Bands
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Bands
Grateful Dead
Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1983
Sources
Transferrer: Matrix by dusborne
3:03:31
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1983-09-11.125609.mtx.dusborne.flac16
Source:
2 Source Matrix Matrix by dusborne; Soundboard (shinid:4995) SBD>Master Cassette>1 Reel>DAT>DAT>WAV>Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f and Audience (shnid:100454)FOB) Nakamichi CM300->PCM->DAT (16/44)
Taper Notes:
View Notes---Thank you Dankseed for all your work on the SBD. ---Thank you Keith Litzenberger for providing your DAT of the AUD. ---Thank you Mike Watson for your transfer of the AUD source. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne 09-03-2013 ---------------------------------------------------------------------------------- Mickey Hart's 40th birthday ---------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 09-03-2013
Transferrer: vamarty
2:51:16
SBD
Rating:
7.60 / 6 ratings
Transferrer:
vamarty
SHNID:
gd1983-09-11.sbd.unk.109158.shnf
Source:
SBD-> ?->CD->EAC->WAV->SHN w/ Aud Patches
Taper Notes:
View NotesSBD with several Audience patches. Sorry I don't have the original txt file that came with these files. However, since the Archive folks decided to put that ridiculous Audience version that's missing half the first set!!! I've put this version on bt so folks can have it. Enjoy! It was a great show. One of the folks that I saw this show with remarked afterwards "I'm going back east this fall to see a real Morning Dew indoors." What an idiot. And, the joke was on him, as this was the last Dew for 1983.
Transferrer: Master Cassette>1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN
2:51:20
SBD
Rating:
8.00 / 11 ratings
Transferrer:
Master Cassette>1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN
SHNID:
gd83-09-11.sbd.dankseed.4995.sbeok.shnf
Source:
SBD> Master Cassette
Taper Notes:
View Notes* Mickey Hart's 40th birthday SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f; see info file for details and flaw notes; <a href="http://groups.yahoo.com/group/dankseeds/files/gd83-09-11/" rel="ugc nofollow">QC</a> courtesy <a href="http://groups.yahoo.com/group/dankseeds/" rel="ugc nofollow">dankseeds</a>
Taper: Jim Vita
1:46:52
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-09-11.163651.set2.neumann.vita.miller.clugston.flac2496
Source:
Master Audience Cassette; Neumann mics > Sony D5 > Jim Vita's 1st Generation cassettes
Lineage:
Master cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies a 7:38 patch in "Drums", as well as "Sunshine Daydream" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Jim Vita
1:46:52
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-09-11.163650.set2.neumann.vita.miller.clugston.flac1648
Source:
Master Audience Cassette; Neumann mics > Sony D5 > Jim Vita's 1st Generation cassettes
Lineage:
Master cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies a 7:38 patch in "Drums", as well as "Sunshine Daydream" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Robert Bryant
2:48:22
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:16 patch during the noodle into "Truckin', as well as an 0:08 patch at the end of "Sugar Magnolia" - Pitch corrected Mastered by Scott Clugston December 2020
Taper: Robert Bryant
2:48:22
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:16 patch during the noodle into "Truckin', as well as an 0:08 patch at the end of "Sugar Magnolia" - Pitch corrected Mastered by Scott Clugston December 2020
Taper: Jeff Silberman
1:55:41
Taper:
Jeff Silberman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1983-09-11.139652.FOB.s2.Sen441.Silberman.Gans.Miller.Noel.fix.t-flac16
Source:
Set 2 Jeff Silberman FOB Master Recording: Sennheiser 441's > Technics PCM master > Vault Clone > David Gans Clone; Charlie Miller
Lineage:
PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k); Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT (note: the original source had an error of d2t05)
Taper Notes:
View Notes- David Gans cloned this PCM from the GD vault. - Jeff Silberman's recording is in the vault, it's that good. - s2t05 fixed
Taper: Les Shields and Kevin T. Hughes
2:43:28
Taper:
Les Shields and Kevin T. Hughes
Transferrer:
Kevin T. Hughes
SHNID:
gd1983-09-11.161893.nak300-cp4.shields-hughes.flac2496
Source:
Two Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder > Sony D6 Recorder > (Master) Maxell MX 90 Cassette(s) 9 feet high located FOB
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > CD Wave Editor (WAV to FLAC 2496 Conversion)
Taper Notes:
View Notes// - tape pause or tape flip ~20 sec patch at start of Around and Around to cover tape flip using the Hunter Seamons matrix recording.
Source 10 of 20
2:51:17
Rating:
10.00 / 2 ratings
SHNID:
gd1983-09-11.152635.mtx.seamons.ht129.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: AUD-only for first 2:53 of Alabama Getaway. Clicks and static occurrences removed or reduced: 2 in Alabama Getaway, 1 in Dire Wolf, 4 in Hell In A Bucket, 5 in West LA Fadeaway, 1 in Me And My Uncle, 2 in Mexicali Blues, 7 in Althea, 1 in CC Rider, 1 in Help On The Way, 7 in Franklin's Tower, 6 in Let It Grow, 4 in He's Gone, 2 in Space, 8 in Wang Dang Doodle, 1 in Morning Dew. Some anomalies remain after clean-up, mostly static from the sound system, in an otherwise great sounding SBD source. The minor analog noise in Althea (2nd occurrence) was reduced significantly. The Wang Dang Doodle PA noise was softened slightly. More frequent faint clicks occur during Space. One section of SBD dead air was trimmed out, between Bucket and West LA. Slightly more EQ work after West LA and Space due to sonic changes, then relatively much less EQ after Althea and the Wang Dang Doodle cut in the SBD - these adjustments were the same for both sets, so there are basically "A", "B" and "C" EQ settings applied to each set. (Typical subtle EQ work for these tapes, usually gently adjusting the high and/or low ends [in this case the high] to be more sonically palatable, done more to "fix" than "enhance" the sound. Mixing two sources together often requires compensatory EQ, where one or both sources are EQ'd. 31 band equalizer used.) #143081, recorded by Executive Crew Chris Kidwell, Tom Pinney and Sean Murtha (transferred by Kyle Holbrook), patches the tail end of Might As Well to preserve the audience applause. #141025, billydee's tape (Larry Sellers & the Philly Crew transfer via Joe Noel), appears to be patched out of the Executive Crew's Beyerdynamic M201 mic rig and patches 20 seconds of the beginning of Let It Grow (missing from #143081). 5 second dropouts in Space and Sugar Magnolia were also patched. 15 seconds were missing from Let It Grow in the SBD source. Bryant's excellent audience tape was the most optimal for this matrix and adds some nice full, clean bass response. He also recorded 9/10, yet billydee's tape (Beyerdynamic 180's) still seems better sounding for that particular matrix.
Taper: Executive Crew, Chris Kidwell, Tom Pinney, Sean Murtha
2:47:27
Taper:
Executive Crew, Chris Kidwell, Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1983-09-11.143082.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell UDXLII90 x 2 Location: 100 feet from stage DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesMickey Hart's 40th birthday / tape paused between songs // tape flip /// tape swap back to tape 1 side B + Missing on both First Gen and Master tapes tour story in text file
Taper: Executive Crew, Chris Kidwell, Tom Pinney, Sean Murtha
2:47:28
Taper:
Executive Crew, Chris Kidwell, Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1983-09-11.143081.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1 </b> Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell UDXLII90 x 2 Location: 100 feet from stage DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha
Taper Notes:
View NotesMickey Hart's 40th birthday / tape paused between songs // tape flip /// tape swap back to tape 1 side B + Missing on both First Gen and Master tapes tour story in text file
Taper: billydee
2:54:53
Taper:
billydee
Transferrer:
Joe Noel, Larry Sellers
SHNID:
gd1983-09-11.141025.FOB.Beyer.billydee.Sellars.Noel.t.flac1644
Source:
billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch: - Source #23224 (Silberman) supplies; - s1t03; 4:10 - 4:25 - s1t08; 5:10 - 5:29 - s2t01; 0:00 - 0:22 - s2t04; 0:00 - 0:25 - s2t06; 1:19 - 1:47 - s2t11; 0:00 - 0:05 Notes: - crossfades applied to tapes pauses - Mickey Hart's 40th Birthday. - Weekend shows that lasted nearly six hours, aka the music never stopped. - Willie Dixon -> Bonnie Dobson, can't say that happened a lot. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: billydee
2:54:53
Rating:
10.00 / 1 rating
Taper:
billydee
Transferrer:
Larry Sellers & the Philly Crew; Joe Noel
SHNID:
gd1983-09-11.139021.FOB.Beyers.billydee.Sellars.Noel.t-flac24
Source:
billydee recording (patched out of): Beyerdynamic m201 mics > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - crossfades applied to tapes pauses - Mickey Hart's 40th Birthday. - Weekend shows that lasted nearly six hours, aka the music never stopped. - Willie Dixon -> Bonnie Dobson, can't say that happened a lot.
Transferrer: Matrix by Dave Usborne
3:03:07
REMASTER
Rating:
8.50 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-09-11.131805.mtx.remix.dusborne.flac16
Source:
2 Source Matrix by dusborne; This is a remix and remaster of <a href="http://db.etree.org/shn/125609">gd83-09-11.125609.mtx.dusborne.flac16</a>
Taper Notes:
View NotesI was never very happy with my original matrix of September 11, 1983. The SBD recording has some funky mix issues, particularly too loud cymbals, especially a crash cymbal. There is also some annoying high-end fizz and quite a bit of tape hiss on the SBD, I did use Izotope RX 2 for some very light noise reduction. I remixed and smoothed out some of the crossfades on the original synced files in Reaper v4.61/x64, some great software from Waves was utilized to master the final mix. It's not perfect, but I think the extra time and work provides for a better listening experience. For best results, crank it up good and loud, enjoy this deservedly legendary show on Micky Hart's 40th birthday. Dusborne 12-02-2014
Taper: Da Weez
2:43:19
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-09-11.112783.Sennheiser421.daweez.d5scott.flac16
Source:
source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Transferrer: M. Watson
3:03:17
Rating:
6.00 / 1 rating
Transferrer:
M. Watson
Source:
(FOB) Nakamichi CM300->PCM
Lineage:
PCM->DAT (16/44), Dat clone->Sony PCM R-500->VX Pocket V2->SF6
Taper Notes:
View NotesHere's another one from the DAT collection of Keith Litzenberger. The only info I have is what was listed on the DAT. I believe the info is correct because some of the same crowd noise can be heard here and the Tony Suraci source. During the set II tuning a fan requests "The Wheel". This guy seems to be in between this taper and tony Suraci. so that tells me the FOB info is correct. There are no cuts where cassette flips would normally be and it sounds really crisp and clean leading me to believe it was mastered on PCM. God Bless The Grateful Dead, Enjoy!
Taper: Mike G. and Tony Suraci
2:43:44
Taper:
Mike G. and Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1983-09-11.nak304.mikeg-suraci.79168.sbeok.flac16
Source:
Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet
Lineage:
Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac
Taper: Jeff Silberman
2:51:08
Rating:
9.20 / 12 ratings
Taper:
Jeff Silberman
Transferrer:
Scott Clugston
SHNID:
gd1983-09-11.senn441.silberman.clugston.23224.sbefail.shnf
Source:
Jeff Silberman's Master Audience PCM Sennheiser 441 mics > Technics SV100 PCM
Lineage:
PCM > DAT > CDR
Taper Notes:
View NotesNotes - *Additional Editing by The Mighty Terrapin(Had The Remaining tracks from d1t06-10) - Fits on 3 80 min cdr(audio)
Source 20 of 20
2:12:38
REMASTER
Rating:
7.60 / 5 ratings
SHNID:
gd83-09-11.sennheiser.4874.sbeok.shnf
Source:
Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR> EAC> SHN; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; to abgd?
Taper Notes:
View NotesSource: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR> EAC> SHN; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; to abgd?