, aprx two minutes missing. - Drums not recorded on the MAC. - Tape flip in Space at 7:06.918, mended together.