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Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1983
9/4/83
Bertha ->
6:35
Promised Land
4:10
Friend Of The Devil
8:37
Little Red Rooster
8:34
Tennessee Jed
8:16
My Brother Esau
5:06
Althea
9:47
Hell In A Bucket ->
5:37
China Cat Sunflower ->
5:00
I Know You Rider
6:03
Scarlet Begonias ->
13:52
Fire On The Mountain
13:10
Drums ->
7:14
Space ->
9:08
Spanish Jam ->
5:31
The Wheel ->
6:08
The Other One ->
5:23
Wharf Rat ->
8:06
Around And Around ->
10:50
One More Saturday Night
3:53
U.S. Blues
4:29
gd83-09-04d3t08.mp3
5:31
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:41:00
SBD
Rating:
9.14 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1983-09-04.sbd.miller.117185.flac16
Source:
SBD -> Cassette Master -> Reel (Technics Deck) -> Dat (Panasonic SV3800/48k)
Lineage:
Dat -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- There's a short tape flip in Althea at 5:33 -- Thanks to Rob Eaton for the Dat
Source 2 of 18
2:41:01
SBD
SHNID:
gd1983-09-04.142047.sbd.flac1644
Source:
SBD MC>DAT>Clone>file created in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8
Transferrer: Matrix by Dave Usborne
2:43:42
SBD
Rating:
8.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-09-04.132245.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:117185) SBD -> Cassette Master -> Reel (Technics Deck) -> Dat (Panasonic SV3800/48k); Dat -> Samplitude Professional v11.2 -> FLAC and Audience (shnid:104956) MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav
Taper Notes:
View NotesMatrix by dusborne 12-17-2014 ------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 12-17-2014
Transferrer: Scott Clugston and Bill Tetzeli
2:41:03
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Scott Clugston and Bill Tetzeli
SHNID:
gd1983-09-04.sbd.clugston.tetzeli.fix-2193.35214.reflac.flac16
Source:
Master Soundboard Cassette > Cassette > DAT > CDR patched with MAC (2 Beyer M160s + 1 Sennheiser 441 blend) > Sony TCD5M > Sound Forge 5 > SHN)
Taper Notes:
View NotesScott Clugston did the patching Bill Tetzeli patched the CD2/CD3 transition SteveSw fixed the ReplayGain
Source 5 of 18
2:41:05
SBD
Rating:
8.73 / 23 ratings
SHNID:
gd83-09-04.sbd.clugston.2193.sbeok.shnf
Source:
Master Soundboard Cassette > Cassette > DAT > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > Cassette > DAT > CDR; via Scott Clugston to abgd and etree
Taper: Bob Wagner
2:47:32
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-09-04.149229.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording (patched out of Jaime Poris) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Beyer M160, Sennheiser 441 blend source which supplies 156 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston March 2020
Taper: Bob Wagner
2:47:32
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-09-04.149228.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording (patched out of Jaime Poris) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Beyer M160, Sennheiser 441 blend source which supplies 156 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston March 2020
Taper: Unknown
1:42:47
Transferrer:
Rick Gastwirt;Charlie Miller;Joe Noel
SHNID:
gd1983-09-04.138336.Senn.421.Gastwirt.Miller.Noel.t-flac16
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Source 9 of 18
2:49:31
Rating:
10.00 / 1 rating
SHNID:
gd1983-09-04.169013.mtx.seamons.ht173.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) November 1, 2024
Taper Notes:
View NotesNotes: The SBD was pitch corrected slower -0.5% through Little Red Rooster, then -0.3% through the end of set one. No pitch correction needed for set two. A 4-second cut in Althea, a 44-second cut during Space, and a 4-second cut during Spanish Jam in the SBD source are now patched. The Executive Crew (Kyle Holbrook, Chris Kidwell and Tom Pinney) AUD source (#143000, 8/24/18) provides a partial 0:28 patch of the song break before Hell In A Bucket. There were some initial mix fluctuations and a more brittle sound in the SBD source during Bertha, particularly before Phil's bass kicks in. There's also a subtle warbly, watery sound in the SBD source at times early on (during Bertha, Promised Land, and Hell In A Bucket mostly), which can sometimes be detected in the PA as well in the AUD source. Nothing major or frequent. After significant improvement with Friend Of The Devil, the sound becomes optimal and more balanced around Little Red Rooster - really good outdoor sound on this one, approaching Frost '82 style. Some very light EQ was used for most of the show to address two particular high end frequencies. The sound dynamics of the SBD source changed significantly for the first half of the second set, with a little more muffled sound and noticeably less bass response through Women Are Smarter. We did some mild compensatory EQ by adding decibels to select bass frequencies in an organic way for this section, then a little less in two subsequent sections as the bass returned more during the set, closer to how it sounds in set 1. We left the high end untouched here, and the normal treble returns soon after the cut in Space (closer to how it sounds in set 1). This source appeared more welcoming to significant bass adjustments (in set 2), while other recordings are often more sensitive to increases, becoming too heavy very quickly, and are better left untouched. Some additional EQ was used for the AUD source in set two only. There are some moments of heavy buzzing or crackling in the sound system during Women Are Smarter and U.S. Blues. A couple clicks were removed during Spanish Jam. Bobby sings "One more Labor Day night" during One More Saturday Night. He also humorously slips in "One more Latter-day night" (at 3:27 and 3:56, for example), referring to the Church of Jesus Christ of Latter-day Saints, of which its headquarters is located in nearby Salt Lake City. A very lush, bright, crisp, and airy sound for this one, with plenty of robust bass. A unique sounding, quality outdoor matrix thanks to the excellent sources!
Taper: John O'Connor
2:41:11
Rating:
8.00 / 1 rating
Taper:
John O'Connor
SHNID:
gd1983-09-04.150334.nak100.oconnor.flac16
Source:
Source: Nakamichi 100 shotguns > Sony D5 Location: FOB
Taper: Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney
2:36:56
Taper:
Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-09-04.143001.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// tape flip + We were spoiled tapers and purposely turned off the decks when US Blues started.(apologies) tour story is in info file
Taper: Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney
2:36:56
Taper:
Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-09-04.143000.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44 </b> Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// tape flip + We were spoiled tapers and purposely turned off the decks when US Blues started.(apologies) tour story in text file
Taper: Mike Darby
2:12:32
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1983-09-04.Tascam120.Darby.119805.Flac1644
Source:
Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show! Another fantastic share from Mr. Darby's collection of Master Grateful Dead recorded shows even though there are a few songs missing from this share. AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:12:32
Rating:
9.00 / 2 ratings
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1983-09-04.Tascam120.Darby.119804.Flac2448
Source:
Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show! Another fantastic share from Mr. Darby's collection of Master Grateful Dead recorded shows even though there are a few songs missing from this share. AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Bob Morris
2:40:41
Taper:
Bob Morris
SHNID:
gd1983-09-04.aud.morris.111032..sbeok.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
Taper Notes:
View Notes- Tape flip between Drums and Space. Recorded by Bob Morris -- thanks to Sam for help. Transfer (9/09) & 2496 edit (5/10) by Bob Morris.
Taper: Unknown
2:39:22
Rating:
9.00 / 2 ratings
Source:
MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav
Taper Notes:
View Notes* PA problems drop out in FOTD ** Tape flip This corrects the Sector & Boundary Errors to #10253
Taper: Bob Morris
2:40:38
Rating:
6.00 / 1 rating
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1983-09-04.nak300.morris.102050.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesTape flip between Drums and Space. Recorded by Bob Morris -- thanks to Sam for help. Transferred & edited by Bob M 9/09. Flaced and shared by Chuck T./Crazyfingers
Source 18 of 18
2:40:17
Rating:
8.80 / 5 ratings
SHNID:
gd83-09-04.beyer-senn.unk.10253.sbeok.shnf
Source:
Sony TCD5M > Sound Forge 5 >MKW .96f > Power Post 2K
Taper Notes:
View NotesMaster Tape; 2 Beyer M160, 1 Sennheiser 441 Blend; Sony TCD5M > Sound Forge 5 > MKW .96f > Power Post 2K