Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.4k197
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h59083
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.8k786
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h2k261
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.6k606
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k366
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k404
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.2k143
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k273
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82293
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k235
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k187
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k181
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k279
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k689
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k179
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h3.7k482
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.2k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.4k755
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85171
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k564
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k583
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.5k433
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k242
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h9.4k952
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k594
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59572
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13521
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30323
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h382
7d1277
30d57234
2 shows
2 tapes
1983
Sources
Transferrer: Brian Flegel
2:25:51
SBDREMASTER
Transferrer:
Brian Flegel
SHNID:
gd1983-10-15.168625.sbd.remastered.flegel.flac1644
Source:
* Patched and remastered gd83-10-15.sbd.harrell.7313.sbeok.shnf *
Lineage:
Lineage: Sbd > Cassette Master > Dat x 2 > CDR > SHN > TLH > Wav > Roxio Sound Editor > Flac
Taper Notes:
View Notes--2022 Work-- --Converted original shn files to to 14H kbs / 44Khz .wav files (using Trader's Little Helper) Retracked with Roxio Sound Editor (2009) and made each track transition in the first set better with crossfades and volume adjustment and also repatched every pre-existing patch (and added some additional ones) using the Silberman / Miller AUD source also done with crossfades and volume adjustment. A Big Thanks to Rob Harrell for all of his original work and of course Jeff Silberman & Charlie Miller. :) All post work done by Brian Flegel - [email protected] - 11/28/2022--
Taper: Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney, Greg Martens
2:24:57
SBD
Taper:
Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney, Greg Martens
Transferrer:
Kyle Holbrook
SHNID:
gd1983-10-15.143263.beyerm201.holbrook.flac2448
Source:
Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD)
Lineage:
Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notessee text file for tour story
Taper: Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney, Greg Martens
2:24:58
SBD
Taper:
Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney, Greg Martens
Transferrer:
Kyle Holbrook
SHNID:
gd1983-10-15.143262.beyerm201.holbrook.flac1644
Source:
Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD)
Lineage:
Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notessee text file for tour story
Transferrer: Hunter Seamons
2:28:10
SBD
Rating:
9.71 / 7 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1983-10-15.mtx.seamons.99326.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ----------------------------------------------------------------- SBD (shnid=7313): Sbd > Cassette Master > Dat x 2 > CDR > SHN ----------------------------------------------------------------- AUD (shnid=93751): Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] July 31, 2008 Notes: -- Disc change is seamless -- Recorded By Jeff Silberman -- Dat provided by J.J. Clifton ----------------------------------------------------------------- Thank you to Bob Harrell and Jim Groves for the SBD transfer, to Jeff Silberman for recording the show, and to Charlie Miller for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 6, 2009
Taper: Unknown
4:46:21
SBD
Source 6 of 38
2:23:12
SBD
Rating:
9.40 / 20 ratings
SHNID:
gd83-10-15.sbd.harrell.7313.sbeok.shnf
Source:
Sbd > Cassette Master > Dat x 2 > CDR > SHN
Taper Notes:
View NotesSbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell
Taper: Doug Lamarre
2:21:20
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-15.167592.shure.sm57.kelley.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and first few notes of "Feel Like A Stranger" (0:16 total), as well as a 0:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2023
Taper: Doug Lamarre
2:21:20
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-15.167591.shure.sm57.kelley.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and first few notes of "Feel Like A Stranger" (0:16 total), as well as a 0:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2023
Taper: Rob Eaton
2:26:37
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-10-15.164831.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies an 0:11 patch in "Drums" - Pitch verified Mastered by Scott Clugston January 2023
Taper: Rob Eaton
2:26:37
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-10-15.164830.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies an 0:11 patch in "Drums" - Pitch verified Mastered by Scott Clugston January 2023
Taper: Jim Vita
2:20:58
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-15.164039.senn441.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 441 mics (21st row, DFC) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Jim Vita
2:20:58
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-15.164038.senn441.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 441 mics (21st row, DFC) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Mark Cohen
2:25:03
Rating:
10.00 / 2 ratings
Taper:
Mark Cohen
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-10-15.143607.fob.nak700.cohen.miller.clugston.flac1648
Source:
Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Cohen for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman, J.J. Clifton and Charlie Miller for the shnid93751 Sennheiser 441 source which supplies a 0:39 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Mark Cohen
2:25:03
Taper:
Mark Cohen
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-10-15.143606.fob.nak700.cohen.miller.clugston.flac2496
Source:
Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Cohen for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman, J.J. Clifton and Charlie Miller for the shnid93751 Sennheiser 441 source which supplies a 0:39 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Jeff Silberman from the Gastwirt collection
2:28:45
Taper:
Jeff Silberman from the Gastwirt collection
Transferrer:
Charlie Miller
SHNID:
gd1983-10-15.138858.FOB.Senn441.Silberman.Gastwirt.Miller.Noel.t-flac16
Source:
Jeff Silberman recording: Senn 441 > Technics PCM > DAT (FOB 17th row); Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes- The transfer makes this an upgrade. - tape pauses smoothed over with cross fades - Then God way up in heaven, for whatever it was worth, Thought He'd have a big old party, thought He'd call it Hartford.
Transferrer: Charlie Miller
2:21:00
Transferrer:
Charlie Miller
SHNID:
gd1983-10-15.137327.senn421.miller.flac16
Source:
(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help with the pitch correction **This fileset is 16bits @ 44.1** 24bits > 16bits with r8brain
Transferrer: Charlie Miller
2:20:59
Transferrer:
Charlie Miller
SHNID:
gd1983-10-15.137304.senn421.miller.flac24
Source:
(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Jeff Silberman
2:28:09
Rating:
9.00 / 13 ratings
Taper:
Jeff Silberman
Transferrer:
Charlie Miller
SHNID:
gd1983-10-15.fob.senn441.silberman.miller.93751.sbeok.flac16
Source:
(FOB) Sennheiser 441 -> PCM
Lineage:
PCM -> Dat (44.1k) -> Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Recorded By Jeff Silberman -- Dat provided by J.J. Clifton
Transferrer: Matrix created in Adobe Audition by Joe Noel October 07, 2022
2:30:24
Transferrer:
Matrix created in Adobe Audition by Joe Noel October 07, 2022
SHNID:
gd1983-10-15.165106.mtx.photolean.flac1644
Source:
A photoLeon Matrix
Taper Notes:
View NotesNotes - First 18 sec of BRRB is Source #1 only - Not listed in the info file of Source #2 (7313) is a patch in CCS (3:00 - 3:05) that has been replaced with Source #1 (138858). Also PitB has 4 secs missing which has been patched (4:05 - 4:10) with Source #1 (138858). - The Source #2 patch in PitB (12:38.22 - 12:59.69) was replaced w/ Source #1 (138858) - The Source #2 patch in OMSN (0:02.41 - 0:09.02) was replaced w/ Source #1 (138858) Thanks to - Jeff Silberman for the the FOB recording - Charlie Miller for the transfer - Bob Harrell for the sharing the SBD source - Jack Schlottman & John Ammons for the critique.
Taper: Ted Carpenter
2:21:34
Taper:
Ted Carpenter
Transferrer:
Ted Carpenter
SHNID:
gd1983-10-15.157659.aud.carpenter.flac2448
Lineage:
Nakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums.
Taper Notes:
View NotesPatch Sources: Identifier: gd1983-10-15.nak300.friend-morrone.124552.flac1644 Special Thanks to: Tim, Joe, Andrew , for helping to complete these sets. 1st Set Spliced intro to Dire Wolf from: 00:00 to 00:08 note: Right channel dropout at beginning of dire wolf is from soundboard. Spliced in first minute of Big Railroad Blues from 00:00 to 00:52. Splices EQ'd for sound continuity - transition - some source change noticable. 2nd Set Spliced intro for China Cat from 00:22 to 00:29 Drums Spliced from 00:35 to 02:00 almost un-noticeable / slight timbre source change. Drums Spliced From 05:25 to 05:46 slight timbre / source change Splices EQ'd for continuity. transitions are smooth and almost un-noticeable note : There are instances on the tape where Phils’ bass over-modulates the speakers. and the bass isn't being held firm I believe it's partially ambient and partially a kind of tape bias, or input overload. Memory says: the mic's were Nak 300s w/ cp4 but don't quote me, It was 40 years ago.
Taper: Billydee
1:23:31
Taper:
Billydee
Transferrer:
Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96
SHNID:
gd1983-10-15.145259.s2.fob.beyer180.billydee.sellers.noel.t-flac1644
Source:
billydee recording: Beyerdynamics 180's > Sony TC-D5M (patched out of Beyer setup) > master audio cassette (FOB)
Taper Notes:
View NotesJoe Noel Edited & Mastered in Audacity, Flac 24/96 This file set is 16 bit @ 44.1 - patch info Source #93751 suplies; s2t05 - 7:05 - end s2t06 - 0:00 - 0:35 Notes: - My apologies for the mistake on the 1st upload - When the Beyer's hit, they hit big. - if Space was ranked, this would make my list.
Taper: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook
2:21:59
Rating:
10.00 / 1 rating
Taper:
Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1983-10-15.143303.mke2002.holbrook.flac2448
Source:
AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage DFC
Lineage:
Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes/ Tape paused between songs // tape flip Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears. tour story in text file
Taper: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook
2:21:59
Taper:
Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1983-10-15.143302.mke2002.holbrook.flac1644
Source:
AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage DFC
Lineage:
Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes/ Tape paused between songs // tape flip Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears. tour story in text file
Taper: billydee
1:23:31
Rating:
8.00 / 1 rating
Taper:
billydee
Transferrer:
Larry Sellers & the Philly Crew; Joe Noel
SHNID:
gd1983-10-15.138812.set2.FOB.Beyer.billydee.Sellers.Noel.t-flac24.fix
Source:
Set 2 billydee recording: Beyerdynamics 180's > Sony TC-D5M (patched out of Beyer setup) > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT; note: the original file set was 16 bit/96kHz; please do not circulate that source
Taper Notes:
View Notes- My apologies for the mistake on the 1st upload - When the Beyer's hit, they hit big. - if Space was ranked, this would make my list.
Taper: Brian Schley
2:24:33
Rating:
8.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1983-10-15.135914.nak300.schley.flac1644
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII for Set 1 and TDK MA-Metal for Set 2, FOB (approx tenth row) recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2496 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016
Taper Notes:
View NotesNote: ID-124552 patches; Minglewood 0:00 > 0:14, Wang Dang 0:00 > 0:20, Let it Grow 0:32 > 0:46, & ID-93751 Drums 0:23 > Space 3:36. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Steve Hill
2:18:23
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1983-10-15.135292.Nak100-Unk-Hill.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Steve's First set master has been missing for some time and he we used the first generation copy from his friend Sandy!Some tape pauses between songs, all and all another excellent share from the Hill collection of masters and the Grateful Dead's 1983 Fall Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!
Taper: Steve Hill
2:18:23
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1983-10-15.135291.Nak100-Unk-Hill.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Steve's First set master has been missing for some time and he we used the first generation copy from his friend Sandy!Some tape pauses between songs, all and all another excellent share from the Hill collection of masters and the Grateful Dead's 1983 Fall Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!
Taper: Tim Friend and Joe Morrone
2:28:25
Taper:
Tim Friend and Joe Morrone
Transferrer:
Tim Friend
SHNID:
gd1983-10-15.nak300.friend-morrone.124552.flac1644
Source:
AUD: Nakamichi CM300 w/CP1 cardioid capsules > Sony TC-D5M > TDK MA90's, center floor section 8 row B, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2013
Taper Notes:
View NotesNotes: Some mic-bumps here & there, noticeable before Stranger and at start of Throwing Stones. 53-second patch from ID-93751, Drums 8:05 > Space 0:21. CDR burning; D1 = s1t01 > s2t02, D2 = s2t03 > s2t11.
Taper: chasingwilma
2:17:30
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-10-15.122371.chasingwilma.flac24
Source:
lineage: (3)audio technica atm11 fob> optimus> d-5> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8
Taper: Bob Morris
2:20:20
Taper:
Bob Morris
SHNID:
gd1983-10-15.aud.morris.111056.sbeok.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
Taper Notes:
View Notes- Drums spliced @ 3:13 (ffwd) & 4:28 (flip) w/ Soundforge 9. Recorded by Bob Morris -- thanks to Sam for help. Transfer (9/09) and 24/96 conversion / edits (6/10) by Bob Morris.
Taper: Daweez
2:24:00
Taper:
Daweez
Transferrer:
D5scott
SHNID:
gd1983-10-15.110904.Sennheiser421-daweez.D5scott.flac16
Source:
2 Sennheiser 421 microphones (12th row-center) >Sony TC-D5M - master analog cassettes
Lineage:
Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
Taper Notes:
View Notes------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" We sure do miss him! -------------------------------------------------------------
Taper: David Dyche
2:23:05
Rating:
8.00 / 1 rating
Taper:
David Dyche
Transferrer:
David Dyche
SHNID:
gd1983-10-15.beyerm160.dyche.103306.flac16
Source:
(3) Beyer M160\'s > Nax Blend Box > TCD 5M > Cassette
Lineage:
Cassette > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16
Taper: Bob Morris
2:20:22
Taper:
Bob Morris
SHNID:
gd1983-10-15.nak300.morris.102058.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesDrums spliced @ 3:14 (ffwd) & 4:29 (flip) w/ Soundforge 9. Recorded by Bob Morris -- thanks to Sam for help. Transferred and edited by Bob M 9/09. Flaced and shared by Chuck T./Crazyfingers
Taper: chasingwilma
2:17:28
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-10-15.fob.atm11.chasingwilma.102000.flac16
Source:
(3) audio technica atm fob> tcm d-5> cm ; Recording Location: fob
Lineage:
Lineage: master cassette > cd > eac > flac ; sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8
Taper: Rick "Coyotte" Colyard
2:22:35
Taper:
Rick "Coyotte" Colyard
Transferrer:
Muletaper
SHNID:
gd1983-10-15.fob.senn421.coyotte.muletaper.88018.sbeok.flac16
Source:
2-Sennheiser MD421's (location: FOB-4th row DFC @6 ft high) >Sony D5 (2 Maxell XL2-cassettes)
Lineage:
Master Cassettes > Sony ES-950 > Edirol Digi-Mod [email protected] >Optical out > Nomad JB3 > WAV > Poulderbits Sound Editor for (fades/cuts) > FlacFrontend (level-8) > flac-16
Taper Notes:
View NotesTransferrer's Notes: - there are some blemishes but none that are to horrible.live taping back then was not so easy. there are some tape flips I patched back as clean as possible. not much music was lost. **I elected not to normalize this or audio edit it any way other then fades and tack cuts.its raw off the 24 year old master cassettes. - this is one HELL of a recording! thanks Rick for sharing this jem after 24 years. This is what old skool taping was about it was and was an effort by many. - this is #1 of many more of his masters to be transfered and shared.(more to follow) **Caution... adjust your volume its all off the stage and what a mix!
Taper: Doug Mow
2:17:42
Rating:
9.00 / 4 ratings
Taper:
Doug Mow
Transferrer:
Doug Mow and Alex Ford
SHNID:
gd1983-10-15.fob.nak700.mow.32293.sbeok.flac16
Source:
2 Nak 700's pointed to stacks, FOB, Section 2, Row R, Seat 8 > Maxell MX 90 > Sony TC-D5M
Lineage:
Master Cassette > Sony TC-D5M > Edirol UA5 Custom Oade Mod > USB > IBM R40 > Sound Forge 5.0 > EAC (no errors) > WinXP Pro > Flac Frontend > FLAC16
Source 37 of 38
2:17:03
Rating:
9.09 / 34 ratings
SHNID:
gd83-10-15.beyer-ficca-brennan.ficca.20024.sbeok.shnf
Source:
Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's and 1 Beyer Dynamic 88->Sony CDR-W66>EAC>CDWave>CD via Ficca
Taper Notes:
View NotesFicca FOB Sony TCD5M with 2 Beyer Dynamic 160's and 1 Beyer Dynamic 88->Sony CDR-W66>EAC>CDWave>CD via Ficca
Taper: Jeff Silberman
2:26:52
Taper:
Jeff Silberman
Transferrer:
Andy G
SHNID:
gd1983-10-15.fob-senn441-silberman.andyg.346.shnf
Source:
FOB Sennheiser 441's > Technics PCM master > DAT
Lineage:
: DAT > ZA2 > SoundForge