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June 8th
Years
1995
30k
PlaybackListensHours
48h71698
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h737101
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.6k475
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.8k359
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.2k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.7k352
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k370
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k150
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k247
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h928102
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k207
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k143
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k205
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k219
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k291
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.4k686
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k277
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.4k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.5k485
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h86985
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.5k574
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.5k583
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.3k403
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k222
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h9.1k926
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k361
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h36344
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11115
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23618
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h402
7d1026
30d57334
2 shows
2 tapes
1983
6/20/83
Tuning
2:06
Minglewood Blues
9:04
They Love Each Other
10:34
Little Red Rooster
10:04
Peggy-O
8:35
My Brother Esau
5:07
Tennessee Jed
10:01
Hell In A Bucket
6:54
West L.A. Fadeaway
9:08
The Music Never Stopped
9:06
Tuning
0:21
China Cat Sunflower ->
8:01
I Know You Rider
6:50
Samson And Delilah
9:14
He's Gone ->
12:26
Truckin' ->
10:22
Drums ->
7:49
Space ->
5:40
Little (Bob) Star ->
1:05
The Other One ->
4:43
Wharf Rat ->
8:42
Sugar Magnolia
12:34
It's All Over Now, Baby Blue
7:14
FIN
View on archive.org
Sources
Taper: Jim Vita
2:48:43
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-06-20.163432.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the AKG D330BT Sennheiser 421 blend source which supplies the crowd and first notes of "China Cat Sunflower" (0:16 total), as well as the end of the Jam out of "Truckin'" and "Drums" (8:23 total) - Pitch Corrected Mastered by Scott Clugston August 2022
Taper: Jim Vita
2:48:43
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-06-20.163431.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (18th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the AKG D330BT Sennheiser 421 blend source which supplies the crowd and first notes of "China Cat Sunflower" (0:16 total), as well as the end of the Jam out of "Truckin'" and "Drums" (8:23 total) - Pitch Corrected Mastered by Scott Clugston August 2022
Taper: Chris Hecht
2:44:04
Rating:
10.00 / 2 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-20.148016.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to David Minor and Matt Vernon for the shnid83762 Sony 939LT source which supplies the crowd and first notes of "China Cat Sunflower" (0:25 total), as well as a 0:53 patch in the pre-drums "Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 2019
Taper: Chris Hecht
2:44:04
Rating:
10.00 / 1 rating
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-06-20.148015.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to David Minor and Matt Vernon for the shnid83762 Sony 939LT source which supplies the crowd and first notes of "China Cat Sunflower" (0:25 total), as well as a 0:53 patch in the pre-drums "Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston August 2019
Taper: Dave Barfield and David Lane
2:15:36
Taper:
Dave Barfield and David Lane
Transferrer:
david barfield
SHNID:
gd1983-06-20.140672.nak300.barfield.lane.flac2496
Source:
source: nak 300 (location ?) > tcd5m MX90 +dolby > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, tracks, fades) > flac2496 > act (tags, checksums); recorded: david lane + david barfield; transferred/seeded: barfield
Taper Notes:
View NotesNOTE: 3 songs top of show missing due to loop traffic +utter chaos at venue (GONE — New Minglewood Blues They Love Each Other Little Red Rooster)
Taper: chasingwilma
2:44:21
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-06-20.119816.aud.chasingwilma.flac24
Source:
source: (3) audio technica atm11> d-5; conversion: sony tc we435> soundcard> cdwave 44100/stereo/24 bit> traders little helper encoding option 8
Taper: Da Weez
2:42:36
Rating:
10.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-06-20.117531.Sennheiser421.daweez.d5scott.flac16
Source:
source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnote: * with "Bob Star" --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Bob Morris
2:43:22
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1983-06-20.nak300.morris.102042.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Recorded from Section Right Loge, Row J, Seat 208
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: David Minor
2:55:40
Rating:
9.00 / 3 ratings
Taper:
David Minor
Transferrer:
David Minor and Matt Vernon
SHNID:
gd1983-06-20.fob.minor.vernon.83762.sbeok.flac16
Source:
fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6
Lineage:
MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8
Taper Notes:
View Notesshow notes - final "Bob Star" - "Aboriginee dream" rap during "Sugar Magnolia" - lightning throughout show causes some PA volumne drops source notes - volume adjustment at the start of Minglewood (could be PA?) - tape pause after Peggy-O - tape flip after My Brother Esau - minor volume change in West LA near end (could be PA?) - drop the tuning/crowd track from disk 1 to fit onto 80 minute audio cd - about 12 secs from patch source 32795 in Truckin' after verses completed - most of drums from shnid 11931 (this source has left channel limited clipped ), shnid 32795 also was missing drums "We didn't record drums since that would've taken one extra flip and with the weather" shnid 32643 was also missing the same segment in drumz not covered by this source and 11931. Patch Source 1 : Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (Dean Grabski recording) shnid 32795 Patch Source 2 (Most of Drums) : FOB-Sennheiser 421>MasterCass>Dat>CD shnid 11931 Conversion tracking etc by Matt Vernon
Taper: Dean Grabski
2:36:53
Rating:
9.29 / 29 ratings
Taper:
Dean Grabski
Transferrer:
Dean Grabski
SHNID:
gd1983-06-20.nak300.grabski.32795.sbefail.flac16
Source:
Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (outside in the insane weather and thick sound!) Thanks to Ted (?) for the patch.
Lineage:
Maxell XLIIS Master > Nakamichi DR-3 > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1
Taper Notes:
View NotesLocation: Outside on the lawn, slightly right of center about 30 ft from the repeaters. The sound was incredibly clear - of course you can hear the rain during quieter parts of the second set, but for those there it just adds to the intensity of the listening experience. Notes: This is one of the most memorable Grateful Dead concerts I've attended. The weather and band were incredibly fierce. There are so many vivid memories of this night - of course the intense weather; there were record rainfall amounts set and huge bright lightning bolts filling the sky. The thoughts that go through ones head when lightning is crackling all over the place and you have an aluminum microphone stand (lightning arrestor) up in the air with a tape deck wired directly to your chest! Were we dedicated, insane or both? I remember the microphones owner dressed up in sailing foul weather gear looking like a mad ship captain around the mast -"ah mate bring it on".. There were others patched out of me and another rig or two set up during the 1st set but they all bailed shortly into the 2nd set or during the break. During the 2nd set there were a few times when the power would go out, it's pretty wild to listen to since you can hear the stunned audience come up from the silence, then the power comes on with a speaker pop and Phil just wails! Walking out I was completely stunned by the whole experience, getting into my car and trying to find a hotel since there was no way we were going to try to camp that night? Sorry for taking so long to share it with you. Flaws: We didn't record drums since that would've taken one extra flip and with the weather
Taper: Richard Colyard
2:37:45
Taper:
Richard Colyard
Transferrer:
MULETAPER
SHNID:
gd1983-06-20.fob.senn421.coyotte.muletaper.32643.sbeok.flac16
Source:
FOB-35FT off Stage@10ft 2 Sennheiser Md421's>Sony TCD5>Maxell XL2 Cassettes
Lineage:
Sony TCD21>Soundforge 8.0(record,resample,fades,anti-alias filter in highest setting)>CDWav(tracks)>Flacfrontend(flac16bit)
Taper Notes:
View Notesfinal "Bob Star" - "Aboriginee dream" rap during "Sugar Magnolia" Notes:This file required hours of editing to bring it to its best digital quality.Fades have been applied to the beginning and end of alot of songs.It does not hurt the quality.When recorded,pause was used between songs to save space on the cassette Master.This was a common practice on most analog cassettes taped then.we tried to save as much space as possible when we could back then.Coyotte did a great job of hitting pause at the right times.no music was lost except a few seconds between truckin' and Space.I blended this the best I could using Soundforge 8.0,but you wont notice it.This is the first of many of Coyotte's FOB Masters being released for you all to enjoy. Many more unrealeased sources of his will follow this.be on the lookout,his recordings are really great. Enjoy this and please feel free to leave comments,or let me know if there are any problems I missed.( I dont think there are any....but you never know.) please note during wharfrat,there is a huge lightning strike that distorts the pa for a few seconds after getting charged with 50,000 volts..lol..and the PHIL BOMBS that follow... M.T. A special thanks for Rick for making these possible for everyone to enjoy!!!
Source 12 of 13
2:47:06
Rating:
9.03 / 35 ratings
SHNID:
gd83-06-20.fob-senn.sws.11931.sbeok.shnf
Source:
Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD
Taper Notes:
View NotesSet 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD; Set 2 From Space to Sugar Mags is FOB-Sennheiser 441>PCM>Dat>CD; Seeded to etree by SWS
Taper: J. Silberman
1:26:55
Rating:
8.33 / 6 ratings
Taper:
J. Silberman
Transferrer:
PWS
SHNID:
gd1983-06-20.aud-set2.silberman.3926.sbeok.shnf
Source:
Sen. 441 -> D5 -> Dat
Lineage:
Pan SV3700 -> Za2 -> .shn
Taper Notes:
View NotesNotes: Just before the start of the set, listen for the thunder in the background. At several points during the show the power goes outand back on, creating a big pop. Distortion in Wharf Rat is on the master.