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Bands
Grateful Dead
Today In History
June 13th
Years
1995
29.8k
PlaybackListensHours
48h49365
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.5k246
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.4k586
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.2k549
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.8k374
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.9k363
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k173
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.5k898
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k125
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.7k204
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.4k624
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.4k182
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.5k189
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.8k227
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h9.6k1.1k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k243
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k275
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.4k1.3k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h15.5k2.1k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h38840
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h3.9k505
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k713
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h2.9k375
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.8k203
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k203
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h50463
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14621
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30223
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h262
7d956
30d61936
2 shows
2 tapes
1983
Sources
Taper: Jim Vita
1:22:36
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-08-27.163471.set2.senn421.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 421 mics > Sony D5 > Jim Vita's 1st Generation Cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies an 11:13 patch in "Drums > Space" - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Jim Vita
1:22:36
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-08-27.163470.set2.senn421.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 421 mics > Sony D5 > Jim Vita's 1st Generation Cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies an 11:13 patch in "Drums > Space" - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Mark Severson
2:25:56
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-27.148750.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M
Lineage:
Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the shnid92307 (FOB) Nakamichi 300 source which supplies an 0:11 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston December 2019
Taper: Mark Severson
2:25:56
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-27.148749.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M
Lineage:
Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the shnid92307 (FOB) Nakamichi 300 source which supplies an 0:11 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston December 2019
Taper: Kyle Holbrook & Chris Kidwell
2:24:31
Taper:
Kyle Holbrook & Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-27.142903.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48khz </b> Source Audience Recording: Beyer M 201c: Master Maxell MX90Location: set 1: 70 feet from stage|DFC
Lineage:
Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// tape flip * more like Wang Dang Doodle tease The tour story is in the setlist file.
Taper: Kyle Holbrook & Chris Kidwell
2:24:31
Rating:
8.00 / 2 ratings
Taper:
Kyle Holbrook & Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-27.142902.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1khz </b> Source Audience Recording: Beyer M 201c: Master Maxell MX90Location: set 1: 70 feet from stage|DFC
Lineage:
Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// tape flip * more like Wang Dang Doodle tease The tour story is in the setlist file.
Taper: Da Weez
2:21:32
Rating:
8.00 / 3 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-08-27.111818.Sennheiser421.daweez.d5scott.flac16
Source:
Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Keith
2:19:40
Rating:
10.00 / 1 rating
Taper:
Keith
Transferrer:
Andrew F.
SHNID:
gd1983-08-27.aud.keith.92307.sbeok.flac16
Source:
FOB, Nakamichi CM300's > Sony TC-D5 (MAC) > C1 (Sony TC-D5 > Marantz PMD-340 > TDK SA-90's) (no Dolby)
Lineage:
C1 > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesI was taping in a group of about 25 people set up FOB. At the end of the show I found out that the guy whose deck I patched from had bad batteries, and my whole tape sounded fuzzy. I quickly got a nearby taper to dub the show for me and taped right over my master. Thanks to taper "Keith" for the copy... Notes: - Start of LLR cuts in after tape-flip. - Disc break is seamless. - Patches from ShnID-16439 as follows: Jack Straw 0:28 > 0:33, Space 2:49 > 3:38, and Space 4:00 > 4:05. - Alternate burn option: D1 as 1st Set plus encore, D2 as 2nd Set.
Taper: Jamie Herbst
2:22:55
Rating:
7.33 / 4 ratings
Taper:
Jamie Herbst
SHNID:
gd1983-08-27.aud.herbst.31635.flac16
Lineage:
my cassettes (2nd gen) > PC > CDWAV (track splits) > GOLDWAVE (fades) > FLAC
Taper Notes:
View NotesNotes: d1t08 and d1t10 are each missing the first few seconds of music. Recording Comments: If I were to guess, I'd say this was recorded from a FOB location, on the Jerry side of the stage - I saw Emmylou Harris & The Nash Ramblers play in this building during the 1990 Bumbershoot Festival, and from my recollection, it's not a very big place - I'd guess that the soundboard was probably located about half-way back on the floor...if anyone can shed any more light on the probable taping location or mics used, based on the sound, please do! My best guess would be that Jamie had some type of Sennheiser mics then (maybe 441's), and a Sony D5 deck, but that's just a guess...
Source 10 of 11
2:20:25
Rating:
8.33 / 18 ratings
SHNID:
gd83-08-27.aud.hinko.16439.sbeok.shnf
Source 11 of 11
2:22:38
Rating:
9.00 / 4 ratings
SHNID:
gd83-08-27.sennheiser.dodd.12359.sbeok.shnf
Source:
AUD(Senn. 421’s)>MC>DAT>CDREac >shn (secure with proper offsets) by Ernie Dodd
Taper Notes:
View NotesAUD(Senn. 421Âs)>MC>DAT>CDR Eac >shn (secure with proper offsets) by Ernie Dodd; Note Ernie has since supplied the missing tracks (disc 3); See info file for details