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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h47064
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h1.7k216
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.2k284
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.6k212
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.6k461
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h8.4k1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k318
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k131
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k234
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h886100
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k202
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h4.8k568
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k159
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k145
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2.2k273
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.2k248
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k213
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.7k240
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h12.7k1.7k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h14.8k2k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h19621
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.6k469
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.4k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.9k247
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.5k174
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k193
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k151
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h59676
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h7513
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h41728
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h594
7d1076
30d59534
2 shows
2 tapes
1983
Sources
Taper: Rob Eaton
2:24:17
SBD
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1983-07-30.140317.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - 1st soundboard in circulation for this date (Dec 2017) - Thanks to the folks responsible for the shnid96401 Sony 220t source which supplies some crowd and the first 0:04 of "Brown Eyed Women (0:07 total) - Some distortion in Weir's vocal mic throughout the show, there's what sounds like a rogue kick drum as well - There is some bleed through of previously recorded material in the right channel, similar to, but not as severe, as Harrisburg 6/23/84 soundboard. Because of this, the majority of between song tunings are in mono - Level fluctuations at the beginning of "China Cat Sunflower" - Between song transitions smoothed - Truckin' space included in "Truckin'" Mastered by Scott Clugston 12/21/2017
Taper: Rob Eaton
2:21:09
SBD
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-07-30.169187.pnp.140317.sbd.eaton.miller.clugston.flac1648
Source:
This is a patched and pitch corrected version of shnid140317
Lineage:
Recording Info: Master Soundboard Cassettes > Technics Reel to Reel > Panasonic SV-3800 Dat 16/48 Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - 1st soundboard in circulation for this date (Dec 2017) - Thanks to Bob Wagner and Charlie Miller for the Nakamichi 700 source which supplies the first 0:04 of "Brown Eyed Women", some crowd and beginning of "Loser" (0:13 total), as well as a 0:25 patch in the post "China Doll" jam - Some distortion in Weir's vocal mic throughout the show, there's what sounds like a rogue kick drum as well - There is some bleed through of previously recorded material in the right channel, similar to, but not as severe, as the Harrisburg 6/23/84 soundboard. Because of this, the majority of between song tunings are in mono - Level/Mix fluctuations in "China Cat Sunflower" - Truckin' space included in "Truckin'" - Pitch corrected Re-Mastered by Scott Clugston August 2024
Taper: Ken Kelley
2:29:11
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-30.167231.nak100.kelley.miller.clugston.flac2496
Source:
Ken Kelley's Master Audience Cassettes; Nakamichi 100 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:25 patch in the "Cassidy > Loser" transition - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220t source which, when combined with Bob Wagner's Nakamichi 700 source, supplies a 5:10 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2023
Taper: Ken Kelley
2:29:11
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-30.167230.nak100.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; Nakamichi 100 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:25 patch in the "Cassidy > Loser" transition - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220t source which, when combined with Bob Wagner's Nakamichi 700 source, supplies a 5:10 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2023
Taper: Recorded by Bob Wagner
2:30:51
Taper:
Recorded by Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-07-30.150940.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220t source which supplies a 5:21 patch in the "Drums > Space" transition - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2020
Taper: Recorded by Bob Wagner
2:30:51
Taper:
Recorded by Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-07-30.150939.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Bob Wagner for the master (FOB) cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220t source which supplies a 5:21 patch in the "Drums > Space" transition - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2020
Taper: Rango Keshavan
2:23:56
Rating:
8.67 / 7 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1983-07-30.fob.sony220t.keshavan.miller.96401.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- There is some slight wind noise -- Thanks to Rango Keshavan for lending me his masters
Taper: Les Shields and Kevin T. Hughes
2:21:16
Taper:
Les Shields and Kevin T. Hughes
Transferrer:
Kevin T. Hughes
SHNID:
gd1983-07-30.161878.nak300-cp4.shields-hughes.flac2496
Source:
Two Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder > Sony D6 Recorder > (Master) Maxell MX 90 Cassette(s) 9 feet high located FOB
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > CD Wave Editor (WAV to FLAC 2496 Conversion)
Taper Notes:
View Notes// - tape pause or tape flip ~20 sec patch at start of Around and Around to cover tape flip using the Hunter Seamons matrix recording.
Taper: John O'Connor
2:13:47
Rating:
9.00 / 2 ratings
Taper:
John O'Connor
SHNID:
gd1983-07-30.150283.nak100-oconnor.flac1644
Source:
Source: Nakamichi 100 shotguns > Sony D5 Location: FOB
Source 10 of 10
2:17:57
Rating:
7.17 / 12 ratings
SHNID:
gd83-07-30.aud.dodd.11932.sbeok.shnf
Source:
ACM>DAT>CDR
Taper Notes:
View NotesACM>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd