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June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h66289
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k228
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.3k405
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.4k306
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k470
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.6k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k306
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k143
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k206
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h76285
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k179
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3k359
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k163
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k146
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k180
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.8k548
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k238
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k257
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20.9k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k927
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h43046
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.3k964
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.4k819
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.4k308
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k195
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.9k215
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k280
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h957129
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13418
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29117
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h453
7d1076
30d59434
2 shows
2 tapes
1983
10/30/83
01 Alabama Getaway
5:00
02 Greatest Story Ever Told
4:22
03 Friend Of The Devil
9:26
04 New Minglewood Blues
7:13
05 Tennessee Jed
8:47
06 Cassidy
5:37
07 West LA Fadeaway
7:38
08 Hell In A Bucket
5:18
09 Might As Well
4:14
10 Tuning
2:13
11 Bertha
6:46
12 Samson And Delilah
7:30
13 Ship Of Fools
9:28
14 Playing In The Band
11:33
15 Drums
8:31
16 Space
9:54
17 Truckin'
5:45
18 Spoonful
2:59
19 Black Peter
8:24
20 Sugar Magnolia
8:48
21 Tuning
0:23
22 Keep Your Day Job
4:29
FIN
View on archive.org
Sources
Taper: David Gans
2:24:18
SBD
Taper:
David Gans
Transferrer:
Charlie Miller
SHNID:
gd1983-10-30.143503.sbd.miller.flac1644
Source:
SBD > Cassette Master > Cassette (TDK SA-X90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- The mix and levels change during Alabama Getaway -- Jerry's stage volume was loud making him low in the mix -- Thanks to David Gans for the tapes -- Thanks to Andrew F. and Anne Cohen for the patch source -- Thanks to Scott Clugston for his continued assistance -- Thanks to Joe B. Jones for the pitch correction settings -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:24:18
SBD
Transferrer:
Charlie Miller
SHNID:
gd1983-10-30.142967.sbd.miller.flac2496
Source:
SBD > Cassette Master > Cassette (TDK SA-X90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- The mix and levels change during Alabama Getaway -- Jerry's stage volume was loud making him low in the mix -- Thanks to David Gans for the tapes -- Thanks to Andrew F. and Anne Cohen for the patch source -- Thanks to Scott Clugston for his continued assistance -- Thanks to Joe B. Jones for the pitch correction settings
Source 3 of 7
2:20:44
SBD
Rating:
7.33 / 4 ratings
SHNID:
gd83-10-30.sbd.miller.22800.sbeok.shnf
Source:
Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90)Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller
Taper Notes:
View NotesRecording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller
Taper: Unknown
2:25:39
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-30.169890.akg.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to our benefactor who wishes to remain anonymous - Thanks to andrewf for the Realistic mini-mics source which supplies a 2:18 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Scott Wiseman
2:26:12
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-30.176651.akg.se5.wiseman.miller.clugston.flac.2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassettes (Nakamichi BX-150) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Mic cable issues with the right channel, "Alabama Getaway" and beginning of "Greatest Story Ever Told" are mono (5:47 total), 0:56 of "West LA Fadeaway" is also mono - Thanks to andrewf for the Realistic mini-mics source which supplies a 1:56 patch in "Drums" - This is the same source as 169890, but is a hi-res transfer directly from the master - Pitch corrected Mastered by Scott Clugston February 2026
Taper: Scott Wiseman
2:26:12
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-30.176650.akg.se5.wiseman.miller.clugston.flac.1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassettes (Nakamichi BX-150) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Mic cable issues with the right channel, "Alabama Getaway" and beginning of "Greatest Story Ever Told" are mono (5:47 total), 0:56 of "West LA Fadeaway" is also mono - Thanks to andrewf for the Realistic mini-mics source which supplies a 1:56 patch in "Drums" - This is the same source as 169890, but is a hi-res transfer directly from the master - Pitch corrected Mastered by Scott Clugston February 2026
Taper: Andrew F.
2:23:17
Rating:
8.00 / 2 ratings
Taper:
Andrew F.
Transferrer:
Anne C.
SHNID:
gd1983-10-30.fob.realistic.andrewf.92382.shnf
Source:
Realistic Mini-mics > Sony WM-D6 > Toshiba KT-R2 > Maxell XL-II (1st set) and Maxell XL-IIS (2nd set). Mics on stand, FOB aprx 20th row.
Lineage:
MAC > Nakamichi CR-2A (tape 2 side A: Nakamichi Dragon) > HHB CDR 830-Plus > EAC > Soundforge 6.0 > CDWave 1.94.5 > WAV > SHN
Taper Notes:
View Notes- Soundforge 6.0 used for fades, tape flip splices, and cleanup cuts and crowd transitions mostly between songs. - The mic was blocking Healy's view, and they told us to move. We changed seats during intermission, so the tape sounds a little better in the 2nd set. - Brief cuts in Space at 1:12, 2:34, and 3:22. - Thanks to Anne for transferring this.