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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h51970
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2k251
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.1k274
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.3k171
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3k416
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.2k1.1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k325
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k134
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k240
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h938105
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k196
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.4k629
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k148
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k149
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k244
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.4k271
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k220
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.8k247
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h15.1k2k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.7k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h33135
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.7k487
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2k254
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.6k177
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k196
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k156
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h62180
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8213
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h40825
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h584
7d1076
30d59534
2 shows
2 tapes
1983
Sources
Taper: Rob Eaton
2:44:08
SBD
Taper:
Rob Eaton
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167470.sbd.pc_ed.140320.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette > Technics Reel to Reel > Panasonic SV-3800 Dat (16/48)
Lineage:
Sony PCM-R500 (16/48) -> Tascam DA-3000 > .wav 16/48 > Adobe Audition 2024 > TLH flac1648
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - Thanks to Ken Kelley and Charlie Miller for the AKG B330T source which supplies an 0:18 patch in "Scarlet Begonias > Fire On The Mountain" transition, as well as an 0:08 patch in the "Wharf Rat > Throwing Stones" transition - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Rob Eaton
2:41:21
SBD
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-07-31.140320.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - First verifiable source for this date - Thanks to the folks responsible for the shnid96409 Sony 220t source which supplies an 0:18 patch in the beginning of "Fire On The Mountain", as well as an 0:08 patch at the beginning of "Throwing Stones" - Other One noodle/space included in "The Other One" Mastered by Scott Clugston 12/21/2017
Taper: Disks provided by Paul Scotton
2:46:16
SBD
Rating:
8.18 / 11 ratings
Taper:
Disks provided by Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1983-07-31.sbd.miller.88149.flac16
Source:
SBD -> Cassette Master -> Cass -> Dat -> CD
Lineage:
CD -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Sony ECM200T -> Cassette Master -> Dat -> CD supplies: Fire On The Mountain (0:29 - 0:50) Drums (6:19 - 6:26) Throwing Stones (0:01 - 0:17) Touch Of Grey (last 4 seconds) One More Saturday Night (complete song) Notes: -- Set 2 is seamless -- Can not confirm SBD lineage 100% accurate -- Sound changes after each tape flip -- Bass boosted on patch source -- Source discs were havily EQ'd, I tried to fix it
Transferrer: Charles Bandrofcheck
2:46:14
SBD
Transferrer:
Charles Bandrofcheck
SHNID:
gd1983-07-31.sbd.miller.bandrofcheck.loossy-version-of-88149.98125.flac16
Source:
Lossy Transfer of shnid 88149
Taper Notes:
View Notesshnid=88149 CDs Burned as one track -> Windows Media Player -> SB Audigy 4 - > Sound Forge 5.0 -> removed dead space between tracks caused by WMP playback -> CDWave Editor 1.94.8 -> Wavs -> Flac 1.2b level 6. Charles Bandrofcheck - 2/26/09
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167469.akg.330bt.kelley.miller.clugston.flac2496
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167468.akg.330bt.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Rango Keshavan
2:41:05
Rating:
9.00 / 5 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1983-07-31.fob.sony220t.keshavan.miller.96409.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- There is some slight wind noise -- Thanks to Rango Keshavan for lending me his masters
Taper: Les Shields and Kevin T. Hughes
2:48:22
Rating:
8.00 / 1 rating
Taper:
Les Shields and Kevin T. Hughes
Transferrer:
Kevin T. Hughes
SHNID:
gd1983-07-31.162294.nak300-cp4.shields-hughes.flac2496
Source:
Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder (Set I-1st; Set II 3rd patch in Master Recording Chain) > Maxell MX 90 Cassette(s)
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > Audacity 3.2.3 (Wave Editor S/W for WAV to FLAC file Conversion)
Taper Notes:
View NotesTAPER NOTES: Set I and II where recorded by the same equipment; but in two very different locations. Set II was taped in front of the Sound Board (FOB) and it sounds fabulous; it has a deep-rich bass presence and a near perfect mix of Jerry’s Killer Guitar Playing (it was the last Show of ’83 Summer Tour); However, Set I we got there late to get started, as a result, we had to set up in poor location for taping; Set I we were (a) fare left of Center, in front of Phil; (b) halfway between the FOB and the stage. Our Set I location created some minor bass saturation issues and Jerry’s Guitar was not as bright sounding as I’m accustom too; Set I is still really good to listen too (especially after the first song), but not a great recording by my standards; it does have a clean sounding voice mix which make it a keeper (Set I is a B+ recording; whereas, Set II gets a sold A rating for all of the above reasons).
Taper: Gesine Lohr
2:53:47
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-07-31.151138.aud.lohr.vernon.flac2496
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View Notes1. wind noise throughout 2. Tape flip locations on tracks 06, 10, 17, 20
Taper: Gesine Lohr
2:53:47
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-07-31.151137.aud.lohr.vernon.flac1648
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
Taper Notes:
View Notes1. wind noise throughout 2. Tape flip locations on tracks 06, 10, 17, 20
Source 11 of 11
2:39:57
Rating:
8.00 / 12 ratings
SHNID:
gd83-07-31.aud.dodd.11933.sbeok.shnf
Source:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd