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Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.6k224
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.5k738
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.7k223
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.2k552
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k354
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k407
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k147
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h78488
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k229
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k188
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k182
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k685
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k174
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.3k559
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.6k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.8k814
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h86372
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k552
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k571
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.4k417
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k245
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.7k869
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k591
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60073
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13921
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h29522
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h402
7d1277
30d57234
2 shows
2 tapes
1983
Sources
Taper: Rob Eaton
2:24:17
SBD
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-07-30.140317.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - 1st soundboard in circulation for this date (Dec 2017) - Thanks to the folks responsible for the shnid96401 Sony 220t source which supplies some crowd and the first 0:04 of "Brown Eyed Women (0:07 total) - Some distortion in Weir's vocal mic throughout the show, there's what sounds like a rogue kick drum as well - There is some bleed through of previously recorded material in the right channel, similar to, but not as severe, as Harrisburg 6/23/84 soundboard. Because of this, the majority of between song tunings are in mono - Level fluctuations at the beginning of "China Cat Sunflower" - Between song transitions smoothed - Truckin' space included in "Truckin'" Mastered by Scott Clugston 12/21/2017
Taper: Rob Eaton
2:21:09
SBD
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-07-30.169187.pnp.140317.sbd.eaton.miller.clugston.flac1648
Source:
This is a patched and pitch corrected version of shnid140317
Lineage:
Recording Info: Master Soundboard Cassettes > Technics Reel to Reel > Panasonic SV-3800 Dat 16/48 Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - 1st soundboard in circulation for this date (Dec 2017) - Thanks to Bob Wagner and Charlie Miller for the Nakamichi 700 source which supplies the first 0:04 of "Brown Eyed Women", some crowd and beginning of "Loser" (0:13 total), as well as a 0:25 patch in the post "China Doll" jam - Some distortion in Weir's vocal mic throughout the show, there's what sounds like a rogue kick drum as well - There is some bleed through of previously recorded material in the right channel, similar to, but not as severe, as the Harrisburg 6/23/84 soundboard. Because of this, the majority of between song tunings are in mono - Level/Mix fluctuations in "China Cat Sunflower" - Truckin' space included in "Truckin'" - Pitch corrected Re-Mastered by Scott Clugston August 2024
Taper: Ken Kelley
2:29:11
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-30.167231.nak100.kelley.miller.clugston.flac2496
Source:
Ken Kelley's Master Audience Cassettes; Nakamichi 100 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:25 patch in the "Cassidy > Loser" transition - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220t source which, when combined with Bob Wagner's Nakamichi 700 source, supplies a 5:10 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2023
Taper: Ken Kelley
2:29:11
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-30.167230.nak100.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; Nakamichi 100 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:25 patch in the "Cassidy > Loser" transition - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220t source which, when combined with Bob Wagner's Nakamichi 700 source, supplies a 5:10 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2023
Taper: Recorded by Bob Wagner
2:30:51
Taper:
Recorded by Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-07-30.150940.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220t source which supplies a 5:21 patch in the "Drums > Space" transition - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2020
Taper: Recorded by Bob Wagner
2:30:51
Taper:
Recorded by Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-07-30.150939.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Bob Wagner for the master (FOB) cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220t source which supplies a 5:21 patch in the "Drums > Space" transition - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2020
Taper: Rango Keshavan
2:23:56
Rating:
8.67 / 7 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1983-07-30.fob.sony220t.keshavan.miller.96401.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- There is some slight wind noise -- Thanks to Rango Keshavan for lending me his masters
Taper: Les Shields and Kevin T. Hughes
2:21:16
Taper:
Les Shields and Kevin T. Hughes
Transferrer:
Kevin T. Hughes
SHNID:
gd1983-07-30.161878.nak300-cp4.shields-hughes.flac2496
Source:
Two Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder > Sony D6 Recorder > (Master) Maxell MX 90 Cassette(s) 9 feet high located FOB
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > CD Wave Editor (WAV to FLAC 2496 Conversion)
Taper Notes:
View Notes// - tape pause or tape flip ~20 sec patch at start of Around and Around to cover tape flip using the Hunter Seamons matrix recording.
Taper: John O'Connor
2:13:47
Rating:
9.00 / 2 ratings
Taper:
John O'Connor
SHNID:
gd1983-07-30.150283.nak100-oconnor.flac1644
Source:
Source: Nakamichi 100 shotguns > Sony D5 Location: FOB
Source 10 of 10
2:17:57
Rating:
7.17 / 12 ratings
SHNID:
gd83-07-30.aud.dodd.11932.sbeok.shnf
Source:
ACM>DAT>CDR
Taper Notes:
View NotesACM>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd