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Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.1k289
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h64091
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5k675
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.4k183
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.3k435
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k356
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.6k450
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k232
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k281
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k676
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.9k755
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.1k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.2k998
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k543
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k555
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k395
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k246
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.1k794
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k574
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60175
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14321
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39628
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h473
7d1277
30d57234
2 shows
2 tapes
1983
Sources
Taper: Rob Eaton
2:44:08
SBD
Taper:
Rob Eaton
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167470.sbd.pc_ed.140320.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette > Technics Reel to Reel > Panasonic SV-3800 Dat (16/48)
Lineage:
Sony PCM-R500 (16/48) -> Tascam DA-3000 > .wav 16/48 > Adobe Audition 2024 > TLH flac1648
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - Thanks to Ken Kelley and Charlie Miller for the AKG B330T source which supplies an 0:18 patch in "Scarlet Begonias > Fire On The Mountain" transition, as well as an 0:08 patch in the "Wharf Rat > Throwing Stones" transition - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Rob Eaton
2:41:21
SBD
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-07-31.140320.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - First verifiable source for this date - Thanks to the folks responsible for the shnid96409 Sony 220t source which supplies an 0:18 patch in the beginning of "Fire On The Mountain", as well as an 0:08 patch at the beginning of "Throwing Stones" - Other One noodle/space included in "The Other One" Mastered by Scott Clugston 12/21/2017
Taper: Disks provided by Paul Scotton
2:46:16
SBD
Rating:
8.18 / 11 ratings
Taper:
Disks provided by Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1983-07-31.sbd.miller.88149.flac16
Source:
SBD -> Cassette Master -> Cass -> Dat -> CD
Lineage:
CD -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Sony ECM200T -> Cassette Master -> Dat -> CD supplies: Fire On The Mountain (0:29 - 0:50) Drums (6:19 - 6:26) Throwing Stones (0:01 - 0:17) Touch Of Grey (last 4 seconds) One More Saturday Night (complete song) Notes: -- Set 2 is seamless -- Can not confirm SBD lineage 100% accurate -- Sound changes after each tape flip -- Bass boosted on patch source -- Source discs were havily EQ'd, I tried to fix it
Transferrer: Charles Bandrofcheck
2:46:14
SBD
Transferrer:
Charles Bandrofcheck
SHNID:
gd1983-07-31.sbd.miller.bandrofcheck.loossy-version-of-88149.98125.flac16
Source:
Lossy Transfer of shnid 88149
Taper Notes:
View Notesshnid=88149 CDs Burned as one track -> Windows Media Player -> SB Audigy 4 - > Sound Forge 5.0 -> removed dead space between tracks caused by WMP playback -> CDWave Editor 1.94.8 -> Wavs -> Flac 1.2b level 6. Charles Bandrofcheck - 2/26/09
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167469.akg.330bt.kelley.miller.clugston.flac2496
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167468.akg.330bt.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Rango Keshavan
2:41:05
Rating:
9.00 / 5 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1983-07-31.fob.sony220t.keshavan.miller.96409.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- There is some slight wind noise -- Thanks to Rango Keshavan for lending me his masters
Taper: Les Shields and Kevin T. Hughes
2:48:22
Rating:
8.00 / 1 rating
Taper:
Les Shields and Kevin T. Hughes
Transferrer:
Kevin T. Hughes
SHNID:
gd1983-07-31.162294.nak300-cp4.shields-hughes.flac2496
Source:
Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder (Set I-1st; Set II 3rd patch in Master Recording Chain) > Maxell MX 90 Cassette(s)
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > Audacity 3.2.3 (Wave Editor S/W for WAV to FLAC file Conversion)
Taper Notes:
View NotesTAPER NOTES: Set I and II where recorded by the same equipment; but in two very different locations. Set II was taped in front of the Sound Board (FOB) and it sounds fabulous; it has a deep-rich bass presence and a near perfect mix of Jerry’s Killer Guitar Playing (it was the last Show of ’83 Summer Tour); However, Set I we got there late to get started, as a result, we had to set up in poor location for taping; Set I we were (a) fare left of Center, in front of Phil; (b) halfway between the FOB and the stage. Our Set I location created some minor bass saturation issues and Jerry’s Guitar was not as bright sounding as I’m accustom too; Set I is still really good to listen too (especially after the first song), but not a great recording by my standards; it does have a clean sounding voice mix which make it a keeper (Set I is a B+ recording; whereas, Set II gets a sold A rating for all of the above reasons).
Taper: Gesine Lohr
2:53:47
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-07-31.151138.aud.lohr.vernon.flac2496
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View Notes1. wind noise throughout 2. Tape flip locations on tracks 06, 10, 17, 20
Taper: Gesine Lohr
2:53:47
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-07-31.151137.aud.lohr.vernon.flac1648
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
Taper Notes:
View Notes1. wind noise throughout 2. Tape flip locations on tracks 06, 10, 17, 20
Source 11 of 11
2:39:57
Rating:
8.00 / 12 ratings
SHNID:
gd83-07-31.aud.dodd.11933.sbeok.shnf
Source:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd