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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1990
9/14/90
01 - Tuning
1:05
02 - Feel Like A Stranger
8:22
03 - Sugaree
12:18
04 - New Minglewood Blues
10:08
05 - Ramble On Rose
8:18
06 - Black Throated Wind
6:47
07 - Jack-A-Roe
5:43
08 - Cassidy >
6:21
09 - Don't Ease Me In
3:26
10 - Scarlet Begonias >
10:05
11 - Fire On The Mountain
15:02
12 - Truckin' >
10:14
13 - Terrapin Station >
20:07
14 - Drums >
8:11
15 - Space >
8:55
16 - The Other One >
12:09
17 - Wharf Rat >
10:45
18 - Sugar Magnolia
9:14
19 - Encore Break
3:01
20 - U.S. Blues
5:24
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:55:35
SBD
Rating:
8.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 21, 2022
SHNID:
gd1990-09-14.161617.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered with an ultramatrix DAT -- This is 161121 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:55:36
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 21, 2022
SHNID:
gd1990-09-14.161121.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Tape flips covered with an ultramatrix DAT
Transferrer: Charlie Miller
2:55:31
SBD
Rating:
8.91 / 13 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-09-14.sbd.miller.74405.sbeok.flac16
Source:
SBD -> Dat (44.1k) D
Lineage:
Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP ->
Taper Notes:
View NotesNotes: -- Seamless transition between Discs 2 and 3 -- A few spots of diginoise in 2nd Set patched with Cassette Master SBD
Transferrer: hansokolow
2:57:23
SBD
Rating:
10.00 / 1 rating
Transferrer:
hansokolow
SHNID:
gd1990-09-14.mtx.hansokolow.97443.flac16
Source:
matrix of DSBD: shnid=74405 and DAUD: shnid=88942 by hansokolow using ProTools
Taper Notes:
View NotesThis is a matrix, done by hansokolow in ProTools, of the following digital sources: SBD: shnid=74405 Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller [email protected] July 8, 2006 Notes: -- Seamless transition between Discs 2 and 3 -- A few spots of diginoise in 2nd Set patched with Cassette Master SBD ----------------------------------- AUD: shnid=88942 Ambient Recording by Sean Weber & Rick Katseff B&K 4011's ORTF -> Grace pre -> Panasonic SV250 line-in Tapers From Hell - A Journey to the Impact Zone FOB near center (seat assignments not noted on tape card) From the tdarian masters, but, recorded by, Sean Weber & Rick Katseff tdarian was not yet in town for this opening night of the run, but had sent his mics ahead of time, (these mics were still a brand new release for B&K). tdarain joined forces with Sean and Rick for day two (09-15) The rest of the run, with the B&K's is credited to tdarian, John Corso, and Rick Katseff "My primary crowd control weapon: Backstage passes to send the loud mouths away"..... "with "Barry" the usher keeping the crowd as quiet as he could. And covering the mic stand from the aisle side " transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master. CDR master transfer by Mike French (TFH), in apprx. 2002 compiled for FLAC by Mike French, on 2007-11-28 ----------------------------------- hansokolow's notes: For a digital soundboard with several solid digital audience copies to choose from, this matrix presented a lot of problems. While I like the sound of Dave Brotman's FOB source over this one, I had trouble lining it up exactly with the DSBD (sometimes that happens), and the result was a constant, slowly changing atmospheric quality that was unacceptable. I switched to this DAUD and things lined up much better. This DAUD has level adjustments in the opener, Feel Like A Stranger, and I counter adjusted to try to account for that. This DSBD has some limitations. Although it comes with a decent amount of crowd noise, there is a bit of mutedness to it, which is greatly enhanced by adding the DAUD, imho. The analog SBD patches all over set 2 created brief phasing and weirdness and are fairly noticeable, but I left it that way, as it is less jarring as pulling out the SBD entirely. The first instance is at around 9 seconds into Fire On The Mountain, then again at 10:07, at 10:36, for 19 seconds (this is the worst of it), and at 11:16; in Terrapin at 9:24 for 6 seconds, at 9:58 for 4 seconds, briefly at 10:21 and 11:05, and finally at 11:23; in The Other One, at 6:16 for about 4 seconds; in Wharf Rat at 0:41, at 1:07, at 2:36, at 6:28, at 8:41, and at 10:27; and in Sugar Magnolia at 5:21. Also, hardly an issue, some crowd noise is missing from the DSBD between Fire and Playin'. Both these FOB sources had a gap of about the same size in Drums, from 1:32 to 3:47, so that section is all soundboard. The DAUD had some bad digital fuzz in the last few seconds of the encore, so I patched in Brotman's DFOB for that section, from 5:00 to 5:04.
Source 5 of 13
2:48:09
SBD
Rating:
8.29 / 14 ratings
SHNID:
gd90-09-14.sbd.fishman.7769.sbeok.shnf
Source:
Analog SBD>DAT>CDR>WAV>SHN
Taper Notes:
View NotesAnalog sbd> dat> cd> eac> cd; via Jeff Fishman; Steve Barbella
Taper: Master Digital Audience Recording by Dave Brotman & Jeff Metchick
2:56:46
Taper:
Master Digital Audience Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered by Joe Noel (Adobe Audition) August 22, 2020
SHNID:
gd1990-09-14.150531.FOB.BK4011.Brotman.Metchick.Miller.Noel.t.flac1648
Source:
(FOB) B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k). Location: Section 2, row 15, seat 1 (mics on stand at 6'5")
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48
Taper Notes:
View NotesPatch info; - shnid 141164 AKG 460B/CK63 ULS (OTS) - s2t06; 1:30 - 3:53 Notes: - upgrade to shnid 9623 & 11810 - lineage & location is confirmed by taper & j cards. - Thanks to Dave & Jeff for sharing their master DAT - Thanks to Charlie for the transfer - Thanks to Ted Mattes for organizing this project - Thanks to Ray Ackerman for the patch - Opening night of a six night run at the World's easiest arena to sneak into. - Just like he did in Englishtown, John Scher introduces the band. - Just like New York City, won't let you be - We called these MSG shows the "good karma run" - Ya shoulda been there Brent, ya woulda liked this one.
Taper: Tim Dalton
2:54:57
Taper:
Tim Dalton
Transferrer:
Charlie Miller and Sirmick
SHNID:
gd1990-09-14.144756.nak300-cp4.dalton.miller.sirmick.flac1648
Source:
Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesNotes: - Tape flip in the transition between "Sugar Magnolia" and "Sunshine Daydream" patched with shnid 92017 - Thank you Andrew F Thanks to Tim Dalton for sharing his masters. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick January 2019
Taper: Ron Ackerman
2:55:35
Rating:
8.00 / 1 rating
Taper:
Ron Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-09-14.141164.OTS.AKG.Ackerman.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
Taper Notes:
View NotesPatch info: - shnid 11810 (Schoeps) supplies - s2t06; 0:27 - 1:41 - s2t11; 2:10 - 2:57 Notes: - Thanks to Charlie for being the intermediary. - opening night of a six night run at the World's easiest arena to sneak in to. - there's little bit of frequency weirdness that can be heard between songs in the first set, nothing to fret about. - Just like he did in Englishtown, John Scher introduces the band. - Just like New York City :) - We called these MSG shows the "good karma run" (9/16 illuminates) - Ya shoulda been there Brent, ya woulda liked this one.
Taper: Da Weez
2:37:09
Rating:
9.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1990-09-14.117928.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Andrew F.
2:51:30
Rating:
8.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1990-09-14.nak300.andrewf.92017.flac16
Source:
OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Maxell MX90/100, with no Dolby.
Lineage:
Master Cassette > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - Brief distortion in Stranger at 2:44, softened with Soundforge. - Patches from ShnID-11810 cover tape-flips as follows: - Jam (after Terrapin) 1:56 > 2:04, and Sugar Magnolia 8:49 > 8:56.
Taper: Sean Weber; Rick Katseff
2:55:05
Taper:
Sean Weber; Rick Katseff
Transferrer:
Mike French
SHNID:
gd1990-09-14.bk4011.tdarian.french.88942.sbeok.flac16
Source:
B&K 4011's ORTF -> Grace pre -> Panasonic SV250
Lineage:
Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master
Source 12 of 13
2:55:45
Rating:
7.75 / 8 ratings
SHNID:
gd90-09-14.schoeps-fob.wiley.11810.sbeok.shnf
Source:
AUD(Schoeps)> DAT> CDR>WAV>SHN
Taper Notes:
View NotesDave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley
Taper: Dave Brotman FOB DFC, (Section 2, row 15, seat 1)
2:56:42
Rating:
10.00 / 1 rating
Taper:
Dave Brotman FOB DFC, (Section 2, row 15, seat 1)
SHNID:
gd1990-09-14.schoeps.brotman.9623.shnf
Source:
Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects).
Lineage:
MAD>D>CD
Taper Notes:
View NotesTapers became friends with the head security guard and ran a D5 copy for him every nite (a tradition that was apparently carried on in following years by other tapers)