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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.4k329
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h707100
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.6k620
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.1k143
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.5k326
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k361
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.9k490
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k151
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.7k289
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h86296
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k233
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k196
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.5k195
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k229
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k281
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k677
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k186
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h7.1k908
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h15.1k2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h8.1k1.1k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h86572
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.3k533
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k572
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.1k388
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k232
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k730
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k571
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60175
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14822
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h49035
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h493
7d1277
30d57234
2 shows
2 tapes
1983
6/20/83
Tuning
2:06
Minglewood Blues
9:04
They Love Each Other
10:34
Little Red Rooster
10:04
Peggy-O
8:35
My Brother Esau
5:07
Tennessee Jed
10:01
Hell In A Bucket
6:54
West L.A. Fadeaway
9:08
The Music Never Stopped
9:06
Tuning
0:21
China Cat Sunflower ->
8:01
I Know You Rider
6:50
Samson And Delilah
9:14
He's Gone ->
12:26
Truckin' ->
10:22
Drums ->
7:49
Space ->
5:40
Little (Bob) Star ->
1:05
The Other One ->
4:43
Wharf Rat ->
8:42
Sugar Magnolia
12:34
It's All Over Now, Baby Blue
7:14
FIN
View on archive.org
Sources
Taper: Jim Vita
2:48:43
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-06-20.163432.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the AKG D330BT Sennheiser 421 blend source which supplies the crowd and first notes of "China Cat Sunflower" (0:16 total), as well as the end of the Jam out of "Truckin'" and "Drums" (8:23 total) - Pitch Corrected Mastered by Scott Clugston August 2022
Taper: Jim Vita
2:48:43
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-06-20.163431.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the AKG D330BT Sennheiser 421 blend source which supplies the crowd and first notes of "China Cat Sunflower" (0:16 total), as well as the end of the Jam out of "Truckin'" and "Drums" (8:23 total) - Pitch Corrected Mastered by Scott Clugston August 2022
Taper: Chris Hecht
2:44:04
Rating:
10.00 / 2 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-20.148016.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to David Minor and Matt Vernon for the shnid83762 Sony 939LT source which supplies the crowd and first notes of "China Cat Sunflower" (0:25 total), as well as a 0:53 patch in the pre-drums "Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 2019
Taper: Chris Hecht
2:44:04
Rating:
10.00 / 1 rating
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-20.148015.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to David Minor and Matt Vernon for the shnid83762 Sony 939LT source which supplies the crowd and first notes of "China Cat Sunflower" (0:25 total), as well as a 0:53 patch in the pre-drums "Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 2019
Taper: Dave Barfield and David Lane
2:15:36
Taper:
Dave Barfield and David Lane
Transferrer:
david barfield
SHNID:
gd1983-06-20.140672.nak300.barfield.lane.flac2496
Source:
source: nak 300 (location ?) > tcd5m MX90 +dolby > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, tracks, fades) > flac2496 > act (tags, checksums); recorded: david lane + david barfield; transferred/seeded: barfield
Taper Notes:
View NotesNOTE: 3 songs top of show missing due to loop traffic +utter chaos at venue (GONE — New Minglewood Blues They Love Each Other Little Red Rooster)
Taper: chasingwilma
2:44:21
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-06-20.119816.aud.chasingwilma.flac24
Source:
source: (3) audio technica atm11> d-5; conversion: sony tc we435> soundcard> cdwave 44100/stereo/24 bit> traders little helper encoding option 8
Taper: Da Weez
2:42:36
Rating:
10.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-06-20.117531.Sennheiser421.daweez.d5scott.flac16
Source:
source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnote: * with "Bob Star" --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Bob Morris
2:43:22
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1983-06-20.nak300.morris.102042.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Recorded from Section Right Loge, Row J, Seat 208
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: David Minor
2:55:40
Rating:
9.00 / 3 ratings
Taper:
David Minor
Transferrer:
David Minor and Matt Vernon
SHNID:
gd1983-06-20.fob.minor.vernon.83762.sbeok.flac16
Source:
fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6
Lineage:
MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8
Taper Notes:
View Notesshow notes - final "Bob Star" - "Aboriginee dream" rap during "Sugar Magnolia" - lightning throughout show causes some PA volumne drops source notes - volume adjustment at the start of Minglewood (could be PA?) - tape pause after Peggy-O - tape flip after My Brother Esau - minor volume change in West LA near end (could be PA?) - drop the tuning/crowd track from disk 1 to fit onto 80 minute audio cd - about 12 secs from patch source 32795 in Truckin' after verses completed - most of drums from shnid 11931 (this source has left channel limited clipped ), shnid 32795 also was missing drums "We didn't record drums since that would've taken one extra flip and with the weather" shnid 32643 was also missing the same segment in drumz not covered by this source and 11931. Patch Source 1 : Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (Dean Grabski recording) shnid 32795 Patch Source 2 (Most of Drums) : FOB-Sennheiser 421>MasterCass>Dat>CD shnid 11931 Conversion tracking etc by Matt Vernon
Taper: Dean Grabski
2:36:53
Rating:
9.29 / 29 ratings
Taper:
Dean Grabski
Transferrer:
Dean Grabski
SHNID:
gd1983-06-20.nak300.grabski.32795.sbefail.flac16
Source:
Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (outside in the insane weather and thick sound!) Thanks to Ted (?) for the patch.
Lineage:
Maxell XLIIS Master > Nakamichi DR-3 > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1
Taper Notes:
View NotesLocation: Outside on the lawn, slightly right of center about 30 ft from the repeaters. The sound was incredibly clear - of course you can hear the rain during quieter parts of the second set, but for those there it just adds to the intensity of the listening experience. Notes: This is one of the most memorable Grateful Dead concerts I've attended. The weather and band were incredibly fierce. There are so many vivid memories of this night - of course the intense weather; there were record rainfall amounts set and huge bright lightning bolts filling the sky. The thoughts that go through ones head when lightning is crackling all over the place and you have an aluminum microphone stand (lightning arrestor) up in the air with a tape deck wired directly to your chest! Were we dedicated, insane or both? I remember the microphones owner dressed up in sailing foul weather gear looking like a mad ship captain around the mast -"ah mate bring it on".. There were others patched out of me and another rig or two set up during the 1st set but they all bailed shortly into the 2nd set or during the break. During the 2nd set there were a few times when the power would go out, it's pretty wild to listen to since you can hear the stunned audience come up from the silence, then the power comes on with a speaker pop and Phil just wails! Walking out I was completely stunned by the whole experience, getting into my car and trying to find a hotel since there was no way we were going to try to camp that night? Sorry for taking so long to share it with you. Flaws: We didn't record drums since that would've taken one extra flip and with the weather
Taper: Richard Colyard
2:37:45
Taper:
Richard Colyard
Transferrer:
MULETAPER
SHNID:
gd1983-06-20.fob.senn421.coyotte.muletaper.32643.sbeok.flac16
Source:
FOB-35FT off Stage@10ft 2 Sennheiser Md421's>Sony TCD5>Maxell XL2 Cassettes
Lineage:
Sony TCD21>Soundforge 8.0(record,resample,fades,anti-alias filter in highest setting)>CDWav(tracks)>Flacfrontend(flac16bit)
Taper Notes:
View Notesfinal "Bob Star" - "Aboriginee dream" rap during "Sugar Magnolia" Notes:This file required hours of editing to bring it to its best digital quality.Fades have been applied to the beginning and end of alot of songs.It does not hurt the quality.When recorded,pause was used between songs to save space on the cassette Master.This was a common practice on most analog cassettes taped then.we tried to save as much space as possible when we could back then.Coyotte did a great job of hitting pause at the right times.no music was lost except a few seconds between truckin' and Space.I blended this the best I could using Soundforge 8.0,but you wont notice it.This is the first of many of Coyotte's FOB Masters being released for you all to enjoy. Many more unrealeased sources of his will follow this.be on the lookout,his recordings are really great. Enjoy this and please feel free to leave comments,or let me know if there are any problems I missed.( I dont think there are any....but you never know.) please note during wharfrat,there is a huge lightning strike that distorts the pa for a few seconds after getting charged with 50,000 volts..lol..and the PHIL BOMBS that follow... M.T. A special thanks for Rick for making these possible for everyone to enjoy!!!
Source 12 of 13
2:47:06
Rating:
9.03 / 35 ratings
SHNID:
gd83-06-20.fob-senn.sws.11931.sbeok.shnf
Source:
Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD
Taper Notes:
View NotesSet 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD; Set 2 From Space to Sugar Mags is FOB-Sennheiser 441>PCM>Dat>CD; Seeded to etree by SWS
Taper: J. Silberman
1:26:55
Rating:
8.33 / 6 ratings
Taper:
J. Silberman
Transferrer:
PWS
SHNID:
gd1983-06-20.aud-set2.silberman.3926.sbeok.shnf
Source:
Sen. 441 -> D5 -> Dat
Lineage:
Pan SV3700 -> Za2 -> .shn
Taper Notes:
View NotesNotes: Just before the start of the set, listen for the thunder in the background. At several points during the show the power goes outand back on, creating a big pop. Distortion in Wharf Rat is on the master.