Bands
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Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h43559
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h2.1k349
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k308
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.5k344
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.8k372
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.8k371
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k350
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k168
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.4k928
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h926105
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.4k281
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h4.9k575
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k162
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.5k193
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k232
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.6k1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.5k208
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k256
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.6k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h10.7k1.4k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h44144
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k483
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h4.8k632
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k365
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k193
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.8k212
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k242
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h78596
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10915
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22317
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h342
7d1037
30d62737
2 shows
2 tapes
1983
Sources
Taper: Rob Eaton
2:44:08
SBD
Taper:
Rob Eaton
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167470.sbd.pc_ed.140320.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette > Technics Reel to Reel > Panasonic SV-3800 Dat (16/48)
Lineage:
Sony PCM-R500 (16/48) -> Tascam DA-3000 > .wav 16/48 > Adobe Audition 2024 > TLH flac1648
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - Thanks to Ken Kelley and Charlie Miller for the AKG B330T source which supplies an 0:18 patch in "Scarlet Begonias > Fire On The Mountain" transition, as well as an 0:08 patch in the "Wharf Rat > Throwing Stones" transition - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Rob Eaton
2:41:21
SBD
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-07-31.140320.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - First verifiable source for this date - Thanks to the folks responsible for the shnid96409 Sony 220t source which supplies an 0:18 patch in the beginning of "Fire On The Mountain", as well as an 0:08 patch at the beginning of "Throwing Stones" - Other One noodle/space included in "The Other One" Mastered by Scott Clugston 12/21/2017
Taper: Disks provided by Paul Scotton
2:46:16
SBD
Rating:
8.18 / 11 ratings
Taper:
Disks provided by Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1983-07-31.sbd.miller.88149.flac16
Source:
SBD -> Cassette Master -> Cass -> Dat -> CD
Lineage:
CD -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Sony ECM200T -> Cassette Master -> Dat -> CD supplies: Fire On The Mountain (0:29 - 0:50) Drums (6:19 - 6:26) Throwing Stones (0:01 - 0:17) Touch Of Grey (last 4 seconds) One More Saturday Night (complete song) Notes: -- Set 2 is seamless -- Can not confirm SBD lineage 100% accurate -- Sound changes after each tape flip -- Bass boosted on patch source -- Source discs were havily EQ'd, I tried to fix it
Transferrer: Charles Bandrofcheck
2:46:14
SBD
Transferrer:
Charles Bandrofcheck
SHNID:
gd1983-07-31.sbd.miller.bandrofcheck.loossy-version-of-88149.98125.flac16
Source:
Lossy Transfer of shnid 88149
Taper Notes:
View Notesshnid=88149 CDs Burned as one track -> Windows Media Player -> SB Audigy 4 - > Sound Forge 5.0 -> removed dead space between tracks caused by WMP playback -> CDWave Editor 1.94.8 -> Wavs -> Flac 1.2b level 6. Charles Bandrofcheck - 2/26/09
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167469.akg.330bt.kelley.miller.clugston.flac2496
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167468.akg.330bt.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Rango Keshavan
2:41:05
Rating:
9.00 / 5 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1983-07-31.fob.sony220t.keshavan.miller.96409.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- There is some slight wind noise -- Thanks to Rango Keshavan for lending me his masters
Taper: Les Shields and Kevin T. Hughes
2:48:22
Rating:
8.00 / 1 rating
Taper:
Les Shields and Kevin T. Hughes
Transferrer:
Kevin T. Hughes
SHNID:
gd1983-07-31.162294.nak300-cp4.shields-hughes.flac2496
Source:
Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder (Set I-1st; Set II 3rd patch in Master Recording Chain) > Maxell MX 90 Cassette(s)
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > Audacity 3.2.3 (Wave Editor S/W for WAV to FLAC file Conversion)
Taper Notes:
View NotesTAPER NOTES: Set I and II where recorded by the same equipment; but in two very different locations. Set II was taped in front of the Sound Board (FOB) and it sounds fabulous; it has a deep-rich bass presence and a near perfect mix of Jerry’s Killer Guitar Playing (it was the last Show of ’83 Summer Tour); However, Set I we got there late to get started, as a result, we had to set up in poor location for taping; Set I we were (a) fare left of Center, in front of Phil; (b) halfway between the FOB and the stage. Our Set I location created some minor bass saturation issues and Jerry’s Guitar was not as bright sounding as I’m accustom too; Set I is still really good to listen too (especially after the first song), but not a great recording by my standards; it does have a clean sounding voice mix which make it a keeper (Set I is a B+ recording; whereas, Set II gets a sold A rating for all of the above reasons).
Taper: Gesine Lohr
2:53:47
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-07-31.151138.aud.lohr.vernon.flac2496
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View Notes1. wind noise throughout 2. Tape flip locations on tracks 06, 10, 17, 20
Taper: Gesine Lohr
2:53:47
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-07-31.151137.aud.lohr.vernon.flac1648
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
Taper Notes:
View Notes1. wind noise throughout 2. Tape flip locations on tracks 06, 10, 17, 20
Source 11 of 11
2:39:57
Rating:
8.00 / 12 ratings
SHNID:
gd83-07-31.aud.dodd.11933.sbeok.shnf
Source:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd