Bands
Featured
Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1983
Sources
Transferrer: Charlie Miller
2:41:00
SBD
Rating:
9.14 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1983-09-04.sbd.miller.117185.flac16
Source:
SBD -> Cassette Master -> Reel (Technics Deck) -> Dat (Panasonic SV3800/48k)
Lineage:
Dat -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- There's a short tape flip in Althea at 5:33 -- Thanks to Rob Eaton for the Dat
Source 2 of 18
2:41:01
SBD
SHNID:
gd1983-09-04.142047.sbd.flac1644
Source:
SBD MC>DAT>Clone>file created in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8
Transferrer: Matrix by Dave Usborne
2:43:42
SBD
Rating:
8.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-09-04.132245.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:117185) SBD -> Cassette Master -> Reel (Technics Deck) -> Dat (Panasonic SV3800/48k); Dat -> Samplitude Professional v11.2 -> FLAC and Audience (shnid:104956) MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav
Taper Notes:
View NotesMatrix by dusborne 12-17-2014 ------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 12-17-2014
Transferrer: Scott Clugston and Bill Tetzeli
2:41:03
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Scott Clugston and Bill Tetzeli
SHNID:
gd1983-09-04.sbd.clugston.tetzeli.fix-2193.35214.reflac.flac16
Source:
Master Soundboard Cassette > Cassette > DAT > CDR patched with MAC (2 Beyer M160s + 1 Sennheiser 441 blend) > Sony TCD5M > Sound Forge 5 > SHN)
Taper Notes:
View NotesScott Clugston did the patching Bill Tetzeli patched the CD2/CD3 transition SteveSw fixed the ReplayGain
Source 5 of 18
2:41:05
SBD
Rating:
8.73 / 23 ratings
SHNID:
gd83-09-04.sbd.clugston.2193.sbeok.shnf
Source:
Master Soundboard Cassette > Cassette > DAT > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > Cassette > DAT > CDR; via Scott Clugston to abgd and etree
Taper: Bob Wagner
2:47:32
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-09-04.149229.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording (patched out of Jaime Poris) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Beyer M160, Sennheiser 441 blend source which supplies 156 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston March 2020
Taper: Bob Wagner
2:47:32
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-09-04.149228.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording (patched out of Jaime Poris) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Beyer M160, Sennheiser 441 blend source which supplies 156 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston March 2020
Taper: Unknown
1:42:47
Transferrer:
Rick Gastwirt;Charlie Miller;Joe Noel
SHNID:
gd1983-09-04.138336.Senn.421.Gastwirt.Miller.Noel.t-flac16
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Source 9 of 18
2:49:31
Rating:
10.00 / 1 rating
SHNID:
gd1983-09-04.169013.mtx.seamons.ht173.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) November 1, 2024
Taper Notes:
View NotesNotes: The SBD was pitch corrected slower -0.5% through Little Red Rooster, then -0.3% through the end of set one. No pitch correction needed for set two. A 4-second cut in Althea, a 44-second cut during Space, and a 4-second cut during Spanish Jam in the SBD source are now patched. The Executive Crew (Kyle Holbrook, Chris Kidwell and Tom Pinney) AUD source (#143000, 8/24/18) provides a partial 0:28 patch of the song break before Hell In A Bucket. There were some initial mix fluctuations and a more brittle sound in the SBD source during Bertha, particularly before Phil's bass kicks in. There's also a subtle warbly, watery sound in the SBD source at times early on (during Bertha, Promised Land, and Hell In A Bucket mostly), which can sometimes be detected in the PA as well in the AUD source. Nothing major or frequent. After significant improvement with Friend Of The Devil, the sound becomes optimal and more balanced around Little Red Rooster - really good outdoor sound on this one, approaching Frost '82 style. Some very light EQ was used for most of the show to address two particular high end frequencies. The sound dynamics of the SBD source changed significantly for the first half of the second set, with a little more muffled sound and noticeably less bass response through Women Are Smarter. We did some mild compensatory EQ by adding decibels to select bass frequencies in an organic way for this section, then a little less in two subsequent sections as the bass returned more during the set, closer to how it sounds in set 1. We left the high end untouched here, and the normal treble returns soon after the cut in Space (closer to how it sounds in set 1). This source appeared more welcoming to significant bass adjustments (in set 2), while other recordings are often more sensitive to increases, becoming too heavy very quickly, and are better left untouched. Some additional EQ was used for the AUD source in set two only. There are some moments of heavy buzzing or crackling in the sound system during Women Are Smarter and U.S. Blues. A couple clicks were removed during Spanish Jam. Bobby sings "One more Labor Day night" during One More Saturday Night. He also humorously slips in "One more Latter-day night" (at 3:27 and 3:56, for example), referring to the Church of Jesus Christ of Latter-day Saints, of which its headquarters is located in nearby Salt Lake City. A very lush, bright, crisp, and airy sound for this one, with plenty of robust bass. A unique sounding, quality outdoor matrix thanks to the excellent sources!
Taper: John O'Connor
2:41:11
Rating:
8.00 / 1 rating
Taper:
John O'Connor
SHNID:
gd1983-09-04.150334.nak100.oconnor.flac16
Source:
Source: Nakamichi 100 shotguns > Sony D5 Location: FOB
Taper: Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney
2:36:56
Taper:
Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-09-04.143001.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// tape flip + We were spoiled tapers and purposely turned off the decks when US Blues started.(apologies) tour story is in info file
Taper: Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney
2:36:56
Taper:
Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-09-04.143000.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44 </b> Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// tape flip + We were spoiled tapers and purposely turned off the decks when US Blues started.(apologies) tour story in text file
Taper: Mike Darby
2:12:32
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1983-09-04.Tascam120.Darby.119805.Flac1644
Source:
Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show! Another fantastic share from Mr. Darby's collection of Master Grateful Dead recorded shows even though there are a few songs missing from this share. AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:12:32
Rating:
9.00 / 2 ratings
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1983-09-04.Tascam120.Darby.119804.Flac2448
Source:
Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show! Another fantastic share from Mr. Darby's collection of Master Grateful Dead recorded shows even though there are a few songs missing from this share. AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Bob Morris
2:40:41
Taper:
Bob Morris
SHNID:
gd1983-09-04.aud.morris.111032..sbeok.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
Taper Notes:
View Notes- Tape flip between Drums and Space. Recorded by Bob Morris -- thanks to Sam for help. Transfer (9/09) & 2496 edit (5/10) by Bob Morris.
Taper: Unknown
2:39:22
Rating:
9.00 / 2 ratings
Source:
MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav
Taper Notes:
View Notes* PA problems drop out in FOTD ** Tape flip This corrects the Sector & Boundary Errors to #10253
Taper: Bob Morris
2:40:38
Rating:
6.00 / 1 rating
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1983-09-04.nak300.morris.102050.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesTape flip between Drums and Space. Recorded by Bob Morris -- thanks to Sam for help. Transferred & edited by Bob M 9/09. Flaced and shared by Chuck T./Crazyfingers
Source 18 of 18
2:40:17
Rating:
8.80 / 5 ratings
SHNID:
gd83-09-04.beyer-senn.unk.10253.sbeok.shnf
Source:
Sony TCD5M > Sound Forge 5 >MKW .96f > Power Post 2K
Taper Notes:
View NotesMaster Tape; 2 Beyer M160, 1 Sennheiser 441 Blend; Sony TCD5M > Sound Forge 5 > MKW .96f > Power Post 2K