Keep Your Day Job | 1983-10-15 | Grateful Dead

Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney, Greg Martens

gd1983-10-15.143263.beyerm201.holbrook.flac2448

Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD)

Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

View Notessee text file for tour story

Taper: Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney, Greg Martens

2:24:58

SBD

Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney, Greg Martens

gd1983-10-15.143262.beyerm201.holbrook.flac1644

Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD)

Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

gd1983-10-15.mtx.seamons.99326.sbeok.flac16

View Notessee text file for tour story

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

gd83-10-15.sbd.harrell.7313.sbeok.shnf

View Notes*Matrix*

-----------------------------------------------------------------
SBD (shnid=7313):

Sbd > Cassette Master > Dat x 2 > CDR > SHN

-----------------------------------------------------------------
AUD (shnid=93751):

Recording Info:
(FOB) Sennheiser 441 -> PCM -> Dat (44.1k)

Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC
(2 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
[email protected]
July 31, 2008

Notes:
-- Disc change is seamless
-- Recorded By Jeff Silberman
-- Dat provided by J.J. Clifton

-----------------------------------------------------------------
Thank you to Bob Harrell and Jim Groves for the SBD transfer,
to Jeff Silberman for recording the show,
and to Charlie Miller for the AUD transfer.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 
June 6, 2009

Taper: Unknown

Source 6 of 38

Sbd > Cassette Master > Dat x 2 > CDR > SHN

View NotesSbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell

Taper: Doug Lamarre

gd1983-10-15.167592.shure.sm57.kelley.miller.clugston.flac2496

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

View NotesNotes:
- Thanks to Doug Lamarre for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and first few notes of "Feel Like A Stranger" (0:16 total), as well as a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2023

Taper: Doug Lamarre

gd1983-10-15.167591.shure.sm57.kelley.miller.clugston.flac1648

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Rob Eaton, Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Doug Lamarre for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and first few notes of "Feel Like A Stranger" (0:16 total), as well as a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2023

Taper: Rob Eaton

gd1983-10-15.164831.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496

Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550

Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496

Rob Eaton, Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies an 0:11 patch in "Drums"
- Pitch verified

Mastered by Scott Clugston
January 2023

Taper: Rob Eaton

gd1983-10-15.164830.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648

Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550

Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies an 0:11 patch in "Drums"
- Pitch verified

Mastered by Scott Clugston
January 2023

Taper: Jim Vita

gd1983-10-15.164039.senn441.vita.miller.clugston.flac2496

Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 441 mics (21st row, DFC) > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies a 0:14 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2022

Taper: Jim Vita

gd1983-10-15.164038.senn441.vita.miller.clugston.flac1648

Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 441 mics (21st row, DFC) > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies a 0:14 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2022

Taper: Mark Cohen

gd1983-10-15.143607.fob.nak700.cohen.miller.clugston.flac1648

Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg)

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Mark Cohen for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman, J.J. Clifton and Charlie Miller for the shnid93751 Sennheiser 441 source which supplies a 0:39 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2018

Taper: Mark Cohen

gd1983-10-15.143606.fob.nak700.cohen.miller.clugston.flac2496

Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg)

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496

View NotesNotes:
- Thanks to Mark Cohen for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman, J.J. Clifton and Charlie Miller for the shnid93751 Sennheiser 441 source which supplies a 0:39 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2018

Taper: Jeff Silberman from the Gastwirt collection

2:28:45

Jeff Silberman from the Gastwirt collection

Charlie Miller

gd1983-10-15.138858.FOB.Senn441.Silberman.Gastwirt.Miller.Noel.t-flac16

Jeff Silberman recording: Senn 441 > Technics PCM > DAT (FOB 17th row); Charlie Miller

Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT

gd1983-10-15.137327.senn421.miller.flac16

View Notes- The transfer makes this an upgrade.
- tape pauses smoothed over with cross fades  
- Then God way up in heaven, for whatever it was worth,
  Thought He'd have a big old party, thought He'd call it Hartford.

Transferrer: Charlie Miller

(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1983-10-15.137304.senn421.miller.flac24

View NotesNotes:
-- Thanks to Joe B. Jones for his help with the pitch correction

**This fileset is 16bits @ 44.1**
  24bits > 16bits with r8brain

Transferrer: Charlie Miller

(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1983-10-15.fob.senn441.silberman.miller.93751.sbeok.flac16

View NotesNotes:
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Jeff Silberman

(FOB) Sennheiser 441 -> PCM

PCM -> Dat (44.1k) -> Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC

View NotesNotes:
-- Disc change is seamless
-- Recorded By Jeff Silberman
-- Dat provided by J.J. Clifton

Transferrer: Matrix created in Adobe Audition by Joe Noel October 07, 2022

2:30:24

Matrix created in Adobe Audition by Joe Noel October 07, 2022

gd1983-10-15.165106.mtx.photolean.flac1644

A photoLeon Matrix

gd1983-10-15.157659.aud.carpenter.flac2448

View NotesNotes
- First 18 sec of BRRB is Source #1 only
- Not listed in the info file of Source #2 (7313) is a patch in CCS (3:00 - 3:05) that has been replaced with Source #1 (138858).  Also PitB has 4 secs missing which has been patched (4:05 - 4:10) with Source #1 (138858).
- The Source #2 patch in PitB (12:38.22 - 12:59.69) was replaced w/ Source #1 (138858)
- The Source #2 patch in OMSN (0:02.41 - 0:09.02) was replaced w/ Source #1 (138858)

Thanks to
- Jeff Silberman for the the FOB recording
- Charlie Miller for the transfer
- Bob Harrell for the sharing the SBD source
- Jack Schlottman & John Ammons for the critique.

Taper: Ted Carpenter

Nakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums.

Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96

View NotesPatch Sources:
Identifier: gd1983-10-15.nak300.friend-morrone.124552.flac1644
Special Thanks to:  Tim, Joe, Andrew , for helping to complete these sets.

1st Set
Spliced intro to Dire Wolf from:  00:00 to 00:08
note: Right channel dropout at beginning of dire wolf is from soundboard.
Spliced in first minute of Big Railroad Blues from 00:00 to 00:52.
Splices EQ'd for sound continuity - transition -  some source change noticable.

2nd Set
Spliced intro for China Cat from 00:22 to 00:29
Drums Spliced from 00:35 to 02:00 almost un-noticeable / slight timbre source change.
Drums Spliced From 05:25 to 05:46 slight timbre / source change
Splices EQ'd for continuity. transitions are smooth and almost un-noticeable
note : There are instances on the tape where Phils’ bass over-modulates the speakers.
and the bass isn't being held firm I believe it's partially ambient and
partially a kind of tape bias, or input overload.
Memory says: the mic's were Nak 300s w/ cp4  but don't quote me, It was 40 years ago.

Taper: Billydee

gd1983-10-15.145259.s2.fob.beyer180.billydee.sellers.noel.t-flac1644

billydee recording: Beyerdynamics 180's > Sony TC-D5M (patched out of Beyer setup) > master audio cassette (FOB)

Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook

View NotesJoe Noel Edited & Mastered in Audacity, Flac 24/96

This file set is 16 bit @ 44.1

- patch info
Source #93751 suplies;
s2t05 - 7:05 - end
s2t06 - 0:00 - 0:35

Notes:
- My apologies for the mistake on the 1st upload
- When the Beyer's hit, they hit big.
- if Space was ranked, this would make my list.

Taper: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook

gd1983-10-15.143303.mke2002.holbrook.flac2448

AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage DFC

Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8

View Notes/      Tape paused between songs
//     tape flip

Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.

tour story in text file

Taper: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook

2:21:59

Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook

gd1983-10-15.143302.mke2002.holbrook.flac1644

AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage DFC

Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8

Larry Sellers & the Philly Crew; Joe Noel

View Notes/      Tape paused between songs
//     tape flip

Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.

tour story in text file

Taper: billydee

gd1983-10-15.138812.set2.FOB.Beyer.billydee.Sellers.Noel.t-flac24.fix

Set 2 billydee recording: Beyerdynamics 180's > Sony TC-D5M (patched out of Beyer setup) > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)

MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT; note: the original file set was 16 bit/96kHz; please do not circulate that source

gd1983-10-15.135914.nak300.schley.flac1644

View Notes- My apologies for the mistake on the 1st upload 
- When the Beyer's hit, they hit big.
- if Space was ranked, this would make my list.

Taper: Brian Schley

AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII for Set 1 and TDK MA-Metal for Set 2, FOB (approx tenth row) recording by Brian Schley.

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2496 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016

gd1983-10-15.135292.Nak100-Unk-Hill.Keo.Flac1644

View NotesNote: ID-124552 patches; Minglewood 0:00 > 0:14, Wang Dang 0:00 > 
0:20, Let it Grow 0:32 > 0:46, & ID-93751 Drums 0:23 > Space 3:36. 
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

Taper: Steve Hill

gd1983-10-15.135291.Nak100-Unk-Hill.Keo.Flac2496

View NotesComments:Another Huge Thanks out to Steve for
recording and sharing his source for this show!
Steve's First set master has been missing for
some time and he we used the first generation
copy from his friend Sandy!Some tape pauses
between songs, all and all another excellent 
share from the Hill collection of masters and 
the Grateful Dead's 1983 Fall Tour!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!

Taper: Steve Hill

View NotesComments:Another Huge Thanks out to Steve for
recording and sharing his source for this show!
Steve's First set master has been missing for
some time and he we used the first generation
copy from his friend Sandy!Some tape pauses
between songs, all and all another excellent 
share from the Hill collection of masters and 
the Grateful Dead's 1983 Fall Tour!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!

Taper: Tim Friend and Joe Morrone

2:28:25

Tim Friend and Joe Morrone

Tim Friend

gd1983-10-15.nak300.friend-morrone.124552.flac1644

AUD: Nakamichi CM300 w/CP1 cardioid capsules > Sony TC-D5M > TDK MA90's, center floor section 8 row B, taped by Tim Friend & Joe Morrone.

MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2013

gd1983-10-15.122371.chasingwilma.flac24

View NotesNotes: Some mic-bumps here & there, noticeable before Stranger and at 
start of Throwing Stones. 53-second patch from ID-93751, Drums 8:05 > 
Space 0:21. CDR burning; D1 = s1t01 > s2t02, D2 = s2t03 > s2t11.

Taper: chasingwilma

lineage: (3)audio technica atm11 fob> optimus> d-5> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8

Taper: Bob Morris

gd1983-10-15.aud.morris.111056.sbeok.flac24

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris

gd1983-10-15.110904.Sennheiser421-daweez.D5scott.flac16

View Notes- Drums spliced @ 3:13 (ffwd) & 4:28 (flip) w/ Soundforge 9.
Recorded by Bob Morris -- thanks to Sam for help.
Transfer (9/09) and 24/96 conversion / edits (6/10) by Bob Morris.

Taper: Daweez

2 Sennheiser 421 microphones (12th row-center) >Sony TC-D5M - master analog cassettes

Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files

gd1983-10-15.beyerm160.dyche.103306.flac16

View Notes-------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  We sure do miss him!
-------------------------------------------------------------

Taper: David Dyche

(3) Beyer M160\'s > Nax Blend Box > TCD 5M > Cassette

Cassette > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16

Taper: Bob Morris

gd1983-10-15.nak300.morris.102058.sbeok.flac16

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

gd1983-10-15.fob.atm11.chasingwilma.102000.flac16

View NotesDrums spliced @ 3:14 (ffwd) & 4:29 (flip) w/ Soundforge 9.
Recorded by Bob Morris -- thanks to Sam for help.
Transferred and edited by Bob M 9/09.
Flaced and shared by Chuck T./Crazyfingers

Taper: chasingwilma

(3) audio technica atm fob> tcm d-5> cm ; Recording Location: fob

Lineage: master cassette > cd > eac > flac ; sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8

Taper: Rick "Coyotte" Colyard

2:22:35

Rick "Coyotte" Colyard

Muletaper

gd1983-10-15.fob.senn421.coyotte.muletaper.88018.sbeok.flac16

2-Sennheiser MD421's (location: FOB-4th row DFC @6 ft high) >Sony D5 (2 Maxell XL2-cassettes)

Master Cassettes > Sony ES-950 > Edirol Digi-Mod [email protected] >Optical out > Nomad JB3 > WAV > Poulderbits Sound Editor for (fades/cuts) > FlacFrontend (level-8) > flac-16

View NotesTransferrer's Notes:
- there are some blemishes but none that are to horrible.live taping back then was not so easy. there are some tape flips
I patched back as clean as possible. not much music was lost.

**I elected not to normalize this or audio edit it any way other then
fades and tack cuts.its raw off the 24 year old master cassettes.

- this is one HELL of a recording! thanks Rick for sharing this jem after 24 years. This is what old skool taping was about it was and was an effort by many.

- this is #1 of many more of his masters to be transfered and shared.(more to follow)

**Caution... adjust your volume its all off the stage and what a mix!

Taper: Doug Mow

Doug Mow and Alex Ford

gd1983-10-15.fob.nak700.mow.32293.sbeok.flac16

2 Nak 700's pointed to stacks, FOB, Section 2, Row R, Seat 8 > Maxell MX 90 > Sony TC-D5M

Master Cassette > Sony TC-D5M > Edirol UA5 Custom Oade Mod > USB > IBM R40 > Sound Forge 5.0 > EAC (no errors) > WinXP Pro > Flac Frontend > FLAC16

Source 37 of 38

gd83-10-15.beyer-ficca-brennan.ficca.20024.sbeok.shnf

Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's and 1 Beyer Dynamic 88->Sony CDR-W66>EAC>CDWave>CD via Ficca

gd1983-10-15.fob-senn441-silberman.andyg.346.shnf

View NotesFicca FOB Sony TCD5M with 2 Beyer Dynamic 160's and 1 Beyer Dynamic 88->Sony CDR-W66>EAC>CDWave>CD via Ficca

Taper: Jeff Silberman

FOB Sennheiser 441's > Technics PCM master > DAT