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1995
29.3k
49 shows
343 tapes
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13.8k
85 shows
460 tapes
1993
40.3k
83 shows
656 tapes
1992
43.8k
57 shows
539 tapes
1991
47.7k
78 shows
973 tapes
1990
56.8k
78 shows
1,139 tapes
1989
48.3k
78 shows
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20.7k
82 shows
882 tapes
1987
42.8k
88 shows
1,025 tapes
1986
12.6k
47 shows
684 tapes
1985
34.7k
73 shows
1,357 tapes
1984
27.3k
67 shows
1,075 tapes
1983
20.7k
71 shows
1,069 tapes
1982
42.3k
63 shows
753 tapes
1981
29.6k
92 shows
868 tapes
1980
70.9k
91 shows
794 tapes
1979
21.1k
79 shows
608 tapes
1978
37.6k
87 shows
592 tapes
1977
236.2k
64 shows
419 tapes
1976
109.4k
45 shows
298 tapes
1975
7.4k
25 shows
63 tapes
1974
84.9k
42 shows
324 tapes
1973
79.5k
75 shows
445 tapes
1972
58.4k
88 shows
361 tapes
1971
33.5k
82 shows
357 tapes
1970
38.8k
101 shows
376 tapes
1969
28.6k
112 shows
326 tapes
1968
7.4k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
6.2k
32 shows
78 tapes
1965
609
2 shows
2 tapes
1983
7/31/83
Jack Straw
6:27
Friend Of The Devil
10:25
Me & My Uncle > Mexicali Blues
8:29
West LA Fadeaway
8:21
Little Red Rooster
8:49
Tennessee Jed
8:04
Looks Like Rain >
8:51
Deal
8:01
Crowd/Tuning
1:45
Hell In A Bucket >
6:24
Scarlet Begonias > Fire On The Mountain >
21:26
Drums >
8:42
Space >
4:19
The Other One >
16:07
Wharf Rat >
9:33
Throwing Stones >
9:15
Not Fade Away
8:31
Not Fade Away Chant
1:13
E1: Touch Of Grey >
6:18
E2: One More Saturday Night
4:50
FIN
View on archive.org
Sources
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167469.akg.330bt.kelley.miller.clugston.flac2496
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167468.akg.330bt.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Les Shields and Kevin T. Hughes
2:48:22
Rating:
8.00 / 1 rating
Taper:
Les Shields and Kevin T. Hughes
Transferrer:
Kevin T. Hughes
SHNID:
gd1983-07-31.162294.nak300-cp4.shields-hughes.flac2496
Source:
Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder (Set I-1st; Set II 3rd patch in Master Recording Chain) > Maxell MX 90 Cassette(s)
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > Audacity 3.2.3 (Wave Editor S/W for WAV to FLAC file Conversion)
Taper Notes:
View NotesTAPER NOTES: Set I and II where recorded by the same equipment; but in two very different locations. Set II was taped in front of the Sound Board (FOB) and it sounds fabulous; it has a deep-rich bass presence and a near perfect mix of Jerry’s Killer Guitar Playing (it was the last Show of ’83 Summer Tour); However, Set I we got there late to get started, as a result, we had to set up in poor location for taping; Set I we were (a) fare left of Center, in front of Phil; (b) halfway between the FOB and the stage. Our Set I location created some minor bass saturation issues and Jerry’s Guitar was not as bright sounding as I’m accustom too; Set I is still really good to listen too (especially after the first song), but not a great recording by my standards; it does have a clean sounding voice mix which make it a keeper (Set I is a B+ recording; whereas, Set II gets a sold A rating for all of the above reasons).