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Bands
Grateful Dead
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h55374
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k291
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k351
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.1k549
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.8k498
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k415
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3k379
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k179
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.4k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k127
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k225
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h6k684
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k210
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k246
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.3k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k251
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2.1k278
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.2k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.2k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41043
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.1k525
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.6k741
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k391
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k205
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k235
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k227
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h62878
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12718
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33225
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1983
Sources
Taper: Jim Vita
1:22:36
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-08-27.163471.set2.senn421.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 421 mics > Sony D5 > Jim Vita's 1st Generation Cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies an 11:13 patch in "Drums > Space" - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Jim Vita
1:22:36
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-08-27.163470.set2.senn421.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 421 mics > Sony D5 > Jim Vita's 1st Generation Cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies an 11:13 patch in "Drums > Space" - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Mark Severson
2:25:56
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-27.148750.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M
Lineage:
Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the shnid92307 (FOB) Nakamichi 300 source which supplies an 0:11 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston December 2019
Taper: Mark Severson
2:25:56
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-27.148749.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M
Lineage:
Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the shnid92307 (FOB) Nakamichi 300 source which supplies an 0:11 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston December 2019
Taper: Kyle Holbrook & Chris Kidwell
2:24:31
Taper:
Kyle Holbrook & Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-27.142903.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48khz </b> Source Audience Recording: Beyer M 201c: Master Maxell MX90Location: set 1: 70 feet from stage|DFC
Lineage:
Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// tape flip * more like Wang Dang Doodle tease The tour story is in the setlist file.
Taper: Kyle Holbrook & Chris Kidwell
2:24:31
Rating:
8.00 / 2 ratings
Taper:
Kyle Holbrook & Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-27.142902.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1khz </b> Source Audience Recording: Beyer M 201c: Master Maxell MX90Location: set 1: 70 feet from stage|DFC
Lineage:
Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// tape flip * more like Wang Dang Doodle tease The tour story is in the setlist file.
Taper: Da Weez
2:21:32
Rating:
8.00 / 3 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-08-27.111818.Sennheiser421.daweez.d5scott.flac16
Source:
Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Keith
2:19:40
Rating:
10.00 / 1 rating
Taper:
Keith
Transferrer:
Andrew F.
SHNID:
gd1983-08-27.aud.keith.92307.sbeok.flac16
Source:
FOB, Nakamichi CM300's > Sony TC-D5 (MAC) > C1 (Sony TC-D5 > Marantz PMD-340 > TDK SA-90's) (no Dolby)
Lineage:
C1 > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesI was taping in a group of about 25 people set up FOB. At the end of the show I found out that the guy whose deck I patched from had bad batteries, and my whole tape sounded fuzzy. I quickly got a nearby taper to dub the show for me and taped right over my master. Thanks to taper "Keith" for the copy... Notes: - Start of LLR cuts in after tape-flip. - Disc break is seamless. - Patches from ShnID-16439 as follows: Jack Straw 0:28 > 0:33, Space 2:49 > 3:38, and Space 4:00 > 4:05. - Alternate burn option: D1 as 1st Set plus encore, D2 as 2nd Set.
Taper: Jamie Herbst
2:22:55
Rating:
7.33 / 4 ratings
Taper:
Jamie Herbst
SHNID:
gd1983-08-27.aud.herbst.31635.flac16
Lineage:
my cassettes (2nd gen) > PC > CDWAV (track splits) > GOLDWAVE (fades) > FLAC
Taper Notes:
View NotesNotes: d1t08 and d1t10 are each missing the first few seconds of music. Recording Comments: If I were to guess, I'd say this was recorded from a FOB location, on the Jerry side of the stage - I saw Emmylou Harris & The Nash Ramblers play in this building during the 1990 Bumbershoot Festival, and from my recollection, it's not a very big place - I'd guess that the soundboard was probably located about half-way back on the floor...if anyone can shed any more light on the probable taping location or mics used, based on the sound, please do! My best guess would be that Jamie had some type of Sennheiser mics then (maybe 441's), and a Sony D5 deck, but that's just a guess...
Source 10 of 11
2:20:25
Rating:
8.33 / 18 ratings
SHNID:
gd83-08-27.aud.hinko.16439.sbeok.shnf
Source 11 of 11
2:22:38
Rating:
9.00 / 4 ratings
SHNID:
gd83-08-27.sennheiser.dodd.12359.sbeok.shnf
Source:
AUD(Senn. 421’s)>MC>DAT>CDREac >shn (secure with proper offsets) by Ernie Dodd
Taper Notes:
View NotesAUD(Senn. 421Âs)>MC>DAT>CDR Eac >shn (secure with proper offsets) by Ernie Dodd; Note Ernie has since supplied the missing tracks (disc 3); See info file for details