Bands
Featured
Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1983
Sources
Taper: Rob Eaton
2:24:17
SBD
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-07-30.140317.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - 1st soundboard in circulation for this date (Dec 2017) - Thanks to the folks responsible for the shnid96401 Sony 220t source which supplies some crowd and the first 0:04 of "Brown Eyed Women (0:07 total) - Some distortion in Weir's vocal mic throughout the show, there's what sounds like a rogue kick drum as well - There is some bleed through of previously recorded material in the right channel, similar to, but not as severe, as Harrisburg 6/23/84 soundboard. Because of this, the majority of between song tunings are in mono - Level fluctuations at the beginning of "China Cat Sunflower" - Between song transitions smoothed - Truckin' space included in "Truckin'" Mastered by Scott Clugston 12/21/2017
Taper: Rob Eaton
2:21:09
SBD
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-07-30.169187.pnp.140317.sbd.eaton.miller.clugston.flac1648
Source:
This is a patched and pitch corrected version of shnid140317
Lineage:
Recording Info: Master Soundboard Cassettes > Technics Reel to Reel > Panasonic SV-3800 Dat 16/48 Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - 1st soundboard in circulation for this date (Dec 2017) - Thanks to Bob Wagner and Charlie Miller for the Nakamichi 700 source which supplies the first 0:04 of "Brown Eyed Women", some crowd and beginning of "Loser" (0:13 total), as well as a 0:25 patch in the post "China Doll" jam - Some distortion in Weir's vocal mic throughout the show, there's what sounds like a rogue kick drum as well - There is some bleed through of previously recorded material in the right channel, similar to, but not as severe, as the Harrisburg 6/23/84 soundboard. Because of this, the majority of between song tunings are in mono - Level/Mix fluctuations in "China Cat Sunflower" - Truckin' space included in "Truckin'" - Pitch corrected Re-Mastered by Scott Clugston August 2024
Taper: Ken Kelley
2:29:11
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-30.167231.nak100.kelley.miller.clugston.flac2496
Source:
Ken Kelley's Master Audience Cassettes; Nakamichi 100 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:25 patch in the "Cassidy > Loser" transition - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220t source which, when combined with Bob Wagner's Nakamichi 700 source, supplies a 5:10 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2023
Taper: Ken Kelley
2:29:11
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-30.167230.nak100.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; Nakamichi 100 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:25 patch in the "Cassidy > Loser" transition - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220t source which, when combined with Bob Wagner's Nakamichi 700 source, supplies a 5:10 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2023
Taper: Recorded by Bob Wagner
2:30:51
Taper:
Recorded by Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-07-30.150940.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220t source which supplies a 5:21 patch in the "Drums > Space" transition - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2020
Taper: Recorded by Bob Wagner
2:30:51
Taper:
Recorded by Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-07-30.150939.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Bob Wagner for the master (FOB) cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220t source which supplies a 5:21 patch in the "Drums > Space" transition - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2020
Taper: Rango Keshavan
2:23:56
Rating:
8.67 / 7 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1983-07-30.fob.sony220t.keshavan.miller.96401.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- There is some slight wind noise -- Thanks to Rango Keshavan for lending me his masters
Taper: Les Shields and Kevin T. Hughes
2:21:16
Taper:
Les Shields and Kevin T. Hughes
Transferrer:
Kevin T. Hughes
SHNID:
gd1983-07-30.161878.nak300-cp4.shields-hughes.flac2496
Source:
Two Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder > Sony D6 Recorder > (Master) Maxell MX 90 Cassette(s) 9 feet high located FOB
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > CD Wave Editor (WAV to FLAC 2496 Conversion)
Taper Notes:
View Notes// - tape pause or tape flip ~20 sec patch at start of Around and Around to cover tape flip using the Hunter Seamons matrix recording.
Taper: John O'Connor
2:13:47
Rating:
9.00 / 2 ratings
Taper:
John O'Connor
SHNID:
gd1983-07-30.150283.nak100-oconnor.flac1644
Source:
Source: Nakamichi 100 shotguns > Sony D5 Location: FOB
Source 10 of 10
2:17:57
Rating:
7.17 / 12 ratings
SHNID:
gd83-07-30.aud.dodd.11932.sbeok.shnf
Source:
ACM>DAT>CDR
Taper Notes:
View NotesACM>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd