RELISTENTOTHE Grateful Dead
Re
1983
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1983
9/11/83
Intro
2:30
Alabama Getaway >
5:01
Greatest Story Ever Told
4:26
Dire Wolf /
4:09
Hell in a Bucket /
5:32
West L.A. Fadeaway /
9:30
Me and My Uncle >
3:03
Mexicali Blues //
5:35
Althea /
7:21
C.C. Rider
8:03
Might As Well
4:33
tuning
1:04
Help on the Way > Slipknot! > Franklin's Tower /
20:33
Let it Grow //
14:31
He's Gone >
10:57
drums >
9:18
space >
8:04
Truckin' ///
13:54
Wang Dang Doodle >
5:19
Morning Dew >
10:07
Around and Around >
3:41
Sugar Magnolia
10:16
FIN
View on archive.org
Sources
Transferrer: Matrix by dusborne
3:03:31
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1983-09-11.125609.mtx.dusborne.flac16
Source:
2 Source Matrix Matrix by dusborne; Soundboard (shinid:4995) SBD>Master Cassette>1 Reel>DAT>DAT>WAV>Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f and Audience (shnid:100454)FOB) Nakamichi CM300->PCM->DAT (16/44)
Taper Notes:
View Notes---Thank you Dankseed for all your work on the SBD. ---Thank you Keith Litzenberger for providing your DAT of the AUD. ---Thank you Mike Watson for your transfer of the AUD source. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne 09-03-2013 ---------------------------------------------------------------------------------- Mickey Hart's 40th birthday ---------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 09-03-2013
Source 10 of 20
2:51:17
Rating:
10.00 / 2 ratings
SHNID:
gd1983-09-11.152635.mtx.seamons.ht129.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: AUD-only for first 2:53 of Alabama Getaway. Clicks and static occurrences removed or reduced: 2 in Alabama Getaway, 1 in Dire Wolf, 4 in Hell In A Bucket, 5 in West LA Fadeaway, 1 in Me And My Uncle, 2 in Mexicali Blues, 7 in Althea, 1 in CC Rider, 1 in Help On The Way, 7 in Franklin's Tower, 6 in Let It Grow, 4 in He's Gone, 2 in Space, 8 in Wang Dang Doodle, 1 in Morning Dew. Some anomalies remain after clean-up, mostly static from the sound system, in an otherwise great sounding SBD source. The minor analog noise in Althea (2nd occurrence) was reduced significantly. The Wang Dang Doodle PA noise was softened slightly. More frequent faint clicks occur during Space. One section of SBD dead air was trimmed out, between Bucket and West LA. Slightly more EQ work after West LA and Space due to sonic changes, then relatively much less EQ after Althea and the Wang Dang Doodle cut in the SBD - these adjustments were the same for both sets, so there are basically "A", "B" and "C" EQ settings applied to each set. (Typical subtle EQ work for these tapes, usually gently adjusting the high and/or low ends [in this case the high] to be more sonically palatable, done more to "fix" than "enhance" the sound. Mixing two sources together often requires compensatory EQ, where one or both sources are EQ'd. 31 band equalizer used.) #143081, recorded by Executive Crew Chris Kidwell, Tom Pinney and Sean Murtha (transferred by Kyle Holbrook), patches the tail end of Might As Well to preserve the audience applause. #141025, billydee's tape (Larry Sellers & the Philly Crew transfer via Joe Noel), appears to be patched out of the Executive Crew's Beyerdynamic M201 mic rig and patches 20 seconds of the beginning of Let It Grow (missing from #143081). 5 second dropouts in Space and Sugar Magnolia were also patched. 15 seconds were missing from Let It Grow in the SBD source. Bryant's excellent audience tape was the most optimal for this matrix and adds some nice full, clean bass response. He also recorded 9/10, yet billydee's tape (Beyerdynamic 180's) still seems better sounding for that particular matrix.
Taper: billydee
2:54:53
Taper:
billydee
Transferrer:
Joe Noel, Larry Sellers
SHNID:
gd1983-09-11.141025.FOB.Beyer.billydee.Sellars.Noel.t.flac1644
Source:
billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch: - Source #23224 (Silberman) supplies; - s1t03; 4:10 - 4:25 - s1t08; 5:10 - 5:29 - s2t01; 0:00 - 0:22 - s2t04; 0:00 - 0:25 - s2t06; 1:19 - 1:47 - s2t11; 0:00 - 0:05 Notes: - crossfades applied to tapes pauses - Mickey Hart's 40th Birthday. - Weekend shows that lasted nearly six hours, aka the music never stopped. - Willie Dixon -> Bonnie Dobson, can't say that happened a lot. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Transferrer: Matrix by Dave Usborne
3:03:07
REMASTER
Rating:
8.50 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-09-11.131805.mtx.remix.dusborne.flac16
Source:
2 Source Matrix by dusborne; This is a remix and remaster of <a href="http://db.etree.org/shn/125609">gd83-09-11.125609.mtx.dusborne.flac16</a>
Taper Notes:
View NotesI was never very happy with my original matrix of September 11, 1983. The SBD recording has some funky mix issues, particularly too loud cymbals, especially a crash cymbal. There is also some annoying high-end fizz and quite a bit of tape hiss on the SBD, I did use Izotope RX 2 for some very light noise reduction. I remixed and smoothed out some of the crossfades on the original synced files in Reaper v4.61/x64, some great software from Waves was utilized to master the final mix. It's not perfect, but I think the extra time and work provides for a better listening experience. For best results, crank it up good and loud, enjoy this deservedly legendary show on Micky Hart's 40th birthday. Dusborne 12-02-2014