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June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.8k388
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h729103
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.4k593
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k136
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.1k277
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.9k380
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4.2k527
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.4k161
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k307
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h988110
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.6k209
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k209
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k244
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.3k298
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h6k696
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k196
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h8.5k1.1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h16.6k2.2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h9.2k1.3k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h94080
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.6k572
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.6k603
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k397
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.3k252
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k733
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k582
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59674
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h16224
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h51338
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h513
7d1277
30d57234
2 shows
2 tapes
1983
9/11/83
tuning
0:42
Help on the Way ->
3:33
Slipknot! ->
7:20
Franklin's Tower ->
9:42
Let It Grow
16:33
He's Gone ->
10:45
Drums ->
8:06
Space ->
9:47
Truckin' ->
7:55
Wang Dang Doodle ->
10:48
Morning Dew ->
10:08
Around & Around->
3:41
Sugar Magnolia ->
6:08
Sunshine Daydream
4:13
encore break
0:55
U.S. Blues
5:25
FIN
View on archive.org
Sources
Transferrer: Matrix by dusborne
3:03:31
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1983-09-11.125609.mtx.dusborne.flac16
Source:
2 Source Matrix Matrix by dusborne; Soundboard (shinid:4995) SBD>Master Cassette>1 Reel>DAT>DAT>WAV>Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f and Audience (shnid:100454)FOB) Nakamichi CM300->PCM->DAT (16/44)
Taper Notes:
View Notes---Thank you Dankseed for all your work on the SBD. ---Thank you Keith Litzenberger for providing your DAT of the AUD. ---Thank you Mike Watson for your transfer of the AUD source. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne 09-03-2013 ---------------------------------------------------------------------------------- Mickey Hart's 40th birthday ---------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 09-03-2013
Transferrer: vamarty
2:51:16
SBD
Rating:
7.60 / 6 ratings
Transferrer:
vamarty
SHNID:
gd1983-09-11.sbd.unk.109158.shnf
Source:
SBD-> ?->CD->EAC->WAV->SHN w/ Aud Patches
Taper Notes:
View NotesSBD with several Audience patches. Sorry I don't have the original txt file that came with these files. However, since the Archive folks decided to put that ridiculous Audience version that's missing half the first set!!! I've put this version on bt so folks can have it. Enjoy! It was a great show. One of the folks that I saw this show with remarked afterwards "I'm going back east this fall to see a real Morning Dew indoors." What an idiot. And, the joke was on him, as this was the last Dew for 1983.
Transferrer: Master Cassette>1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN
2:51:20
SBD
Rating:
8.00 / 11 ratings
Transferrer:
Master Cassette>1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN
SHNID:
gd83-09-11.sbd.dankseed.4995.sbeok.shnf
Source:
SBD> Master Cassette
Taper Notes:
View Notes* Mickey Hart's 40th birthday SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f; see info file for details and flaw notes; <a href="http://groups.yahoo.com/group/dankseeds/files/gd83-09-11/" rel="ugc nofollow">QC</a> courtesy <a href="http://groups.yahoo.com/group/dankseeds/" rel="ugc nofollow">dankseeds</a>
Taper: Jim Vita
1:46:52
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-09-11.163651.set2.neumann.vita.miller.clugston.flac2496
Source:
Master Audience Cassette; Neumann mics > Sony D5 > Jim Vita's 1st Generation cassettes
Lineage:
Master cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies a 7:38 patch in "Drums", as well as "Sunshine Daydream" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Jim Vita
1:46:52
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-09-11.163650.set2.neumann.vita.miller.clugston.flac1648
Source:
Master Audience Cassette; Neumann mics > Sony D5 > Jim Vita's 1st Generation cassettes
Lineage:
Master cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies a 7:38 patch in "Drums", as well as "Sunshine Daydream" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Robert Bryant
2:48:22
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:16 patch during the noodle into "Truckin', as well as an 0:08 patch at the end of "Sugar Magnolia" - Pitch corrected Mastered by Scott Clugston December 2020
Taper: Robert Bryant
2:48:22
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:16 patch during the noodle into "Truckin', as well as an 0:08 patch at the end of "Sugar Magnolia" - Pitch corrected Mastered by Scott Clugston December 2020
Taper: Jeff Silberman
1:55:41
Taper:
Jeff Silberman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1983-09-11.139652.FOB.s2.Sen441.Silberman.Gans.Miller.Noel.fix.t-flac16
Source:
Set 2 Jeff Silberman FOB Master Recording: Sennheiser 441's > Technics PCM master > Vault Clone > David Gans Clone; Charlie Miller
Lineage:
PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k); Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT (note: the original source had an error of d2t05)
Taper Notes:
View Notes- David Gans cloned this PCM from the GD vault. - Jeff Silberman's recording is in the vault, it's that good. - s2t05 fixed
Taper: Les Shields and Kevin T. Hughes
2:43:28
Taper:
Les Shields and Kevin T. Hughes
Transferrer:
Kevin T. Hughes
SHNID:
gd1983-09-11.161893.nak300-cp4.shields-hughes.flac2496
Source:
Two Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder > Sony D6 Recorder > (Master) Maxell MX 90 Cassette(s) 9 feet high located FOB
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > CD Wave Editor (WAV to FLAC 2496 Conversion)
Taper Notes:
View Notes// - tape pause or tape flip ~20 sec patch at start of Around and Around to cover tape flip using the Hunter Seamons matrix recording.
Source 10 of 20
2:51:17
Rating:
10.00 / 2 ratings
SHNID:
gd1983-09-11.152635.mtx.seamons.ht129.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: AUD-only for first 2:53 of Alabama Getaway. Clicks and static occurrences removed or reduced: 2 in Alabama Getaway, 1 in Dire Wolf, 4 in Hell In A Bucket, 5 in West LA Fadeaway, 1 in Me And My Uncle, 2 in Mexicali Blues, 7 in Althea, 1 in CC Rider, 1 in Help On The Way, 7 in Franklin's Tower, 6 in Let It Grow, 4 in He's Gone, 2 in Space, 8 in Wang Dang Doodle, 1 in Morning Dew. Some anomalies remain after clean-up, mostly static from the sound system, in an otherwise great sounding SBD source. The minor analog noise in Althea (2nd occurrence) was reduced significantly. The Wang Dang Doodle PA noise was softened slightly. More frequent faint clicks occur during Space. One section of SBD dead air was trimmed out, between Bucket and West LA. Slightly more EQ work after West LA and Space due to sonic changes, then relatively much less EQ after Althea and the Wang Dang Doodle cut in the SBD - these adjustments were the same for both sets, so there are basically "A", "B" and "C" EQ settings applied to each set. (Typical subtle EQ work for these tapes, usually gently adjusting the high and/or low ends [in this case the high] to be more sonically palatable, done more to "fix" than "enhance" the sound. Mixing two sources together often requires compensatory EQ, where one or both sources are EQ'd. 31 band equalizer used.) #143081, recorded by Executive Crew Chris Kidwell, Tom Pinney and Sean Murtha (transferred by Kyle Holbrook), patches the tail end of Might As Well to preserve the audience applause. #141025, billydee's tape (Larry Sellers & the Philly Crew transfer via Joe Noel), appears to be patched out of the Executive Crew's Beyerdynamic M201 mic rig and patches 20 seconds of the beginning of Let It Grow (missing from #143081). 5 second dropouts in Space and Sugar Magnolia were also patched. 15 seconds were missing from Let It Grow in the SBD source. Bryant's excellent audience tape was the most optimal for this matrix and adds some nice full, clean bass response. He also recorded 9/10, yet billydee's tape (Beyerdynamic 180's) still seems better sounding for that particular matrix.
Taper: Executive Crew, Chris Kidwell, Tom Pinney, Sean Murtha
2:47:27
Taper:
Executive Crew, Chris Kidwell, Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1983-09-11.143082.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell UDXLII90 x 2 Location: 100 feet from stage DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesMickey Hart's 40th birthday / tape paused between songs // tape flip /// tape swap back to tape 1 side B + Missing on both First Gen and Master tapes tour story in text file
Taper: Executive Crew, Chris Kidwell, Tom Pinney, Sean Murtha
2:47:28
Taper:
Executive Crew, Chris Kidwell, Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1983-09-11.143081.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1 </b> Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell UDXLII90 x 2 Location: 100 feet from stage DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha
Taper Notes:
View NotesMickey Hart's 40th birthday / tape paused between songs // tape flip /// tape swap back to tape 1 side B + Missing on both First Gen and Master tapes tour story in text file
Taper: billydee
2:54:53
Taper:
billydee
Transferrer:
Joe Noel, Larry Sellers
SHNID:
gd1983-09-11.141025.FOB.Beyer.billydee.Sellars.Noel.t.flac1644
Source:
billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch: - Source #23224 (Silberman) supplies; - s1t03; 4:10 - 4:25 - s1t08; 5:10 - 5:29 - s2t01; 0:00 - 0:22 - s2t04; 0:00 - 0:25 - s2t06; 1:19 - 1:47 - s2t11; 0:00 - 0:05 Notes: - crossfades applied to tapes pauses - Mickey Hart's 40th Birthday. - Weekend shows that lasted nearly six hours, aka the music never stopped. - Willie Dixon -> Bonnie Dobson, can't say that happened a lot. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: billydee
2:54:53
Rating:
10.00 / 1 rating
Taper:
billydee
Transferrer:
Larry Sellers & the Philly Crew; Joe Noel
SHNID:
gd1983-09-11.139021.FOB.Beyers.billydee.Sellars.Noel.t-flac24
Source:
billydee recording (patched out of): Beyerdynamic m201 mics > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - crossfades applied to tapes pauses - Mickey Hart's 40th Birthday. - Weekend shows that lasted nearly six hours, aka the music never stopped. - Willie Dixon -> Bonnie Dobson, can't say that happened a lot.
Transferrer: Matrix by Dave Usborne
3:03:07
REMASTER
Rating:
8.50 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-09-11.131805.mtx.remix.dusborne.flac16
Source:
2 Source Matrix by dusborne; This is a remix and remaster of <a href="http://db.etree.org/shn/125609">gd83-09-11.125609.mtx.dusborne.flac16</a>
Taper Notes:
View NotesI was never very happy with my original matrix of September 11, 1983. The SBD recording has some funky mix issues, particularly too loud cymbals, especially a crash cymbal. There is also some annoying high-end fizz and quite a bit of tape hiss on the SBD, I did use Izotope RX 2 for some very light noise reduction. I remixed and smoothed out some of the crossfades on the original synced files in Reaper v4.61/x64, some great software from Waves was utilized to master the final mix. It's not perfect, but I think the extra time and work provides for a better listening experience. For best results, crank it up good and loud, enjoy this deservedly legendary show on Micky Hart's 40th birthday. Dusborne 12-02-2014
Taper: Da Weez
2:43:19
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-09-11.112783.Sennheiser421.daweez.d5scott.flac16
Source:
source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Transferrer: M. Watson
3:03:17
Rating:
6.00 / 1 rating
Transferrer:
M. Watson
Source:
(FOB) Nakamichi CM300->PCM
Lineage:
PCM->DAT (16/44), Dat clone->Sony PCM R-500->VX Pocket V2->SF6
Taper Notes:
View NotesHere's another one from the DAT collection of Keith Litzenberger. The only info I have is what was listed on the DAT. I believe the info is correct because some of the same crowd noise can be heard here and the Tony Suraci source. During the set II tuning a fan requests "The Wheel". This guy seems to be in between this taper and tony Suraci. so that tells me the FOB info is correct. There are no cuts where cassette flips would normally be and it sounds really crisp and clean leading me to believe it was mastered on PCM. God Bless The Grateful Dead, Enjoy!
Taper: Mike G. and Tony Suraci
2:43:44
Taper:
Mike G. and Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1983-09-11.nak304.mikeg-suraci.79168.sbeok.flac16
Source:
Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet
Lineage:
Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac
Taper: Jeff Silberman
2:51:08
Rating:
9.20 / 12 ratings
Taper:
Jeff Silberman
Transferrer:
Scott Clugston
SHNID:
gd1983-09-11.senn441.silberman.clugston.23224.sbefail.shnf
Source:
Jeff Silberman's Master Audience PCM Sennheiser 441 mics > Technics SV100 PCM
Lineage:
PCM > DAT > CDR
Taper Notes:
View NotesNotes - *Additional Editing by The Mighty Terrapin(Had The Remaining tracks from d1t06-10) - Fits on 3 80 min cdr(audio)
Source 20 of 20
2:12:38
REMASTER
Rating:
7.60 / 5 ratings
SHNID:
gd83-09-11.sennheiser.4874.sbeok.shnf
Source:
Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR> EAC> SHN; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; to abgd?
Taper Notes:
View NotesSource: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR> EAC> SHN; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; to abgd?